Category: Episodes

  • In the Mind of a Game Designer: Edward Williams’ Kingdoms of Amnesia

    In the Mind of a Game Designer: Edward Williams’ Kingdoms of Amnesia

    Episode 113. First Broadcast 17 July, 2025.

    We interview Edward Williams, who has recently published his tabletop role-playing game (TTRPG) “Kingdoms of Amnesia.” This game is set in a post-cataclysmic world where history has been fractured and restarted. We explore Edward’s creative process and inspirations, examine the unique aspects of his Game Master (GM) philosophy, delve into his interesting mechanical choices, discuss the rich lore, and address the social and community aspects of RPG design.

    For more information about “Kings of Amnesia” email [email protected]

    📝 Show Full Transcription
    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode.
    Craig You’re listening to Edge Radio 99.3 FM. This is media mothership here broadcasting out of Edge Radio Studios in Nepal. Luna Hobart TAS. Taylor Hey, that sounds familiar. Craig We explore how media can shape our understanding of the world. Around us, we’re streaming on edgeradio.org dot AU as well as on YouTube and Twitch. Yep, Yep. Just find us by searching media mothership. We’re also on the DAB. Tab, The DAB system digital audio broadcasting system message in during today’s show. Because it’s an exciting, fantastic deep dive that we’re doing so. So have this number ready 0488811707 to ask US questions with our special guest as we’re doing the next. Taylor Oh yeah. Craig Now you can also send a message on the chat. On YouTube or? Twitch as always, I’m your host Craig Norris, and we’ll come back right after this tune. All right, welcome back. Special guest Edward Williams. Edward. Hello. Fantas, thank you for coming on and co-host Taylor. So Edward, you’ve been really generous in terms of giving us the exclusive media release on this new project you’ve set up. We’ve had you on in the past with Big Love studios. Yes, this is Ulta like this. Well, you’re a busy guy. Edward Yeah, no, this is completely different project separate from Daniel. It’s mine. Craig The only thing. Yeah. So this is the launch. Well, you’ve launched already, this is the part of the media tool you’re doing promoting. Edward Yeah, yes, yeah. Craig Media tour media. Of your new tabletop role playing game, yes called Kingdoms of Amnesia. Edward Yes, yes. Well, yes. Craig Yep, Yep, Yep. So for those that don’t know, what is table? Top role playing. Edward Games. Oh. You know. Many people have many different definitions of a tabletop role play, Gabe Craig, but my definition is it’s basically. Collaborative role playing with the medium of a set of rules so. Without those rules, the, the, the the game element of it sort of isn’t really there, and it’s basically a marriage of the two role playing and gaming at the same time. Craig Yes. Speaker Yeah. Craig And people would know of Dungeons and Dragons, dungeons Dragons like. I mean, I guess you’re talking about. Edward It’s it’s dungeons and Dragons. Craig. Yeah. No, no, it’s it’s, it’s. For for people who aren’t aware of it, dungeons and Dragons is probably the best way and easiest way to. Sort of explain it to people. Craig But and you’ll have, like a storyteller, a games master there. And then people will choose characters like someone will be an elf. Another person will be a dwarf, and then you’ll have and the barbarian guy. Yeah. Yeah. And yeah, then you just kind of become murder hobos. Well, see. Edward See if they want. The rules are designed specifically to avoid the instances of murder hobos, murder hobos for those who don’t know, are basically when you play a role playing game. In my opinion, often there’s no stakes, so you just go around killing everyone you see in the game. In the game, in the. Speaker Hey. Edward Game in the game. Craig That’s right. You go into a village and the games master might have set up a store for you to buy things off and suddenly the place is saying I just killed the storekeeper. And take all. Edward The things. Yeah, I mean that’s an easy way of doing it. Craig So your game is is, is is very dense and we’ve got our hands on the kind of players dungeon master Compedium. We’ll show it up to. Edward The camera. Ohh yes, the the camera for those who are watching the stream and just listening. Craig There we go. Speaker Yeah. Craig This beautifully produced kingdoms of amnesia. Table top role playing game by Edward Williams. Now what sparked the initial idea for kingdoms of and was there something I said? You know, I need to create this. Edward World. Well, I’ve always been a creative person, as you know, Craig. But. I started to try and make tabletop role playing games when I couldn’t afford Dungeons and Dragons. Speaker So I couldn’t. Edward Afford dungeons and Dragons or Pathfinder, so I decided to make a game. However the. I I didn’t know what I was doing and say there was no systematic way about it and the mechanics came first and then the law sort of sprinkled its way in and filtered in. As I as I started to make it, as it started to become more solid as a game. Craig Right. So this has been in your mind. For a while. Edward Yes. Craig How long has it taken you to develop the game from that initial concept to this completion? Edward Let me just do the maths in my head. Play some music last year. Speaker No. Edward While you’re waiting for this. Taylor It just I I just wanna say here I’m glad that they found like decimal currency in the world cause 1 gold coin is worth 10 silver coins. Brilliant. Craig That’s pretty. Edward Yeah. Yes. OK. So yeah, it is. It is decimalized and it does. Is the metric system because because it’s not a traditional fantasy setting? Yeah, which I’ll get into at a moment if you want. So let’s see. How long has it been? It has been 14 years. Wow. Yeah, yeah. Speaker Excellent. Craig 14 years. Great. Yeah. So this has really been percolating for for quite. Edward A while. Yeah. And look for those who’ve you who have seen the book. It’s only 50 pages, but those are 50 pages, which has been distilled down to the very, very best and refined and refined and refined and. I’ve I’ve started again about four or five times. I think it’s four times. At one stage there was a version of the game that was 115 pages, but it was just so messy and. I think the length or the volume within the book isn’t a reflection of the quality inside. Craig Right. OK. Well, we might. Edward As in, there’s no correlation between the thickness and quality. Is what I meant to say. Craig Ah. It’s still quite a hefty tone. OK, so let’s go into the concept of this world that you’re setting up. Histories being fractured and restarted, yes, which is really fascinating premise to start the world with what? Drew you to. Explore this theme of kind of lost memory and cyclical struggle well it. Edward It all started out as a thought experiment to see if I could create the perfect world, and then as I was creating this perfect world, I realised that hang on a second, I’m starting to become a. Very. I’m becoming a despot in this perfect. So it sort of made me really realise that. Wow. Even like, no matter how good your intentions are, you go, you always end up sort of going if only people just did what I said, then everything would be good. And then you realise, oh, hang on. I’m being a bit of a. Bit of a dictator here so. It it it basically boils down to that thought experiment and then. Sort of stories kind of spin off from there. Hmm. And so they’re, quote unquote, perfect world is actually an imperfect world because it’s enforced by thought policing. And we’re not thought policing more like Huxley’s brave new world rather than a 1984. Craig Well, let’s go into those 3. Central mythical characters that are in this, so you’ve got the whale, the Leviathan and the minnow. Edward The minnow is a very minor. Character, sorry to. Craig Favourite. Edward OK, OK. So the the minnow, OK, so. Craig What’s their relationship to? Speaker Yeah. Edward Each other, so the minnow is actually a very important character, just not very. The role of the minnow is sort of a a bit more of a secretive thing. At the moment I sort of want to kind of drip feed out the story and and so have the mystery kind of. Unwrap as people play the game as people get interested in it, even if people are just interested in the story and not necessarily the game. That’s fine with me, but I will talk about the whale and what was the other one that. Craig So we’ve got the whale, the violin. Taylor You know this? Yeah, well, no, no. Edward No, no. OK. So my interpretation of what the important characters are versus your interpretation of what the important. Craig All right, right. Right. Speaker OK, well. Because I guess because what we’ve. Craig Got here is the settings. This is a post cataclysmic yes, well and and so history has been fractured and restarted. And then you’ve got this deep lore involving powerful mythical entities. You’ve got the whale, the Leviathan, the Mino and this complex social and political dynamics which is centred on the. Edward Yeah. Yes. Craig Enigmatic emperor yes, and ancient machines like the Colossus. Yes, right. So this, this detail. And then in the rule book you’ve got the core rules and the advanced rules. Yes. Right. And so there’s. Speaker Really. Craig Mechanics that cover everything from character creation, combat, magic, environment, social interaction. So I want to dig. Into some, yeah, yeah. Start with is this world building right? So these three central characters, what is the relationship between? Edward Yes. The these mythic entities. OK, so I’ll start with the Leviathan. The Leviathan is the easiest 1. The Leviathan is basically ripped straight out of Thomas Hobbs. This philosopher economist. Craig Yep. Edward Political analysts from the 1700s, basically, his thick tone can boil down to basically government entities. Spiral out of control, no matter who’s in charge, no matter how good the intentions are, they start to eat away at society, and society collapses in on itself because of the government. Sort of, yeah. Craig Sounds like like Bioshock, or it’s the video game. It’s a great premise, this one where, you know, utopic vision then. Edward And and that’s the Leviathan. The Leviathan is an actual entity that starts off as, oh, I love this. So. So the the Leviathan starts off as a small serpent, much like the serpent in the Garden of Eden. Speaker Right. Edward You know Adam and Eve and then. So it it sort of digs its fangs. I guess you could call them into someone or a group of people. I’m not going to say who, because that gives away too much of the mystery of of this story. And then it sort of grows into this Leviathan that basically swallows everything. In its path, yes, but it sort of collapses in under its own weight before that happens, and then it starts off as a small serpent again and sort of slowly builds up. And so it’s a repeating cycle. So that’s the Leviathan. That’s the Leviathan and the whale. The whale is sort of more like. An innocent bystander in all of this, and that the source of all life comes from this whale. Craig And the whales kind of sacrifices itself. Edward It’s sort of not necessarily sacrifice, it’s sort of. Becomes catatonic and. Is in a state of shock after this apocalypse that happened hundreds of years ago. Craig Yeah, and that seems really central. To the theme of role playing games this kind of. You know the whale sacrifice is kind of a central aspect to. Edward Yeah. Well, it’s it’s it’s not a a, a voluntary sacrifice. It’s a sacrifice that. Just comes about because of the amount of destruction it can’t handle it. And it also represents wisdom being passed down through the ages, and because it’s in a catatonic state. Yes, everyone forgets. Hence the name kingdoms of amnesia. So everyone forgets what actually. Happened in the past. Craig So like a fall of the Roman Empire, dark ages. Exactly. Yeah. Loss of that wisdom. And then you have the Renaissance. Yeah. Yeah, 800 years after. Edward Yeah. And the Mino the Mino is is. Representative of more. So yes, the whale does sacrifice itself, but it’s an unwitting or involuntary sacrifice, whereas the minnow is a voluntary sacrifice and it’s basically saying that it doesn’t matter how small you think you are in this world. If you sacrifice yourself, then that is one of the biggest things you could do anyway so. Craig Like the final episode of school games, no spoilers, though. Taylor Hey I haven’t watched it. I haven’t. Craig Sacrifices pretty much wrapped. Into it I’ve. Edward Only seen the first series to be honest. OK. Craig But you know, fortunately, here to promote good games. Edward Yes. Yeah, forget about this, minnow and this whale and Leviathan and the squid games. Speaker Why? Craig You want to talk about the Colossus, right? So without spoilers, if you could hint at what. The role of the ancient machine parties, right? The the Colossus in this world. Edward It’s less of a philosophical and conceptual entity. It’s more of a. Craig Leftover soldier, right? So it’s been like it reminds me a bit of the some of Miyazaki’s anime, the Laputa film, where you have those Colossus robots that are all kind of natures. Reclaim them in a way, but they they could get. Taylor That colossus thing, right? Hmm. Edward Reactivated and exactly. Yeah, it’s more of a blank slate than the other 3. Craig So. Dense, fascinating world building within this the other thing that really struck me as I was reading through it was your philosophy towards being a game master. Yes. And at certain points you’ll you’ll address the reader about how you kind of feel games. Master could best approach. Unpacking all this and delivering content. Edward Yeah, and. That that’s a section in the book that I had to think long and hard before actually putting it in because I I was thinking, what right do I have to tell people how to play the game? Because I do repeat somewhere in the book that it’s their game, they can play it however they want. So really, who am I to say no? This is how it should be played then I thought. Margaret Gary, Guy, Gary Gary, Gary Gygax did it. And you know I’m gonna do it, but mines more suggestions rather than prescriptions. I’m not telling people what they have to do, just more sort of hey. Speaker I. It’s great. Yeah, yeah. Look. Edward It might be a good idea to approach it this way, so some of the things that I say in there like you’re not there to write a story, you’re there to role play and for a lot of people that might come across as being a bit sort of well hang on, isn’t the act of role playing collaboratively? Going to end up in a story. Yes it is, but if you’re. If your intention is to create a story, then you then you go and create contrivances for your characters and sort of go Oh well. Well, it would make a better story if my character didn’t do this, so I know that my character would do that, but I’m going to make them do this, so we’ve got a cool story to go along with it. Craig Because I like that distinction and emphasis you placed on game masters and the game master, of course, is the person who’s directed the action. They’re the ones who will set up, you know, so you’re in a wilderness, you’re coming to a Tavern. Edward The the the game master is in my opinion and again everyone. This is my opinion. You can have differing opinions and but this is. This is mine. This is mine. Damn it. Sorry, sorry. Getting a bit angry there. So my in my opinion, the game master is there to create the environment with which the other players interact with the world. And it’s difficult to sort of. Speaker OK, you’ve done that. Edward Because on one hand you go well, the game master generally puts a heck of a lot more effort in than the players they’re putting on putting in a lot of effort into the scenarios, into the locations and the NPCS non player characters. But. That should be done willingly and it should be a a not a burden, but something that they do out of joy and passion and love for their players. You know, and I’m very big on on this sort of. Showing love to people and and yes, you know. Love might be a bit of a strong word, but it’s the word. I like to use. Craig Because you do make that point that the game masters should see themselves as facilitators rather than storytellers controlling the narrative. And it’s a very strong stance to take and. I was kind of curious if there was a. A kind of personal experience that led. You to that. Was there a game experience that you’ve had where that it did go well? Is there an experience? That led you to that philosophy. Edward Yes, Craig, there is. Craig OK. Is it child friendly? Do we need to? Make a language warning. Edward No, no, no, no, this is this is. Child friendly basically. I I’ve gone into games blind where GM’s. Sort of. They have this mentality of no, no, this is what we’re doing. You will. You will do this. And this is the role you play within that. And if you deviate from that role, then you know you’re not playing it properly. And I’m just sort of thinking. What this is this is insane. I’m here to enjoy myself. And. And you’re here to enjoy yourself. And if in order for you to enjoy yourself, you have to sort of. Shackle. Your fellow playmates. That’s kind of it just rubs me the wrong way. Craig Yeah. So rather than facilitating a direction that might not be the initial plan. Edward Yeah. Craig That you’re asked to have. Edward And This is why I say role play, not storytelling. Because if you’re telling a story, then the GM in their mind goes no, no, no. You’re supposed to be doing this. You know, you need to follow the story because if you’re not doing this, you’re not following the story. You’re not playing my game. And yeah. And I’ve also had gems where it’s like, OK, we’re going to break for lunch. Now back in 15 minutes, I’m thinking. Is this is this a? Is this a? Am I at work? Is this a? Is this a? Is this a 15 minute? You know, break from my my job, you know, so a lot of the experiences I have had. Have been very much. That and and then the GMs also hold it over the other players that they’ve put in all this effort, they’ve paid all this money for all these books and all this stuff and I’m thinking. Yes, you have, but that doesn’t give you the right to dictate to me. The the terms of of of this session you. Craig Know. Yeah. Yeah, there there should be and. And because I guess if you if the gym isn’t going to listen, yeah, what is your recourse to just leave or to? Edward Yeah, yeah, yeah. Look, I’ve I I think it’s best to just leave, give them a chance or two. In the past, I haven’t done that, but that’s something in circumstances where the gym has been a real. Like you know, this is this is. You you are. You are here to roll dice. You’re not here to make decisions. And. And that’s where I go. Yeah, I’ve been lied to. I’m not going to play. And I just leave. Craig Because I guess, yeah, I mean it’s it’s, it’s tricky, isn’t it? It’s a new if you’re a new GM in particular to shift that mode of thinking from feeling, you need to control the story. To being able to embrace player agents. Edward Yeah. And honestly, there is no right answer. That’s just my opinion. The the reality is, is that that there’s hours upon our hundreds, thousands, probably millions of hours of YouTube videos and millions of articles of people discussing this very topic and. There’s no consensus and so. Craig I guess it’s very context specific. Edward Exactly. And you know you. There might be a situation where one of your players has a bit of anxiety around making decisions. Craig Yeah. Edward And they may need a little bit of. Additional support in that and that inevitably results in you taking away some of their agency, which if that’s how you want to deal with it, if that’s what makes you both comfortable, then that makes you both comfortable. And so I’m not here to tell people what to do. I’m just saying my thoughts on it. So it even says my thoughts on being a GM, it doesn’t say. Yes, it doesn’t say. This is how you have to play the game. Oh, yeah. My thoughts on TTR RPG. So tabletop role playing game there we. Craig Go. It is mapped out. I mean in there. You do write. Specifically of these consequences being real and unavoidable, and the other examples. That you’ve encountered. Edward Yeah, but they’re they’re a bit too. Close. Craig Because it’s very emotional. I mean, I guess, yeah, there’s in these spaces, it can be you’re you’re having to be vulnerable. Edward Ohh you can. Yeah, you can easily destroy friendships if you don’t handle. It properly, yeah. Speaker Like. Edward It’s it’s not. You know. But yeah, I guess, yeah, it it’s it’s difficult because it’s just a game. But but, but you could really screw up friendships if you don’t approach it. Craig Yes. Edward You know, in a A a way that is. Wholesome for everyone. Craig And I found that this on page two of the manual to be really important. You know that you mapped it out again. I appreciate the. The difficulty of starting that conversation and but I. But you know, as we’re mapping out here, I think it’s so important. A lot of people forget that step of laying some ground rules or some expectations or just. During what each other expects, their roles will be in the space and before you know it, it’s gone too far down and and you’ve potentially broken something either the game. Or a friendship. Edward Yeah. Craig So, because equally you know there’s more positive stories that come out of these environments of role playing games than negatives. Fortunately, it can be. A great space. To develop and enrich friendships. Edward Ohh. Ohh yeah 100. Sent. You know you can help grow your friendships, you can help your problem solving and your communication skills and your maths. You can. You can expand all sorts of things through role playing. But. Some, sometimes. You can. Have a negative experience and when you have negative experience after negative experience after negative experience you’re so gotta ask yourself what’s the common denominator? Yes, you know why. Craig Is it me? Edward Yeah. Is it me you know? And, you know, reality is, it could be me. I could be the. Craig Problem. Yeah. Or it could be a particularly toxic environment, yeah. Edward Yeah, I mean I I I I had the arrogance to create my own tabletop role playing game because because nobody was playing the way I. Wanted to play. Speaker 1 That’s it. Craig I mean, I think that’s fantastic. Moving it from, you know, thought to practise now. You mentioned maths, so I want to talk a bit about the mechanics and some of the design decisions design decision made. So you’ve chosen the D100 and to the classic D20. Why the D100? Speaker Hmm. Edward Good question, Craig. I’ve wrestled long and hard for 14 years to come up with the answer. Well, 13 years at the time of this, this show, this radio show, so it it initially was. Speaker Yeah. Edward Oh gosh, this is going back like 14 years. So the initial thing was there would be, I think 6 stats, fairly generic stats. And for every point in that stat, you’ve got 1D6, so I’m going to use terms that may may not make sense to some people, so I’m just going to explain that one D6 is a six sided dice. Or die. So. That was cool because you got to roll a lot of dice because a lot, you know, a lot of the fun is rolling a lot of dice. Craig As long as the numbers are good. Edward Yeah, but the game was so unbalanced, which for for a tabletop role playing game balance isn’t necessarily the most important thing. Yeah, but it was so, so unbalanced that I thought, oh, because, you know, you’d have someone with two and a stat. Craig Yeah. Edward And someone with five in a stat and you’d be rolling 2 dice and they’d be rolling 5 and you go well. Well, this isn’t fun, you know. Speaker Yes. Edward So it went from that to 2D6 because I thought, oh, Bell curve, everyone likes the bell curve. You know anything to avoid a day 20? Because I because I don’t like the lottery aspect of it. The sort of what numbers gonna come up, you know, and. And I know, I know for a lot of people that is actually part of the appeal that is the draw. But for me that’s not really compelling game. Craig Particularly yes, if you if you constantly. The crap out on those roles? Yeah, it it can seem punishing in terms of it’s not anything I’m doing in terms of my decision making. It’s just bad luck with these damn dice roles, and that can quickly get old fast. Yeah. Edward Yeah. Craig So you’ve gone for D1. Edward 100 since AD 100 system and the reason I’ve gone for a D100 system is because the stats the stats make me go for a day 100 system. So in kingdoms of amnesia, unlike a lot of, well, a lot of more like. Craig Say it. Edward Unlike Dungeons and Dragons. Taylor Sure. Craig Should be a bingo card. That we’re going to. Edward Use. Unlike dungeons or Dragons, or and Dragons, unlike Dungeons and Dungeons and Dragons and Dragons. What am I saying? Craig We’re giving a lot of promotion for the. Edward Messages coming. Kingdoms of amnesia. No. So unlike. Games of that ilk. What is the point I’m. Trying to make Ohh hold on well. Craig Let’s go to the messages, yeah. We have Nathan, can you read that? From where you are. Not really. OK. We have Nathan Sylvester Taylor. We miss you. And what’s the topic today? OK. Well, just to remind people tuning in Edge Radio 99.3 FM, we’re talking with game designer. Taylor Just just reminding my stalker, yeah. Craig Edward Williams about his latest new game, Kingdoms of Amnesia, which you can see on the live stream now. And this is a tabletop role playing game. It’s a local game created here, and where can people find this if they’re wanting to dig into it while we’re talking about it? Edward Ah. That is a good question. So so I’ve been. I’m good at the creating side. I’m not very good at the distributing side. Taylor Distributed. Edward So there is a place called SB Games, SB games, not EB games. SB Games on Elizabeth St they’re they’re being sold there. I’m sort of testing the waters with Area 52, and I will eventually get around to talking to. Craig OK. All right. Edward Ohh Mona. Good games. Ohh good games, good games. No. Is that it? Yeah. Good games. Yeah. Yeah. Oh, my goodness. Sorry. Sorry. Good games. Craig Ohh great. That’s great, friend of the. Show, yeah. Edward So good games is on Brisbane St there I I saved it so OK, so the reason. That have gone with AD 100 system and the reason that the stats are the way that they are. So there’s 20. Oh gosh, 21 stats or 22 stats, I forget. And is because it’s a. It’s more stats based than abilities based, so in the game the other game you you choose abilities and you get more abilities and that allows you to do more things in a different way, whereas mine is just more sort of well, everyone can swim. It just depends on how competently that can. Right. Yeah. So that I mean, having said that, there are abilities in, in the game, otherwise it would be pretty there’d be no real flavour to the mechanics. And and that’s why day 100 to give people that room to put, Yep, more and more points into those stats. Craig So I mean, you also have core rules and advanced rules. How how would you suggest players approach? Edward That. OK, well, Craig. So there’s actually call rules, advanced rules and additional. Craig Rules, OK. Yeah. Edward Yeah. So additional rules are rules. OK now. There is a reason, so the core rules are you you really need to know these rules in order to play effectively. Otherwise you’re going to have to constantly ask someone sitting next to you. How do I? How do I do this? Craig And to get my health going. Edward Yeah. And so that’s only 1 1/2 pages. Or something I don’t know I. Can’t remember it is. Craig 22 pages 2 and a. Edward Half Pages, 2 1/2 pages I I know the game backwards and frontwards like the the front of my hand kingdoms of amnesia. That’s what we’re talking about. OK. Yeah, so. Speaker That’s right. Craig The additional rules is 1 and. Edward 1/2 yes, that’s it. So. The core rules are sort of. I hate using the word mandatory in order to play the game. You need to know the core rules in order to play the game. The additional rules are also rules that. You need to know, but if you’re not. Going to use them. Then you don’t need to know them. So like if you don’t plan on sneak attack grappling someone, for example, that’s an additional rules you don’t need to know it, you just need to know that that is a possibility. Advanced rules are sort of. When you want to add like. Customizations. To the guys. Craig Right. Edward Yeah, of course I do endorse home brewing. Home brewing is always. Craig Good. And that’s where you kind of. Set up house rules. Or you want to put some cyberpunk stuff in there or. Edward Yeah, yeah, exactly. Because I understand that I’m not. I’m not going to be able to cover everything. For every, I’m not going to be able to be everything to everyone. So I’m just making the game that I enjoy. That’s fantastic. Does that answer? Your question, yes, yes. Craig Next. Kind of system I’m going to talk about is the magic system. Yes. OK. So in the magic system, you’ve got magic and manner stats, yes. So why did you split the magic system into having manner and magic? Edward So your manner is your capacity. To perform magic. And your magic is your ability to perform magic. Craig So it’s a manner like the. Edward Like you’ll. You’ll exhaust it. No. Renew it? No. So there’s no real resource management when it comes to magic in this game, which I know for a lot of people, resource management is a part of the. Craig And you want. Appeal because resource management is where you’ll need to collect. Of gems or have enough of something, and then you’ll expand it and then you need to find some more to renew it, or you’ll need to rest for a day or something like that. That kind of renews. Edward Yeah. Yeah, yeah. And that does add limitations to the game. I appreciate that and. But you know, if you want to have things that deplete, if you want your manner to deplete. Then. You could make it deplete. It doesn’t bother me. It’s it’s, it’s your game. Craig So remind me again so. What? What are the two systems so? That the magic manner are. Edward Yes, so. Yeah, so manner is your your capacity. So the more powerful spells require more manner. Yeah. And your magic is your ability to actually cast it. So you might have say 100 manner and 40 magic and you try to cast this, this fireball, this massive fireball. And you can, theoretically you can. But. Your chances of actually pulling it off successfully are greatly diminished. Craig Rightly. Yeah, because you’re only sitting on a 40 magic score. Yeah, but your manners up at 100, which is a large. Edward Number Yep. And you’re trying to cast a spell that requires 100 manner. Craig Yeah, right. Yeah. Because it is. Yeah. It’s one of those things we are trying to solve a problem as you’re getting the. Mechanics setup. Yeah, that’s addressing a very real world thing. If you if you you need to scale up, you need to cultivate and develop. Yeah. Alright. So the next system I want to talk about. If there’s nothing further the magic system. Any questions about magic? Harry Potter universe play. Taylor What? Craig Can you do? Experiences. Edward You can, with disarming someone physically, yes. That’s still the Expelliarmus doesn’t. Yeah, yeah. Craig All that Harry Potter does throughout the series, that’s his one spell, yeah. Edward Cruise. No, no, that’s that’s the bad guys. He does Patronus at one stage, yeah, yeah. Craig All right. OK, skipping on. Speaker Well. Edward No, I think I’ll, I’ll just, sorry to sorry to, but with with the magic, it’s more conceptual than so there’s no like Fireball. It’s just sort of this spell does damage. Speaker Yes, please, please. Edward It’s up to you if you if it’s up to you if. Speaker Really, right. Edward You think? Taylor It has an element or something. Edward It’s a fireball. Yeah, like, it’s up to you. If it’s a fireball or a or, you know, just a magical entity or whatever. Like. So it means that I could strip down the magic and make it like 5 or 6 pages. And you just sort of play around with the rules within the magic system. Speaker Right. Yes. Craig So you can role play into the magic. Yeah, yeah. Experience. But in terms of crude numbers, there’s damage. And that’s what matters. Yeah. It’s it’s there’s damage point that you’re rolling. Yeah. Yeah. And. Edward You know, admittedly it might. You could be considered lazy because, well, because you know, like, I could go, oh, well, there’s a magic missile. And that’s just raw damage. And then there is a fireball and that does fire damage, which does this additional thing area damage all that sort of stuff. Speaker Yes. An area. Taylor Hmm. Edward But that’s that’s the way it I’ve done it because I want people to focus more on, you know. Speaker Hmm. Edward Trying to play around with their with the spell. Yeah, you know, manipulate it in a way that works for their character or solves the problem in front of them. Sorry to. Craig Yes. No, I think that’s really revealing. I like. That because the other system I wanted. To talk about was the opinion system. For. Social interactions. So at the moment, you’ve or in the in the game, you’ve got a range from a door to height, yes. And I think that’s really interesting. So how do you reckon that’s going to affect or have you seen it affect the role playing at the? Speaker Well. Well. Edward So this is one of the things. So there are several mechanics that I’ve made to try and prevent murder hobos. This is this is the main thing. Yes, because it’s sort of well, if you could be a murder hobo. But then everyone in town hates you. So they’re not really going to be able to, they’re not really going to answer your questions as readily. They’re not going to be as easily persuaded by you or or whatever, you know. So if you need information out of someone. You they’re not just going to say, oh, yeah, sure. I’ll give it to you because they’ve they’ve seen. Craig It because you’ve got that social interaction score. Edward Of hate. Yeah. And it’s that sort of. That scales to whatever the GM sort of decides like if they decide that’s an entire country that hates you, or just that town, or just that one person or that Guild. Yeah. Or, you know, whatever. Craig All right. Hmm. Message through from strategic. Well, thank you very much for welcoming back. It’s good to be back and it’s great to have a great show with Edward Williams talking about his new tabletop role playing game that he’s just developed kingdoms of amnesia available locally in Hobart. Will it be available overseason into state? You got an Amazon deal. Edward No, no, so OK. So unfortunately I decided to make this in a four. Right. Which limits it to. Craig Because you can print on demand, right if. Edward You. Yes. So if I want to distribute it globally, I can do it in its current form, but it would cost a lot more and I’d have to deal with import export nonsense. Or I could reformat it onto size that can be size. Speaker OK. Craig Whatever your. Edward Whatever is globally distributable, yeah, yes, there is a plan eventually to get to that stage, but I want to focus on Tasmania and. Craig Yeah. Edward Yeah, I want to focus on Tasmania and then maybe. There there are parts of Europe which, because I’ve got friends in Europe and England, I can sort of give them a few copies to sort of spread the good word. Craig At the moment it’s only available in print, not electronic form yet. Edward Correct, because I haven’t. I haven’t. I I don’t know what I’m doing, Craig. Speaker Like. Edward I’m solving one problem at a time and I’m trying to do it correctly and I I don’t know the best way to go about. Craig It to be honest, I I think it’s coming along really. Really. Well, so I just. Got to turn my. Edward My real focus is. To support the people who already have a copy and really sort of help them understand the game, and if they’ve got questions, they can ask me. Speaking of which, yes, there is an email for kingdoms of amnesia. No, not in the book. I’m sorry guys. Taylor Oh. Edward Look, I can’t think of everything, despite what you may think. So. The email is [email protected] right [email protected] it’s that if you’ve got any questions about the game or if you’re Interstate and you’ll want a copy and we can talk about, we can discuss how to get a copy to you. So. Craig There we go. Yes, because I think that just got. Speaker Awesome. Craig Based on our chats from. Edward What about the rest of the nation? Well, the rest of the nation. Craig Big boy. Edward Look. Sydney is a big place. I I don’t know where to start. I don’t know where to start in Melbourne. I don’t know where to start in Brisbane, Adelaide because the The thing is, is that I’ve already got these relationships with these game store owners and like I know their name, they know my name. And we can build off that. Trying to approach stores in the rest of the nation is pretty overwhelming to me at the moment, and until I’ve got a product that I can say, hey, look, it’s really popular in Tasmania. They’re not really going to be interested in it, but to individuals that want to reach out to me, then there is that email [email protected]. Craig Well, we’ll put those contact details up in the. Show notes so. Taylor Can I just ask a bit of a few questions about how you sort of like set it out? Like what sort of software did you use to create? Edward This just word just a word processor warehouse. Craig Really just Microsoft Word. Yeah or equivalent. Edward Ohh well well. A free equivalent, yeah. Speaker Yeah. Craig Leave our office. Edward Or WPS office. Yeah, so. Taylor Oh, OK, OK. Edward The Yeah, the the only thing that I regret is that because I. Well, these just make it special copies, so this copy, as you can see the border isn’t. Equidistant from the top and the sides, it was designed to be shrunk down slightly to actually fit on the page. Yeah, which I had done, but then I added an extra 2 pages and so I had to redo the cover. Yeah, and I forgot to resize the front. Taylor Yeah. Craig Right. Speaker Yeah. Taylor Because I was noticing that cause, there’s quite a big border around these ones, yeah. Edward Yeah. Yes. Craig Yeah. Who is on the cover? Who is that? Edward A picture of that is the emperor. Craig Really. Yes. Right. Who’s? Taylor So when it when it says like inside cover concept by Edward Williams cover concept, does that mean produce who they are? Edward No, no. Speaker This is. Craig An important. Taylor Yeah, exactly. Yeah. Craig Moral question, Mark, he says. Isn’t it? I. Edward Mean I I believe in supporting artists and I believe in paying them what they ask plus more if you can afford it. So this without getting into too many details because you know I don’t want to. You know. So. I went to fiver. OK, yeah, and got the artwork commissioned. And so I basically told this person this is what I want. And here’s a here’s a picture of something that kind of isn’t inspiration for it. Beyond that, do what you want. So. Speaker 1 Yeah. Edward I I I. Came up with the concept, but I didn’t actually draw it. An artist on five it did. Now I asked explicitly if they wanted to be credited. They they basically said no, which I think OK, fair enough. If they don’t want to be credited, then you know. 25% tip, you know. Yeah. You know, just like like, because I I also wanna I wanna remain friends with this artist because I wanna get them to do things in the. Speaker Yeah. Taylor More, yeah. Edward Future. So well, it’s. Great artwork. Ohh, it’s fantastic. It’s really I I I think it’s. Speaker Yeah. Edward I think it’s really wonderful. Speaker Hmm. Craig Yeah, yeah, no, look, it has that kind of haunted. Sunken face and he’s he’s a well, actually I was going to start going into characters and we’ve got about 5 minutes left. No, we have to get you back. But do you have any favourite or unusual characters that have been created within this system? Because it’s quite a detailed character creation system you’ve set up. In the game well. Edward Not really. I just sort of. What happens happens like I I don’t. I’m not really. No, no. Craig No. You play test it, you play. Tested it with friends and family. Edward Yeah, yeah, yeah. No, not family. They wouldn’t be interesting. Craig What are what are the? Types of characters that and merge in this game, like we’re talking dwarfs and elves, yeah. Edward Just people like like like cause the other game. Which for those, for those of you who have listed you, probably you probably know what game I’m talking about. That’s sort of it’s centred around heroes. You know, you become heroes and you’re you’re whereas mine sort of. Craig We do not. Speaker Baltimore. Edward More. Explorers and people trying to. Explore and discover the secrets of the world, or. Whatever their motivations are, and so the character design or the character creation is designed to create basically your average person and then over the course of your adventures you you increase in skill. Craig Because we’re running a little bit of time left. I do know you’ve got ambitious plans to explore further aspects. Of this world. Yes, right, Haven temples of the ancient world, the Necromancer. Which one are you the most excited to jump into and start fleshing out? Edward Well, that’s that’s a bit of a loaded question because what I’m most excited for and what I can actually achieve is different. So the Necromancer is the one that I’m doing at the moment. Basically getting someone to write the story for that one because. I’m more of a large concept in the broader law of the of the world, but I think that if I’m writing everything. And I’m not good with names. So, so, you know, it’s not going to come up with. It’s not going to create compelling names. So if I commissioned someone else to do it and say, here’s the kind of story I want you to. Write. Then, then there’s more compelling names and a more. Diverse spectrum of opinions and views and inputs into the world. So the Necromancer is the one that’s being done at the moment. That’s the easiest one. Not to say that it’s bad, it’s just easier to get it done. Haven is probably the most difficult because that is that’s going to explore a place that has many, many more answers. To the. Ancient past than any other story, but. It requires a lot more time and a lot more thought to put into it to actually get done. Speaker Hmm. Craig All right, well. Sadly, we’ll we’ll need to start wrapping up. So we’ve already said a little bit about where people can find the game and connect with the community. This, of course, is kingdoms of amnesia. The table top role playing game by Edward Williams. Are you setting up any community for this game? It’s going to be like a discord or a Facebook. Edward I’m not sorry. Craig Well, the fans, you know the. Fans. Edward Do it. I’m. I’m not so good at these things, Craig. Look, maybe a discord. Speaker I. Edward I I I want I want it to be I I don’t know what I want it to be. I don’t know how to manage it. I don’t know how to build it. All I know is that I just want to show people and if they get excited about doing it and they. You know, get involved. Then they can do that. And I’m more than happy for people to sort of. Take on board or take it on board and and fly away with it. That’s fine. I mean, it’s my game that I made, but. But you know, it’s also their game that they can play kind of thing. Craig Wonderful. Well, we will put any details you’d like to share with us on the show notes. We have one. Yeah. Thank you very. Much for big boy. Natalie, I need to move my glasses. Great stream, as always. See you next week. Yes, so we will be back next week with a new topic, but we will post show notes up about kingdoms of amnesia, the tabletop role playing game by Edward Williams Up on podcast. As well as on the YouTube. And Instagram. If people do want to reach out to you, they. Can grab you on. Edward The email that email [email protected] I’m I’m pretty accessible in other ways like sorry. Taylor OK, what’s your address? OK, what’s? Edward Your address. No, no, no. No. No, no, no, no. No, no, no, no, like. Like I’m sure I’m sure. People, especially in Hobart, would be able to track me down, yeah. Like it’s easier for me to compile like all the information on email. I’m a simple man, you know. Emails, emails, the way to go for me. If people want to make a discord, OK? Yeah. Craig Well, you know. That’s always my hope with our fans. Taylor What happened? Speaker But. Craig In the future? Well, William, thanks very much for calling Ed Wood. I think that. Was one of the. Edward Williams was just Mr. Williams. Taylor How many times have you had him? Craig On the show, Edward Williams. Edward Norris. Benston, Norris, Norris, Winston. Craig Well, you know, it’s the way they know when they are. Look at the streams. I mean, there’s no AI happening on that stream. Who knows what a IMS is happening on the street? Anyway, thanks for listening to Edge Radio and Media mothership for another week. We’ll be back next week with some new exciting stuff on kingdoms of amnesia and any other. Taylor What is happening there actually, yeah. Edward Very fitting, very. Kingdoms of major. Speaker Yeah. Edward Ohh. We paused to get alright. Craig Anyway, keep listening now to Edge radio for some really cool music and thanks again Taylor and Edward coming along. Edward See. Thank you, everybody. Bye. Bye, Norris. Taylor Bye.
  • Media Disruption and Nostalgia

    Media Disruption and Nostalgia

    Episode 112. First Broadcast 26 June, 2025.

    Why the renewed interest in “Star Wars: Battlefront 2”? What are the ambitious plans from Chinese studios to AI-remake classic kung fu films featuring legends like Bruce Lee, Jackie Chan, and Jet Li. Plus, why the urgency to recover Marty McFly’s lost guitar from “Back to the Future”?
    We also take a deep dive into Stephen King’s ‘interior eye’ from “Danse Macabre,” tracing its roots back to Stan Freberg’s iconic radio sketch, “Anybody Here Remember Radio?” Was TV truly a disruptive force for radio? Tune in as we tackle the fears of the 1960s and 1980s, as both Freberg and King weigh in on the impact of radio dramas.

    Links:

    Michael J. Fox Says The Search Is On For Marty McFly’s Lost Guitar From Back to the Future – IGN

    Fans Embrace Star Wars: Battlefront 2 While Begging For Sequel

    Chinese Studios Planning AI Remakes of the Classic Kung Fu Films of Bruce Lee, Jackie Chan, and Jet Li – IGN

    The pervert’s guide to cinema -Matrix-

    Stephen King | Danse Macabre

    Stan Freberg – Anybody Here Remember Radio

  • Sounds of Terror: The Enduring Impact of Chicken Heart

    Sounds of Terror: The Enduring Impact of Chicken Heart

    What is the chilling legacy of “Chicken Heart,” a seven-minute radio drama that first aired in 1937 on the iconic show Lights Out? Join us as we explore the eerie world crafted by Arch Oboler and discuss how this seemingly simple tale continues to haunt pop culture today. What makes “Chicken Heart” resonate so strongly in the contemporary era? We’ll delve into the historical context, the media landscape, and the anxieties of the pre-WWII era that shaped this story.

    Using Blake Snyder’s (2005) framework from Save the Cat, along with media theories from Slavoj Žižek and Stuart Hall, we will uncover the compelling story structure and the unstoppable horror tropes it embodies. We will also examine its cultural impact through insights from Stephen King’s analysis of radio horror and Bill Cosby’s comedic retelling.

    Join us for an exploration of why “Chicken Heart” endures, revealing how sound continues to evoke terror in this timeless classic!

    Sources

    Halloween Heartthrob: The “Chicken Heart” that Gobbled Up the Globe | Timeless

    Bill Cosby, Chicken Heart sketch YouTube (starts at 8:17)

    📝 Show Full Transcription
    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode.
    Craig Alright, welcome here to media mothership here on Edge Radio 99.3 FM. Speaker 3 What made half life, Alex there we. Speaker OK. Yeah. Craig Go. Yes. Alright. So as always, we’re using the wonderful technology from Edge Radio studios here at Nepal, Luna, Hobart TAS. And I’m your host, Craig. On this show, we explore how media can cheap our understanding of the world around us. Last week we took a deep dive into various parts of pop culture, including some and. Or Star Wars? Stuff and a little bit of discussion of anime as well as some news and current pop culture topics. Today’s topic we’re going to do a huge deep dive into. Horror and radio. I came across some really fascinating discussion from Stephen King in his book dance Macabre, talking about the impact of radio, effectively conveying horror. So we’re going to listen to a classic short 7 minute. Horror. Drama called Chicken Hearts Chicken Heart the most unlikely of things that could drive horror into the heart of a listener. So we listen to that. Some people might also know of chicken heart from the fantastic, though now problematic Bill Cosby sketch that he did in one of his early live up. Live stand up albums we’ll we’ll. Unpack all of that. That and a whole bunch of other stuff on media mothership today, but the main question is, you know, this, this, this idea of how it has seven minute radio drama from 1937 can still I, I reckon haunt pop culture today. I reckon there’s some. Lessons and some interesting. Political reverberations that chicken hearts. Echoes with today’s politics, particularly the news we’re hearing out of California and the kind of. Trump military police crackdown that’s going on there I. Think there’s chicken heart? Is in conversation with even scary politics like that today. So keep listening to. Media mothership with myself Craig here on Edge Radio, 99.3 FM. Of course. If you do have any comments while we’re doing today, show you can SMS US directly in the studio on 0488811707 or reach out to us via the live stream. On YouTube and Twitch. OK, welcome back now. Musical accompaniment, the thumb, Hogan. Chicken hearts. So I guess to set up this idea of how a 7 minute radio drama from way back in 1937 still packs a punch. Or does it? Speaker We’ll, we’ll, we’ll. Craig Look a little bit about the history first of it, why this kind of? Matters so chicken Hearts broadcast 1937. It’s written by one of the big names in radio dramas, particular horror Arch Oboler, and he wrote for the radio drama series mainly lights out. We’ll listen to the Bill Cosby sketch, which kind of amps up the experience of watching. Or sorry, of listening to radio dramas like Light Sounds briefly before we dive into listening to it, the the story of Chicken Heart is is basically a scientific experiment which goes horribly wrong. You know, it starts with this idea of a checking. And then as we’ll hear. Things escalate into this crazy panic. To put it in a little bit of context, I guess you got to understand that at the time this was written in the 1930s, you’ve got this really cool, fascinating glimpse into some of the I reckon the key anxieties. That were echoing or that were occurring in that time in the late 30s. Think about it. I mean, here we are pretty much in the Golden Age of radio in the 30s. You know, television has certainly not. Made an impact, right? You you really needing to earn to the 50s and 60s? Nineteen 30S was still dominated by radio. Radio was the form of of popular entertainment and communication and a series like lights, Lights out. And this is one of the early episodes. From it is part of what was making radio drama something so exciting for people to listen into. Now, importantly, some of you. Guys might have. Heard of the classic media panic radio drama that was Orson Welles? War of the world? That was the one, of course, that led to a huge panic around the power of media and radio to again shape the way people perceived reality around them. You know, war of the worlds based on HD World’s Classic novel was broadcast in radio, formed by Orson Welles and done in such a manner. That people thought the live broadcast that was occurring was actually happening. And again it did that by echoing some of the broadcasts that were happening at that point from the. Blitz that was occurring on England during World War Two from the German air bombings and evoking that sense of disaster, the Hindenburg disaster, which was broadcast on radio. So again this. Chicken heart occurs one year, so it’s broadcast to one year before war of the Worlds, but I think it sets up the same type of media panic and certainly Bill Cosby’s comedy sketch about his experience listening to Chicken Heart is all about. The media panic he experienced listening to chicken heart. So we’ll play a little bit of that Bill Cosby thing as well as the Stephen King analysis of Chicken Heart shortly. But before we go any further, the other thing to listen out for I guess is this idea that in the 1930s you got to see this movement of of kind of science and medicine. That’s going through incredibly rapid advancements. You know, we’ve only had flights occurring, you know, in the 1913 era. So 1930s is only 20 years after flights. You’ve got the expansion of a number of technologies, including radio itself. Of. So. Chicken Heart is is kind of in conversation with some of these fears and you know, kind of technological determinism that is taking up around science at the moment. The kind of humorous of science and 37, I mean, while World War 2 hasn’t occurred yet, that won’t be until 1939. And Germanys’s invasion of Poland. Nevertheless, you’ve still got. What is it? I think the Marco Polo incidents occurred with Japan and China launching that conflict between Japan going through into China. So we’re really at the brink of World War 2 during this time. I mean, there’s a lot of of of stress that’s occurring here. I mean, Hitler’s in power, Hitler’s starting to gobble up little spots. I’m not sure if Czechoslovakia. Or so Dayton land has fallen into Germany yet, but it’s right around that period. You’ve got Chamberlain, you’ve got piercement occurring. We’re at the brink of war, right? It’s certainly gearing up. So I think this, this theme that we’ll hear about in chicken heart of. And unstoppable destructive force. Is is certainly. I think in conversation with that point in history, so a little bit of media induced panic. So as you’re listening to this, think about, you know, if you turn the lights out literally the name of the horror serial, this is broadcast in it’s lights out. So turn those lights out. Listen to this episode. Think about whether it could induce a bit of panic. What’s also interesting about? The final point about chicken heart before we listen to. Is, as we’ll unpack. The fact that you’ve got some really memorable comedy interpretations. Yeah, Bill Cosby’s famous retelling as well as it being in Stephen King’s book dance Macabre, which is his analysis of horror as a genre, what makes horror work. And he talked specifically about chicken heart. So let’s give a listen now to the 1937 chicken heart. This has been remastered again. It’s a classic from radio. Horror. And created by Arch Uber. You know one of the big masters of. Terror that we’ll listen to. So here is chicken heart. We’ll play the whole thing. It only goes to 7 minutes. 40 seconds. So sit back, enjoy, grab a coffee or tea and listen to chicken heart. Speaker 4 Do you remember some time ago in an eastern scientific institution? They kept the peace of heart alive for weeks on end. Well, I got to thinking, what if that heart began to grow? And grow and grow. Grow. Speaker 5 Hello. Hello. Operator. Give me Mr Reagan fast. Hello, Mr Reagan. This is Lewis. Listen, get me a rewrite, man. The things still growing. No cheap. I tell you the truth. That corridors choked with living, crawling flesh. No, no, no, I’m not drunk. I’m telling you the truth. That little piece of flesh has grown until now. It’s. Jamming that building. All inside the space of an hour. You’ve got to believe me. It’s the greatest news story of the generation. And here you argue with me. I tell you, it’s the truth. You’ve got to believe in you. Speaker 3 You must believe me, I tell you, the only hope is to burn the building to. The ground that one. Now, wait a minute. Wait. A minute. Take it. I tell you. Burn it to the. Ground burn and I tell you, take it. Easy. I sent in a call. Don’t you understand? For some reason I cannot even imagine, this tissue is doubling in size every hour. Do you know what that means? In another hour it will be twice the size it is now, and long before that it will break open the building with the force of its pressure, and then it will be free in the street. Do you hear me? Free. On the street and then those those tentacles of protoplasm stretching out to feed on anything they can reach. Speaker 6 What’s happening? You see the walls cracking? They want. I want you. Speaker 3 I tried to warn them. But now it is too late. The heart is free. Speaker 8 Where is it? Speaker 7 Gentlemen, gentlemen, come to order. Please, gentlemen. Please. Quiet, quiet, please. Please. Please now as mayor, no one realises more than I do the necessity of immediate action in terming this unspeakable unbelievable emergency. Can I assure you that I. Speaker 8 I cut the speeches, Mike, that blasted thing is spreading like a forest fire. All the governor. Speaker 7 Wait, wait, wait, wait, wait, Please wait here. Is Doctor Albert from the Research Institute. Speak. Step up here. Doctor, do so. Speaker 9 Aaron. Speaker 10 Let’s see what he says. Speaker 3 Gentlemen. It was in my institute this horror began. And if you give me a chance, perhaps I can stop it. What is your? Speaker 7 Doctor, tell us first what that monster really is, yes. Speaker 3 Yes, I will tell you that great ever growing mass of flesh it is or it was a chicken heart. Speaker 7 Hard. Are you crazy? Speaker 5 Men. Speaker 7 Yes. Chicken heart. Chicken heart. Listen to me, you fool. Listen, listen. Up there, who knows what he’s talking about. Speaker 3 I tell you that mass of flesh was a chicken heart, the tissue of which for some reason is undergoing constant, rapid, accelerating growth with every passing hour, its growth is doubling. Do you know what that means? If it is now one block in size within 30 hours, that cannibal flesh will have increased in size. To 1 square block to the 30th power in 30 hours. Every inch of this whole city will be crushed under that moving. Within 60 hours it will have covered the entire state within two weeks, the entire United States. You ask for the National Guard. I say call out the entire army. We’ll ask this thing off the earth. Speaker 8 Already Keith pumpers already all hoses coupled up. We’ll flood that thing with water from all. Speaker 10 Angles alright, here’s the signal. Speaker 7 Open them up full blast. Speaker 8 Chief work out. That’s reaching out. Get back everybody, everybody. Speaker 3 Is what good is water? I told them the only hope is artillery. Bums. Speaker 10 All National Guardsmen report to your armouries. All National Guardsmen report to your armouries. General mobilisation. Speaker 8 Battery in position, Sir. Speaker 10 Firing on the album. Speaker 7 Sir. Speaker 11 Then. Speaker 3 Aye. Speaker 9 Hi here. Speaker 3 Useless. It has grown too large and it grows too quickly. The flesh is already engulfing the guns. They came too late. Speaker 5 You all right now, Doctor Albert? Yes. Speaker 3 Yes, I’m all right, Mr. Lewis. Speaker 5 Well, I sure am glad I located you. I stole as long as I could. Another 10 minutes and we could have taken off that blasted protoplasm or whatever it is was sucking at the wheels by the. Time we left the. Yes, yes, I saw 5000 feet. Well, we’ll cruise around up here for a few minutes and. Then head W it will. Speaker 3 Do no good. Speaker 5 You can’t mean it it it must stop growing sometime it must. Speaker 3 Look at it down there. The grey blankets of evil covering. See how the roads are black with men and women and their children running for their lives. See how the protoplasmic grave reaches out and engulfs them. See. Speaker 5 Stop it. Stop talking like that. We’ll get away the government. They’ll send bombing planes, poison gas. Speaker 3 No. Listen to me, Lewis. You remember only a handful of days ago you asked me my prophecy of the end of the. With you remember my answer? Ohh such a scholarly prophecy. Cessation of Earth rotation. Mighty sounding astronomical theories. But now this is reality. Lewis. The end has come for humanity. Not in the red of atomic fusion. Not in the glory of interstellar combustion. Not in the piece of white. Hold silence, but with that, that creeping, grasping flesh below us. It is a joke. Hey, Lewis, a great joke. The joke of the cosmos. The end of mankind. Speaker 6 No. Speaker 11 Oh. Speaker 3 Because of the chickens. Speaker 9 No, we won’t die. I can’t die. I’ll find a safe landing somewhere. I’ll find a place. The motor. It’s cut out. We’re a spin. I can’t get. Speaker 3 Out of it, I told you, doom. No, no mankind. Doom. No. Speaker 9 We’re falling right into it, into the heart. Craig All right. There we have it. The chicken heart. One of the classic all time horror. Radio dramas. Let’s break this down first in terms of bleak Snyders see if the cat theory or script writing we’ve. Looked at black, bleak. Snyder, before he has proposed a number of ways in which, if you want to write a great movie, there’s. Specific number of story beats. You’ve gotta make sure you tick off. Let’s see if breaking down. Chicken hearts align strongly and reveals this kind of classic story build building structure that saves the cat is built around, so Snyder starts with the idea that you’ve got to start strongly with a good opening image. You’ve got to establish the world through that so. The radio drama Chicken Heart starts with the scientist talking about, you know, remember when they were able to create a heart. So establishing the idea of science, establishing the idea of science, being able to create amazing things. And this idea of hubris, right, that we’re we’re setting up this. Environment this this world where humans are masters over nature, they’re able to create anything they want, including a heart. So that’s the establishing image that first seen and we quickly go to the reporter setting up the theme, which is the report is calling back to his office. With a panic tone staying, you know? Ohh my God. It’s about to explode, right? The building that the heart was in as as, as you know, the the the heart’s been growing, it’s going to burst the walls and we have the scientists trying to warn everyone that this thing is just going to keep growing. So that’s kind of setting up this theme of of scientific ambition and and panic. Around the consequences if they become uncontrollable, so that that’s pretty much immediately the second scene we see that nicely as Snyder is saying, establishing the theme. You know panic. Scientific hubris, unchecked experiment, and then we have this setup as the hearts growing. We’re becoming aware of it. The fourth story beat that Snyder talks about is is an inciting incident. And it’s it’s around I guess the the walls have broken from the building that contain the hearts. So I’d say that’s probably the scene that’s the inciting incident. The fact that this heart is now growing uncontrollably, that’s the catalyst that then sets up the rest of the story, which is how are we going to stop this heart? Growing. Right. What’s going on? They’re they’re. They’re now realising that this scientific experiment is spiralling out of control, so we have seen five. Well story 5, which is the debate. Can it be stopped? So we have this classic scene where scientists, the mayors there and they’re all struggling to figure out how they’re going to fix this. They’re debating. Possible solutions? So we break now into Act 2. This is storytelling .6, which is the point of no return, right? So at this point the heart has continued to escape containment. We have the great scene. Where the local authorities are trying to use water, right, they’ve got the hoses out and they’re just trying to hose it down and it’s not working right. So there’s a sense of dread that’s creeping in that the world now is in full crisis mode. Water is not worked. The scientist has said, I told the fools what wouldn’t work. They’ve got to use artillery and bombs. Alright. So then we move into storytelling beat 7, which is fun and games. As the horror escalates. You’ve got the great scenes of that, you know, artillery being called in, the bombs being directed, the militaries involved, all these escalating panic movements as they’re futilely, they’re futile, ISM, they’re they’re they’re they’re not able to destroy the heart with any of the fun and games. That Snyder refers to as this story beat as we see a series of of kind of kind of core horror spectacles being described to us in the radio drama. There’s no real sense of well, there’s a kind of a false hope, right? So the false hope would be that scene near the end where the scientist is on the. The aeroplane, right. We had that scene where the his, his assistant or or helper has managed to get the aeroplane off the ground. The scientist that was involved in the research has made it onto that aeroplane and. And it. It’s a kind of midpoint, false hope moment where it looks like they might be able to get out of it. Right. So the pilots say, you know, we’ll just circle around a bit. We’ll try to figure out what to do next. But that effort is all in fail because we’re at Story Week 9, which is the bad guys closing right this chicken heart, the bad guy, the villain, the force of Nature has continued to expand. The scientist in the aeroplane is just saying it’s all hopeless. Destruction is inevitable. Story bit 10 all is lost, right? There’s a final realisation, right? The the pilots refusing to acknowledge this. I know I can’t die now. This can’t happen. But who’s lost? And we’re now into a full dystopic, pessimistic story with story beat 11 dark night of the soul. So the scientist and the pilots in the aeroplane now confronts their powerlessness, right? And the scientist. Kind of reflects on his own humour. This, and we reached this wonderful kind of finale right where the growth of the hearts being recognised as impossible to stop this kind of ultimate horror is being seen below them. He’s talking about the grey heart, the little black dots of people trying to escape. We have the finale where this height is is is consuming everything and that that theme of that we established in scene one with the reporters cooling his base at the scientists saying, you know, those fools have got to listen to. Me that these unchecked forces are now beyond human control, with a wonderful final image. Speaker 1 Which is a. Craig Sound effect image, of course. For radio of the splats of the the aeroplane losing its engine right and spiralling out of control, and this wonderful final sound of the SPLAT as the aeroplane crashes into the heart. So it’s certainly a really strong. Story in terms of breaking it down in those fourteen save the cat story beats in terms of where Snyder would place this as a genre. As you know, he he defines genres in terms of specifically memorable thought. So it’s not a horror genre. He would say this is a monster in the house. Subgenre right where you have this unstoppable force, right. The monster in the house, which is just wreaking havoc in this case due to human error. Right, the scientists tubers. And it’s got that classic structure that follows the kind of escalating tension and inevitable doom story. So it’s considered a classic of being able to map that out. It’s a wonderful kind of inevitable doom. 7 minutes, 7 1/2. And it’s packs in a lot. And again, Bill Cosby’s little comedy routine on his experience as a child listening to this drives that home. But before you get to Bill Cosby, let’s listen to how Stephen King, the well known horror author, explains why he thinks. Chicken heart matters. And it’s really important to listen to, even to it now. So this is in Stephen King’s dance macabre book, which is his writing about why horror works, how it works in movies, how it works in literature, and what we’re going to be hearing about is, is a little snippet from the audio book. Created by William Derfus derfus. So we’ll listen to hear Steven you talking about the importance of radio horror and in particular, the author of it, Arch Ublas. Chicken heart. Speaker 1 3. We’re almost done with our brief discussion of radio. Now. I think that to do much more would be to risk droning along like one of those tiresome cinema buffs want to spend the night telling you how Charlie Chaplin was the greatest screen actor who ever lived, or that the Clint Eastwood spaghetti Westerns stand at the apex of the existential absurdist movement. But no discussion of the phenomenon of radio terror, no matter how brief, would be complete without some mention of the genres Primo 2. Not Orson Welles, but Arch Oboler, the first playwright to have his own National Radio series, the chilling Lights out. Lights out was actually broadcast in the 40s, but enough of the programmes were rebroadcast in the 50s and even in the 60s. For me to feel I can justify their inclusion here. The one I remember most vividly from its rebroadcast on Dimension X was the chicken heart that ate the world oboler like so many people in the horror field, Alfred Hitchcock, as another prime example, are extremely alert to the humour implicit in horror, and this alertness was never on better view than in the chicken. Art story made you giggle at its very absurdity, even as the goose flesh raced up and down your arms. Speaker Which? Speaker 1 You remember that only a few days ago you asked me my opinion on how the world would end. The scholarly scientist who is unwittingly perpetrated the horror on an unsuspecting world solemnly tells his young protege as they fly at 5000 feet in a light plain over the ever growing chicken heart. You remember my answer. Uh, such a scholarly prophecy. Mighty sounding theories about cessation of Earth, rotation, entropy, but now this is reality, Lewis. The end is come for humanity. Not in the red of atomic fusion, not in the glory of interstellar combustion. Not in the piece of white cold silence. But with that, that creeping, grasping flesh below us. Speaker 12 It was a joke. Gay Lewis. The joke of the cosmos, the end of mankind because of a chicken heart. Speaker 1 No Louis jibbers. No, I can’t die. I’ll find a safe landing place. But then, perfectly on cue, the comforting drone of a planes engine in the background becomes a coughing stutter. We’re in a spin, Lewis screams. Speaker 12 The end of all mankind. Speaker 1 The doctor proclaims and stentorian tones and the two of them falled directly into the chicken heart. We hear it. Steady, beat louder, louder, and then the sickly splash that ends the play. Part of Obler’s real genius was that when Chicken Heart ended, you felt like laughing and throwing up at the same time. Cue the bombers, an old radio bit used to run drone of bombers in the background. The minds eye visualises a sky black with flying forts. Dropped the ice cream into Puget Sound. The voice continues. Whining hydraulic sound of Bombay’s opening a rising whistle followed by a gigantic splash. All right. Cue the chocolate syrup, the whipped cream. And drop the maraschino cherry. Is. We hear a great liquid squishing sound as the chocolate syrup goes, then a huge hissing as the whipped cream follows. These sounds are followed by a heavy plop, plop, plop in the background. And, absurd as it may be, the mind responds to these cues that interior eye actually sees a series of gigantic ice cream sundaes rising out of Puget Sound like strange volcanic. Stones, each with a maraschino cherry the size of Seattle’s Kingdom. On top of it. In fact, we see those disgustingly red cocktail cherries raining down, plopping into all thou whipped cream and leaving craters nearly the size of great Tycho. Thank the genius of Stan Freberg. Arch Oboler A restlessly intelligent man who was also involved in. Movies 5 one of the first films to deal with the survival of Mankind after World War 3 was Obler’s brainchild. And the legitimate theatre utilised 2 of radios. Great strengths. The first in the minds innate obedience, its willingness to try to see whatever someone suggests it see, no matter how absurd the second is, the fact that fear and horror are blinding emotions that knock our adult pins from beneath us. That leave us groping in the dark like children who cannot find the light. Radio is, of course, the blind medium, and only obler used it so well or so completely. Of course, our modern years pick up the necessary conventions of the medium that have been outgrown, mostly due to our growing dependence on the visual and our. Set of reality. But these were standard practises which audiences of the day had no trouble accepting. Like tornieri’s paper mache, Rockwall and cat people. If these conventions seem jarring to listeners of the 80s, as the asides in a Shakespearean play seemed jarring to a novice playgoer, then that is our problem to work out as best we can. One of these conventions is the constant use of narration to move the story. A second is dialogue as description, a technique necessary to radio but one TV, and the movies have rendered obsolete. Here, for instance, from the chicken heart that ate the world is Doctor Albert’s discussing the chicken heart itself with Louis. Read the passage and then ask yourself how true this speech rings to your TV and movie trained ears. Look at it down there. A great blanket of evil covering everything. See how the roads are black with men and women and their children fleeing for their lives. See how the protoplasmic grey reaches out and engulfs them. On TV, this would be laughed out of cord as total corn. It is not hip as they say. But heard in the darkness, coupled with the drone of the light planes engine in the background, it worked very well indeed. Willingly or unwillingly, the mind conjures up the image. Oboler wants this great Jelly like BLOB beating rhythmically, swallowing up the refugees as they run. Ironically, television in the early talkies both depended on the largely auditory conventions of radio. Until these, alright, we’ll. Craig Post this that. Stephen King talking about why Chicken Heart works so well and how we really need to rewire ourselves to think about how. You know. Radio works as a theatre of the mind. How it doesn’t draw upon the same types of suspension of disbelief that we’ve become familiar with through TV and movies, where we want to visualise it. We want to see it. There’s pleasure in the watching of it here. It’s all in the minds eye and as king. Asks us when we listen to or read that last scene. That final scene of the scientists giving up hope and saying we’re all doomed. And looking down at the pulsating, growing, fleshy heart. Again, he says, you know, this work to our TV is and his feeling is it’s quite laughable. It wouldn’t. So let’s dive further into that idea of the theatre of the mind and how effectively it can work as kings setting out here. He’s saying it’s a really significant moment. To imagine through your mind’s eye the theatre of the mind, which really. Is able to do. By listening to one of the other important cultural effects that chicken heart had on pop culture, and this is Bill Cosby’s famous 1966 album Wonderfulness. Which was part of one of his. Live comedy acts and this is his famous discussion of chicken hearts. Of course, Bill Cosby famous. For you know. Fat, Alberts, Cosby, kids and so forth, and equally probably more infamous now for his criminal activities. And law cases against him and being found guilty of rape, SO1 can’t unpack that from what we’re about to hear, important to say, of course, and deeply problematic individual. People. But let’s listen to this famous comedy routine he has, which I do think speaks to Stephen King’s point around trying to understand how theatre of the mind works and how effective Arch Ogler was with chicken hearts at creating this. So let’s listen now to a a little bit from the sketch. From the 1966 album Wonderfulness by Bill Cosby. Speaker 11 Go ahead, scare me to. I’m ready. I’m ready. Scare me, man. Come on now. And welcome to. Lights. Ohh yeah, yeah, yeah, go ahead. Scare me. I was dumb enough to do whatever the guy said to do on the radio. Turn your lights off. Yeah, yeah, yeah, yeah. To round, go on, scare me to death. I’m ready. Tonight’s episode is about a chicken heart. A chicken heart that ate up New York City. Yeah, go chicken heart. Go, go get him. Eat him up. Chicken heart scare me to death. I’m. I’m ready. I’m ready. The Chicken heart was kept alive. 5. In a laboratory and of that special solution, half blood, half sodium solution, right? One day a careless janitor. Knock that over, he went to get away to clean it up. The chicken heart grew. 6 foot 5 inches and in search. Of human blood. The janitor came back, opened the door. Them up. Speaker 9 What? Speaker 11 Go get him chicken high. Go get him. Go get him. It moved out into the hallway, rang for the elevator. Speaker 13 4th floor. Speaker 11 Go get him chicken high. Go get him. You will. Moved out into the street. Ate up all the cabs. The Empire State Building. Ate up their jersey Turnpike. It’s in your home state. It’s outside of your door. And it’s going to eat you up. Speaker 13 Ohh, got my jello star spirited all over the floor. I set the sofa on fire. You won’t come there smoking fire and jello. My father came in the house and what? 1000 sober doing on fire coming out of the chicken was gonna eat. OK, zip. What chicken are you talking about? Who went on the radio show? You the idiot. Turn it off. Speaker 11 I hadn’t thought of that. For two years, anybody that passed by our House. Speaker 14 Hmm. My father, whether he knew him or not, would call him in. Hey, come on. I want to. Show you my dumb kid. Ohh and tell him you burn up $100 sofa and broke your father’s arm. Save us from that. Craig So that’s the classic 1966 Bill Cosby routine. Chicken hearts again, I think really putting you in the feeling of listening to that live. With a panic that can trigger into ones imagination. And of course, what’s interesting here is, you know Bill Cosby. Acknowledging the again talking about how Stuart Hall would talk about the reading positions here, you’ve got the dominant reading position of Chicken Heart, which is it’s a really good Horror Story, right? It has this good escalating horror that’s going to it, which interestingly, Bill Cosby sets up and in a really kind of fan fiction way. Actually embellishes and explains how the hearts started to grow. That a janitor accidentally knocked over some chemical the chemical got into the heart and just caused this unlikely growth of the heart that the scientists had had had kept alive. So one that you have the dominant reading, but then? You have, you know, Bill. Cosby, which is kind of doing his own, it’s a. Version of that. For comedy effect, talking about, you know, if you if you took it literally, it suddenly becomes insane. It says it’s weird that you would believe this suddenly. So much so that you’d set. Lie to you’re so fit to protect yourself, and again the whole absurdity of listening to the. Escalating horror that you you you’re only listening to radio show yet it seems so real. It seems like it’s happening so much like a year later. From this you’ll have awesome wells or the world’s broadcast, which notoriously led to people arming themselves, getting out of their homes to try to defend their communities. That that they. Were seeing this as real equally here for comedy Effect, Bill Cosby’s comic retelling of it being that kind. Of you know. It’s looking at it on paper, as Stephen King says, it’s. Kind of laughable. How can this chicken heart be so terrifying? That is absurd. Yet it is this masterful, I think, combination of of of you know, comic, horror and and kind of over identifying with the fear as a Zizek, Zizek the philosopher. Would talk about this, this, this kind of humour that occurs with extreme. Year where the terror is so ratchet it up that it gets to a point of absurdity which you know is, I think, the heart of Bill Cosby’s comedy routine there and and and also. Yeah. Obviously some listeners have have have registered that. Thanks Anna for smashing in. I’m glad it was fun to listen to that on the way home in the car. Because yeah, I think it does hold up 1937. This broadcast was first made, but it’s such an effective bit of. Of horror that it’s. Worthy of of unpacking it and also looking at the cultural impact it’s had, Steven. Being fantastic, one of the best horror authors, as well as Bill Cosby, turning it both into a bit of cultural touchstone to discuss. You know, Bill Cosby’s 1966 community and dance macabre. What came out in the early 80s. So there you’re looking at 20 year periods where this. Cultural touchstone of the 1937 radio drama You know still gets discussed and talked about. The other thing that’s so interesting I think about. Speaker Yes. Craig The chicken heart is this idea of, you know, the the absurd logic of it, that the system that you see that’s occurring around the chicken hearts, you know that, you know, the science system, the military system, the police system, the journalism system. All it does is kind of reinforces what they’re trying to stop, right? So they’re all trying to stop the growth of the chicken hearts. And again, this is what Zizek says is so powerful about horror stories that often they’re these tales. Of trying to stop the threats and particularly where the story is, you know, the darks tea time of the soul, the kind of, you know, and we lose, it’s about the system itself being broken, that the system itself is trying to stop the threat. But the more it tries to stop the threat, the worse the threat. That’s it’s bringing more amplification to the threat. And this is Isaac. ‘S theory of how he sees. Some abuses of power occurring, some kind of logics of of of ideology, that are growing exponentially and out of control, that the system might have begun with good intentions, but as it’s released some destructive force, the more that the system tries to stop that destruction. It in so. Amplifies it. So again, interesting kind of resonances. I think with Trump’s response to California today, right? How is it that the system, you know, claims of trying to stop violence yet still escalate violence? Right. So this logic, this paradox between. Just like the chicken heart, the expanding Organism. Which is paradoxically, being accelerated by its growth as. More bombing is occurring. More attempts to destroy it is happening, so there’s some really interesting philosophical questions that are occurring there as well as, as you know, Stephen King’s pointing out a really master class in how to create a story in 7 1/2 minutes. That is about the escalation of horror, the escalation of terror that works so effectively in radio. So it’s worth, you know if you’ve got a bit of time going back listening to lights out, a great 1930s forties radio serial drama. We’ve talked about other great moments in horror radio dramas like the thing on the FOURBLE board, which is more of a psychological horror. Chicken heart is pretty much. A fantastic example of more of your minimalist horror where the sound effects do all the heavy lifting for the for the panic, whereas the thing on the fourble board which is considered to be another great horror radio drama, really escalates that through this eerie narration. As the characters interact, listen back to our episode on. The thing on the forward board for more discussion on that. But yeah, we’ll. Dip into some more radio drama and piece together why it still matters in future shows. Again, I hope you thought the chicken heart was a nice bit of timeless horror, and in particular, listen back to it. Think of how sound based. Fear works, and if it’s still effective today as it was in 1937, turn those lights out and listen to it. And see if, umm, you know a true experience of horror isn’t just about monsters, but maybe about our inability to control the unknown. So that’s medium other for another week, we’ll be taking a break next week as they do a little bit of field research up in Launceston to bring some new interesting. Freeze to the airwaves in a fortnight time so no show. Next Thursday the 19th of June. Thanks everyone for listening to me and mother shipments. Radio. You can listen back to other audio notes for the show on your podcast supplier of choice. As well as catch visuals of the show on YouTube and Twitch, keep listening now to some really cool edge radio tunes.
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  • Cultural Battles: Tiananmen, Helldivers 2, and the Anime Revolution

    Cultural Battles: Tiananmen, Helldivers 2, and the Anime Revolution

    Leaked files expose China’s efforts to erase the history of the Tiananmen Square massacre. We also take a closer look at Helldivers 2’s epic battle for Super Earth and explore some unusual manga news from Japan.

    Does AI censorship see this as referencing the Tank Man photo during the Tiananmen Square massacre? Source:  (ABC News: Graphic by Jarrod Fankhauser / Reuters: Arthur Tsang)

    Plus, we tackle some listener questions, dissecting the political layers and cultural significance of the Andor series. (See our previous chat about Andor). And don’t miss our setup for an in-depth conversation on the mid-90s anime that impacted a generation in Australia. (Check out Craig’s 1996 Honours thesis on manga).

    Episode 110 was first broadcast on Edge Radio 5 June 2025.

    Links

    Leaked files reveal how China is using AI to erase the history of Tiananmen Square massacre

    Helldivers 2’s battle for Super Earth makes Chinese news following the successful and slightly review bomby defense of Equality-On-Sea | Rock Paper Shotgun

    Battle for Super Earth broadcasted by local TV news in Shanghai, China : r/Helldivers

    游戏里的跨国携手:中美玩家保卫上海_看看新闻网

    Japan to create digital archive of manga, anime and games | The Star

    Travelers Avoid Trips to Japan Over Viral Comic Book’s Quake Prediction

    Shonen Jump Launches Campaign to Find Its Greatest Villains – ComicBook.com

    Manga Dreaming Honours Thesis – Media Mothership

    📝 Show Full Transcription
    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode.
    Speaker 1 There is nothing wrong with your radio. Speaker Do not attempt to adjust the volume. We are controlling the broader questo. For the next hour, we will control all that you hear. Speaker 1 You are about to experience the knowledge and insights of the medium mothership. Craig Alright, welcome here to media mothership on Edge Radio 99.3 FM. The sound effects in the background. That’s absolutely fine. We’re broadcasting. Speaker Ohh. Craig Out of Edge radio. Studios in Nepal, Luna, Hobart TAS and on this show we explore how media shapes our understanding of the world around us. I’m your host, Craig, joined by Taylor. Hello. And Ronan, hi. And we’re streaming on edgeradio.org dot AU as well as on YouTube and Twitch. You can find us just by searching media mothership. Message in on the chat at YouTube. Or twitch or. SMS US on 0488811. 707. Taylor Yeah, 0488811. 707. Craig We’ll do our best. To keep an eye on the monitors around us, hopefully. Taylor Yeah. Craig So today’s topic, we’re going to cover some interesting news around media and popular culture. Cool as well as if we have time on the media mothership website. I’ve been uploading a classic academic work. Created by me, it’s my 1996. It was awarded so this research was done in 1995, so 30. Taylor The year after I. Was born. Wow. Craig 30 years ago. Speaker 4 Yes, so you’re 3231. Taylor That’ll be 30 this year, OK. Craig So yeah, I guess this was Ground Zero for you. This was my honours thesis looking, called manga dreaming. Irresponsible images of cyberpunk anime? Yeah. So you were born into the age of manga dreaming. A lot of irresponsible images, and so we we might dive into that looking at that kind of VHS era of anime in the mid 90s and late 80s and. Great. Yeah. Thank you. The the Audio’s working. We’ve got some chat live. Informing us Hilda is working, so it’s fantastic. Thank you. Twix, Twix, Twix, the dragon. So before we go any further, I’ve got a musical accompaniment guest today. Ronan’s doing music on the kalimba. Yeah, the piano. So we’ll go to news now. So to bring us over to news, we’ll play our theme song. Nice. That’s great. Yeah. We push the the mic towards it as well. That’s great. Yep. Yep. And. Taylor Wow an octave. Craig All right, so news. So, Taylor, you you reminded me of this story. Leaked files reveal how China is using AI to erase the history of the Tenement square massacre. What’s interesting to me about this piece was a article leads. With this image. Which? Pointing out that even a picture of 1 banana and four apples in a line could be flagged because it shares a similar sequence with the Tank Man photo, right? So the tank Man photo is that classic photo of the protester. The Chinese guy with like. Groceries in both hands. Who’s standing in front of a tank during the tenement square kind of protest period and brings to a stop these four huge tax. Of course, as we know in China, there’s been a long history of erasing. Speaker All. Craig Discussion around the 1989 Tenement square massacre from public view and still. 36 years. Since Beijing still censoring that information and has not disclosed the official death toll of this bloody crackdown that occurred. On June 4. Ronan Well. Craig So this image is really interesting though, so how so the arrangement of the one banana and four apples were basically the four green apples represents the tanks, and you’ve got one banana standing on its end at one of the end of the line of apples. So it’s intriguing, isn’t it? How? And in terms of? Meaning making the dominant reading, negotiated, reading and resistant reading that you could have of the the apple banana structures. Ronan According to. Speaker Sure. Taylor You see, I’ve I’ve. I’ve just been trying to do a bit of a a Google at the moment I can’t find it, but it just it just reminded me of like how they’re. Training AI for that. Craig To detect monitor and sensor images. Taylor To to detect sort of like a composition. It’s the training AI to detect a sort of composition, no matter how it is, that sort of thing. And it reminded me of how Renaissance paintings all have that sort of that swirl thing. Do you do you? Do you? Know about that. Ohh like uh. Craig You know davinci’s Adam and God moment of touching. There’s a swell thing. Wasn’t that, Da Vinci Code. You’re the da Vinci. Code I know. Taylor Yeah. Craig The conspiracy theory, or that it’s a brain. Taylor No, I’m talking about like, how. In Renaissance art, you have you have this sort of like spiral, which is like a shell, and then you have like, the focal point in the middle of that shell. And then all of these different things being composed in a different manner. So it’s like a a sort of spiral sort of thing. It just sort of reminded me of that. Because lots of Renaissance paintings also have that similar composition as well. Craig If there’s any Assassin’s Creed players out there. Who? Speaker Oh yeah. Craig Played that level. Let us know. But it is interesting in terms of like you. Know I always like referring back to. Stuart Hall and. The meaning of silent. Taylor I I refer back to Stuart Hall all. Speaker 4 The time. Craig She had one of the great theorists, one of his biggest theories was the kind of dominant reading of an image like how are images given meaning? Often you’ve got a dominant image, a dominant meaning. Sorry. So for instance. The image of the tenement square protester might be one of the dominant meaning for the West is is resistance. Then you got a negotiated reading where it might be. Well, you know, part of this suggestion, resistance. But also you’ve got to understand, you know, this guy’s not really resisting. He came across it. Why is the tank driver doing it? And then the resistant reading is 1, which opposes that which might flip it on its head and say it’s all the conspiracy. That that never took place, that it was staged and so forth. So it’s interesting when you’re given the symbology of the banana and for apples, how what they’re they’re they’re saying there is that the from the censorship point of view is the dominant reading of that is the tenement square massacre. Yeah. For many people, they might negotiate that and say, well, it’s a beautiful. Taylor OK, I found it. Craig Apple banana arrangement, yes. Taylor That was, it’s not a good image. It’s it’s very poorly done in blender, but the one I was talking about was the golden. Ratio. OK. Speaker Golden. Taylor Used in Renaissance art. This this mathematical ratio, when applied to a square, creates A spiral that guides the viewer’s eye and is therefore considered aesthetically pleasing. Ronan Your reference. Craig Is that the JoJo reference? Ronan JoJo. Craig Isn’t that a meme? Ronan Yeah, the golden. What’s it called? Again. Golden spiral. Yeah. Golden Golden Ratio is is a is a JoJo reference because the main character in. Taylor Oh yeah, price here. Sorry. Ronan Was good again. Part 7 uses the golden ratio to spin his spin. This certain type of bowl that he uses well and if if you spin it correctly. Taylor OK. Speaker 4 Right. Ronan It’s the golden ratio of spinning and it infinitely spins, OK. Taylor Yeah. Craig Beyblade players. Taylor Like all the old Renaissance infinitely spins on the wall. Craig Love that, yes. I thought all the J references were based on music, yes. Ronan The stanza whose stand powers are but only the. Part after part like almost, it’s basically just. For mangakas playlist. Craig Well, we get around to manga after the deep dive into the next China story, which I. Didn’t engage in. It’s a video game. OK, global video game called Helldivers 2, where you play in this fictional far future setting. Taylor Oh, is this where you play the the start of the trailer for it? Craig Yeah, yeah, yeah. I played the trailer for. It a couple episodes ago. It’s. Based on kind of a Starship Troopers vibe where you’re eradicating bugs and various threats to humanity, it’s a third person shooter. You know, it’s really interesting about it is there will be these storytelling moments where it really spills into the real world in a weird way. Trump. Trump’s not involved. China is involved this time, America. Was involved, but in a kind of good way. This was following the recent battle for Super Earth, where Super Earth was under threat from these illuminated. Datas. And anyway, it needed. It gained the attention in China because uh, one of the last cities was modelled after Shanghai, right? So it’s it’s it’s it’s it’s kind of this far future thing and this was the last bastion. Is that right, Ronan, you were playing that. Taylor OK. Craig Days. Ronan Ohh yeah like 1. Craig Day one day and Garrett playing any days anyway, Shanghai was holding out the event, got featured in the chat about hey, we’ve really got to hold off. And the thing that was crazy about it was that it was featured on a real Chinese news show called the Kunka News Morning Shanghai. And they praised how both the Chinese and non Chinese players collaborated together to defend the attack that was. Occurring we’ll play a bit of. The I think you’ll understand it when we hear the the news broadcast. Taylor OK. Speaker What are you? Taylor Just some ASMR. Craig I’ll translate a defence of Shanghai that takes place within the game. It originally happened on May 20th. A version update. Has been released for a shooter called Helldivers 2. In the game setting, Alien invasion of virtual Earth, each of the seven landmarks on Earth corresponding to Shanghai right? Anyway, so basically what happened in the story was. Taylor OK. Craig You know the Chinese players. Delegated some of the time to the American players, the. Chinese players were were were. Defending during the day to help save the earth from this invasion and the American players they organised through chat to make sure the American players would hold off during the. Right, what’s? What’s kind of amusing is with that broadcast. There’s a real news broadcast saying basically how wonderful it was that China and America came together to help defeat this invasion in the game. And the way they put it is fantastic. They say Chinese players were battling the enemies during the daytime. And. Taylor Yeah. Craig Using their excellent shooting skills and strategic plans. And then they talk about how then they say, and then the American players took over the nighttime operations using utilising air drops and firepower to construct the defence line for Shanghai. Taylor So is is it like a a a multiplayer online game? Craig Yeah. Yeah, it’s a Co-op game, so it’s not a PvP game. It’s a close game where you’re. Taylor OK. So yeah, against against the environment, PV E Yeah, yeah. Craig Yeah, yeah. And and it is kind of synchronous. So the Davis too is got into some controversy because it’s considered a game where the players actions will. Change the course of events potentially right? So if the players can. Taylor I need to get this game. It’s a lot of fun. I need to get this game and then the headline will be maniac. Australian destroy the base. Speaker The. Craig Which these graded representation mercenary, right? But there was some controversy. Because days before the Chinese players have become so upset by the fact that they organised this defence of Shanghai, but the percentage of success or stuck at 99.9888%. And there was this big debate saying, oh. This is just. Because it’s fake, they want us to believe that we can make a difference. But even when we come together, we can’t get to 100%. But then other people were saying, well, it’s a defence mission to, you know, unless they stop invading, you’ll never get. Taylor Yeah. Craig To 100%. Taylor Yeah. Craig But yeah, a fascinating moment of politics and video games. Coming to. Either hand in hand to represent that in a really kind of undemocratic fashion. I mean, it’s called managed democracy. You’re pretty much playing in a in a kind of Nazi environments. One of our. Chat messages, nothing happened. Nothing happened in the game. Ronan I think he was talking about. The conversation a few minutes ago about Tillman Square. Craig Yeah, right. Yeah. Of course, something happened at Tenman Square, so this forecast shouldn’t be censored. Hopefully by talking of disasters, the other news story I want to quickly talk about, two stories that are coming out. Around amunga that have caused. People to cancel their tourist plans to Japan. Taylor Wow. Craig Yeah, Mangas July 2025 Japan disaster prediction shakes up fear of the big one, and some are even abandoning their holiday plans. Yes, so a couple of articles talking about how this manga called Mitta. Taylor This earthquake. Craig Mid eye the future I saw, which is a fictional manga. But it’s set of these kind of claims of of disasters that are written in this. Taylor Manga. Yeah, well, so does weathering with you. And that says it never stops raining ever again. Craig Yeah. Yeah. So so it talks about. So the past few weeks, once obscure manga has been making headlines in Japan and overseas, the author claims that. Japan will be hit by a massive natural disaster in July 2025. Speaker Well. Craig Predictions being cited as a reason some holiday makers are abandoning their summer plans to travel to Japan and has exploded across Japanese social media platforms. Why are some people apparently believing this? Mongo’s prediction? So the article talks about how even though this was first published back in 99. And it features, yeah, the author as a character. That’s basically riding his dream Diaries that he’s been keeping since 1985. There’s there’s there’s. Yeah, this idea that these references might he might be onto something. This kind of reference to the 252025 July concern. Yeah, it seems that. Yeah. So it’s it’s, yeah, praying upon people superstitions. I think there was some reference in there that he got one thing correct. In the past there was one thing that was featured in the manga. Then people were sure. Oh, actually that did happen. Anyway. Look into further would. You just not go somewhere. I mean, you’ve got some travel plans. Would you not go somewhere? If a manga depicted the disaster about to befall that. Ronan No, I mean not, yeah. Taylor Media. Ronan That absolutely will be an earthquake in Japan in July. Craig Yeah, that’s true. Well, not all news went, but yeah, it is up for for an earthquake potentially. Ronan In July? Yeah. I mean, it’s reality. Speaker 4 Well, it might not be July. Ronan Geography, it’s just like. Craig Yeah, yeah. I mean, it might be July, it might be next year, it might be 5 years, but yeah, it is one of those things. Ronan It’s it just depends on how. Big it will be. Craig And it is unusual that people are starting to, you know, kind of interpret this as possibly true. But yeah, I mean, Japan is very earthquake prone, and seismologists have been, you know. Warning that there’s possibly a mega quake around the corner. But yeah, there’s obviously a lot of urban legend wrapping to that. You know, media influence and then, you know, going into real concerns as well, which we don’t do on this show. So do always maintain a healthy scepticism. For news next article, I want to talk about is kind of following up the last three weeks of discussion that we’ve done on villains. So last three weeks on the show, we’ve been talking about how. Story writing can create great villains shown and jump in Japan is launching a campaign to find its greatest villains, so this is the Shueisha publishing company. I mean, so if you. Yeah, I mean, I’m not sure. So yeah. Some of the anime that’s in shown and jump includes by X family Kaiju, #8, Hell’s Paradise Dan Dadan, which I do want to watch. And they’re going to, yeah, decide which villain is the biggest villain of this franchise. So do go ahead. Vote now. Really. Yeah. Death note. Taylor I’ve never heard of any of this. Ohh yeah, OK yeah, I know that. Speaker 4 Death notes could be featured there. Dragon Ball. Craig See is. Taylor The only Dragon Ball ZI watched was the live action American one. Craig Well, that is an act of villainy in itself. That vibe, well as last news story in Japan to create digital archive of manga and anime and games. The government is set to launch a new digital archive strategy aimed at preserving and promoting Japanese trove of such cultural assets as manga, anime, and video games, which are mentioned popular among people young people. Taylor Well, haha, Nintendo says good luck with that. Craig Would be interesting video games. Yeah. I mean, there is this problem of of particularly online games. Basically, having a shelf life, which means that in 10 years time they could be unplayable because they require online engagement or online playing. Yeah. So there is, I think there is a threat that people don’t realise that a lot of this stuff could disappear. Hmm. You know, mobile games disappear, right? Trying to archive mobile games from the early 2000s. Speaker Hmm. Taylor Ohh absolutely there was heaps of my favourite games from Adult Swim. Can’t get anymore. Craig Or is it just? Just, yeah. Right. Yeah. That they would release for a short time linked to. An Adult Swim series. Yeah, this initiative is expected to have a spillover effect on charging domestic and international enthusiasts too. After seeing the digitised version. Of it to pay a visit to wherever the asset is located so you know the Ross Bakery and kick his delivery service. Michael Guernsey with this. Yeah. So the strategy emphasises that local communities should lead the decision making process for preserving local cultural and artistic work. With municipalities paying a central role in expanding and utilising digital archives. So yeah, let’s see if we can get the Ross Bakery in the middle of Tasmania. To feature as part of the digital archiving of. Kiki’s delivery service. Taylor I’ve tried to go to the Ross Bakery every time I’ve. Gone to Ross Ohh tried. To tried to every single time it’s been shut. Craig You never made it. Taylor And then I went there. The most recent time I went there, they said sorry, we’re shut for the next seven months. Craig Wow. Wow. Wow. OK, well, hopefully this digital archiving event in Japan will help. Yeah. All right, let’s get a musical interlude going. With our musician. That’s really good. Speaker 4 That is really good. Craig Certainly better than so anyway. So welcome back here. To. Media mothership. Yeah, as I mentioned. I want to dip into briefly the impact of manga and anime. OK, good, right? Because I found this thesis that I’d written back in 95, available now on the media mothership website. If you head over there, yeah. Yeah. Or at least the first chapters up. That’s how you do it. First Chapters 3, and it was all about. Taylor For free well. Ohh come on. Craig My experiences in 95 as an honest student diving into this new thing at that stage called manga and anime. Taylor Whoa. Craig I know which was blowing my mind. With some of the stuff that was there, what I was thinking might be interesting is one of the big debates that was certainly part of the manga anime scene then. And it’s still an issue. Today is the dub verse sub sub debates. So I want to get around to that. But first what I want to do is you know when I was getting into anime in the in 1995 the big. Series or big movies that were kind of getting a lot of high profile media attention was. Course. Katsuhito automobiles. Akira. Right. It was the. Taylor Cool, cool. Craig Movie, of course. Right. And then a little later, the ghost in the shell. Movie alright, yeah. I was going to the local anime club at Adelaide University and catching Rama half and then Mad Men ended. Sorry, not now. This was before Mama and entertainment. You had manga and attainment and Kiseki Entertainment who were releasing a DP. Piece bubble gum crisis, Cyber City, Oedo and of course Urotsukidoji legend of the Overfiend which got banned in many countries to to set the mood. I found a couple of quick YouTube shorts that talk about. This kind of nostalgic period of mid 90s. Ronan I don’t think you meant to. I don’t think you’re allowed to play a clip, a single clip from the last one. Craig You mentioned not yet. Ronan It’s classified as ******. Craig We need a later time slot. Taylor We’ve got a we’ve got a. A message, yeah. Craig N&S. Do you want to read? Taylor It out OK, yes. So it says hello. Tay, Tay, Taylor Lidstone and Doctor Craig Norris. So we know who you are. I’m one of Taylor’s students and I have a question related to Star Wars. I was wondering what both your opinions are on the new Star Wars shows, specifically the poorly written pieces of Star Wars. Media with poor storylines, but also on Andor, which is known for being dead infantilized with implications to human mating and brutal on screen deaths, with examples like people being hung. And K2, so using an Imperial soldier as a human shield, he’s clearly dead in the scene too. And then they also go on to say also Taylor, I would like to apologise for being so creepy lately with digging up your entire digital footprint and the way we talk about it might come off as bullying on me, but I genuinely find the work you do outside of the education. Speaker Yeah. Taylor An interesting and well done and it’s given me personal courage to start writing my own music and potentially get into a podcast myself, so that’s brilliant. Craig Get referenced this on the CV. Taylor Yeah, all the best. Nathan Wright also apologises and is sending this message for me also love. Craig Your music. Wonderful. Shout out to our fans, fans of the show. Yeah, yeah. I think we can see now. Yeah, well, let’s hope that this enlightens them somewhat. I think it’s a great question they’re asking. Speaker Yes. Craig About the current status of Star Wars and the direction of Andor, we can touch on that briefly. I I’ve seen the Andor series both for seasons now. If you haven’t either. Taylor Star Wars. Craig Well, I mean, what’s really fascinating to me about the and or season or the Andor approach is it’s set in this obviously in terms of the storytelling, we’re looking at a series that sets just before the Star Wars Empire strike spec return of the Jedi World, right. So this is the. Taylor OK. Right. Craig Lead up to how the Empire consolidated its power after the prequels, and then how they established the Empire and their brutal reign of power over it over the Galaxy. UMI think it’s, you know, in terms of some of I mean the the the the the question that Nathan is quite right in terms of the you know it’s Dean Tantalised in terms of it’s made for an adult audience. Taylor Hmm. Craig It’s certainly really political if you look on YouTube, there’s a number of really fascinating political scientist reacts to, and Oregon clips which are out there talking about how clearly the showrunners of and Oregon read up on their history, that there are a number of real world. Analogies that are going so the current season of Andor has this fascinating kind of there’s the Gorman. I think it’s called the German planet, which is going to be mined for this substance. Well, it’s fantastic, is that it’s it’s France based. The planets France and we’re looking at an analogy of the. Taylor OK, you’re right, yeah. Craig Brutal Nazi dictatorship and control over France during World War 2, and the emergent rebellion. The French resistance which? So there’s this really powerful play between real history and resistance culture that’s playing out in Andor. They don’t pull their punches as well. There’s some wonderful ideas of the kind of banality of terror and evil which we see with the. Kind of enforcer. Imperials that like there’s this character, Deidra, who is the kind of imperial police. OK, yeah. Thought police anti espionage anti terrorism kind of think tank group and spoilers. It’s suggested that her actions lead to the rebellion being able to get the Death Star plans, but the way she does it, it’s this kind of banality of middle management bureaucrats. Taylor Oh wow. Craig Career escalator promotion in a climate of suspicion and competitiveness, I mean, we’ve talked about this before in terms of accents that middle management references because Ben Mendelson plays the Chief Imperial officer and in the interview she’s described it as kind of well. Is a middle manager. Basically, it’s that banality of working in in a work environment where you’re you’re dealing with people that you hate. It’s in an environment that’s kind of stifling, but you just got to get through it. And sometimes you manage is. And sometimes it’s not. And in this case, yeah. Ben Mendelson delivering this, this perfectly calibrated middle management terror. Taylor British accents? Yeah, of course. Craig In British accent. Taylor Because British accents are evil. Evil. Craig Yeah, yeah, full of of of kind of colonial terrorism. Taylor All I can say to do with Star Wars is the worst thing they’ve ever done was the movie. Craig Joe Joe thinks. Taylor That’s not moving. Speaker 4 Well, you know, he walks. Caravan of Courage was pretty horrible. The Star Wars holiday special after the first style was pretty horrible. Taylor I mean like actual feature length movie. Craig You know, I I struggle with all the prequels. Certainly fancy manners. Taylor So I mean, for me, it’s solo. That is one of the worst pieces of media I’ve ever watched. Craig OK. Yeah, the thing I found interesting about the solo film is that it showed kind of non storm trooper Imperial soldiers. You had this idea that. You know you’ve got this kind of? You know, you know, barely trained soldier force. You know, there aren’t the Stormtrooper space. So it was it was. Building but yeah, look, I think the thing about the solar film that’s so dire was that the initial production of it that I was keeping an eye on had a tone and temperament that was much more comedy based. Yeah. And then they fired that team. The show. Taylor A little bows, yeah. Ohh, that’s right. Yeah we went. Craig With the director and they brought Ron Howard on to take over. And yeah, I think that, yeah, you can see that there was a lot of tampering that the tone changes that. Yeah. Yeah. So I think it was a victim. Taylor Through development, yeah, yeah. Speaker Hmm. Craig Of its circumstances. Yeah. I mean, Rogue One was which, which is linked to Andor. I mean. Taylor I liked Rogue one. Craig Yeah, yeah. I mean, I think Star Wars very much has been saved. I mean, you’ve got the baby Yoda. Taylor Mandalorian. Craig Mandalorians I mean that yeah, I’ve forgotten now, but it was a great series that really rejuvenated Star Wars. Yeah. Yeah. So, you know, I think it’s it’s it’s. It’s a fascinating. Franchise. Really. You know, interesting. Well building I think the Andors series has been fantastic. I’ve really enjoyed it. I think the politics of it have really held up the first season’s really strong. The second season I think equally strong, they’ve avoided I think. A lot of the pitfalls. If you think about, there’s a there’s a female love interest character they owned or has, and the way they they, the way they use that character I think is really clever. Speaker Hmm. Craig So they they don’t just. Oh, yeah, they were talking. Some people were really worried that this love interest that Endo has will be fringed. Do you know this reference? The trope of when the hero’s love interest gets fridged fridged it’s based on comic books, this Green Lantern comic book had his girlfriend is killed by the villain. And then cut up and put into a. Fridge. Brilliant. And of course, you know, the troop here is that, you know the point at which the villains at ohh. Sorry the the hero. Taken to the edge right, something disastrous happens to our hero and you know all the chips are down and he has to draw upon his inner strength. And also they wanted to get rid of his girlfriend to give him. Yeah. Taylor Yes, free. And gets free. Speaker 4 Gets fridge gets fridged. Craig Yep. Yep. So that’s Andor, that is Andor. Taylor There, there’s another. There’s another one there. Speaker Yes. Craig OK. Wow. We’re in conversation. Taylor It’s it’s to you first, actually. Craig Alright. Taylor Hello doctor. Craig Norris. Craig Hey, Gary, can you read it? I can’t really wrap my head. Taylor This is. Around. Hello, Doctor, Craig Norris and Taytay. This is right at this time. Craig Why are you tasing that Taylor Swift? Taylor Yeah, that’s people call me that all the time. Please don’t start. Craig Do they know that you’re an ordained minister? Taylor No, they don’t know. OK. And then they say, I was wondering if there’s a chance you could maybe have a discussion on like ongoing conflict and like how you feel about them that doesn’t make any English sense. So I can’t, I can’t respond to that. Speaker Listening. Craig Well, you know the and or discussion of of. Alien and resisted. Once speaks into. That I mean. Taylor How much suggestion on like ongoing conflict? Craig Well, I mean, what I find really interesting is obviously the endless series went into production a long time before the moment in history we’re in. At. The moment? Yeah. But you think about how well it’s lined up with some of the? Conflicts that are. Today facing the world. Particularly the Israel Palestine conflict. Ohh yeah, yeah. And they feel that you can’t. You can’t not watch and or and think of the news you’re seeing. Speaker Oh. Craig And the Israel Palestine conflict and the the tensions around how to resist that space, how to to protest in that environment, it’s. Yeah, it’s quite powerful. Also the fact that Trump got into power, this would have been in production before that election occurred. But now Trump said. Now again this idea. Of how do you resist and protest in an environment like this? It’s yeah, look. And I think that’s where Andor is so successful as a series that it seems to be in conversation with today’s moment of history around this issue of conflict and providing storytelling to cope in that. Right. It’s it’s a. Taylor Funny story actually, I found out that my. Girlfriend’s cousin? Yes, it’s called Trump. Wow. Awkward. And his brother is called Putin. Craig Wow, did they cosplay? That would be wonderful. Wow, Trump, Putin, because those are not usual names. Taylor But, but Putin’s now called Ben. Speaker Ohh yeah. Craig Putin changed his mind. Taylor Yeah, like Ben Kenobi. Craig Wow. Oh wow, it’s I guess, I mean, Putin came to power. What, like, 20 years ago? How old is Putin? Do you think? I mean, was he born pre or after Putin’s rise to power? Right. If he was named after races really cause that’s more troubling, right? If if you name your child after an established problematic figure like Putin. Taylor I don’t know idea. Speaker I think. Craig And after you know they’re problematic, then that’s a problem, right? If you name them before that, they’re problematic. It’s just bad luck. Taylor And Trump, come on. And Trump. Speaker 4 Well. Craig Yeah, I mean, Trump’s been going for a long time, but you wouldn’t really. I mean, Trump is an unusual name. Yeah. Trump and Putin are both unusual names. So yeah. Yeah, maybe. Speaker 4 It was just. Craig Yes. Taylor Anyway, back on to manga. Anime please. Craig So I want to play this first clip. Remember these nostalgic anime from the 90s and early 2000s so you would have. Been what 5? Taylor OK, so it’s boring ones, OK? Yeah. Craig At that age, and you weren’t even born. So let’s see if these if. This clip speaks to your experience. I mean, what? Where did you get into anime? What was your big anime that you kind of got? That you like. Taylor What gave you the bug? Ronan Ohh what like I mean I watched Dragon Ball Z but like no, I think what really got me into anime series is probably JoJo. Craig Jojo’s bizarre adventure. Yeah, yeah, which is enormously popular series. It’s really aesthetically distinctive style. It’s not your kind of mungus style that many people would associate with Astro Boy, Big Eyes, cute face. Taylor I’ve never actually seen it. Craig It’s it’s. Ronan Yeah, the JoJo style is very artistic. Craig Yeah. Yeah, it has. You were saying it has a huge fan base in design and yeah, and and kind of high fashion, yeah. UM. Ronan Yeah, very, very big fandom and high fashion. Craig What’s 1 of the attacks that are based on? Songs. Ronan Ohh my gosh, there’s so many. I don’t know so many. Craig There’s like dirty deeds done dirt cheap. The great thing about it is so the original Japanese version of the manga and anime got to use and reference all these as their attack names, which of course is a song title by ACDC. But when it got localised into the West, they didn’t have the copyright ownership of those titles. Ronan People say yeah. Yeah, and anime, yeah. Craig So they had to change them to adjacent terms. So dirty deeds done dirt cheap is something like. Ronan Yeah, but that’s one of a joke. Yeah. Craig Filthy inconveniences. Yeah, they call it, like, filthy inconveniences that. Are very affordable. Speaker Ohh. Speaker 4 OK, right. Ronan Uh, yeah, this I think you know, Sex Pistols. Craig Yes. And in the UK. Ronan It what we named you 6. Speaker 6. Craig Pistols. That’s kind of clever. Alright, so and your series, what was your series that, that, that you enjoyed? What’s the series? You. You. Loved and they make that you were young, yeah. Taylor When I when I was younger, when I was younger, I didn’t particularly love it, but I watched Astro Boy. Speaker 6 Alright, you did watch. Craig Astro boy, yeah. Taylor And I what? Yeah, the classic. One that’s one thing and Pokémon. And then my actual one, which is like OK, I know this is Japanese animation and I like Japanese animation now spirited. Craig Away. Ohh, right. OK, Miyazaki. Well, I’m glad that got guns. I mean, certainly Miyazaki was considered this moment where what anime meant changed dramatically up until muzaka’s popularity. Or from like. Pro spirit away, norca. Ponyo. All those movies started to come out before then. Up until that point, anime manga was really seen as adult violence. Taylor Hmm. Craig Highly sexualized, right? So full of a cure and cyborgs. And it was very much tailored towards a a very niche demographic, but then it became much more family viewing. Astro was a really interesting reference because I know when I was doing my reference in the mid 90s. Speaker Hmm. Craig It was this emblematic moment of no one knew this was Japanese right when you watched Astro Boy dumped and you know there was no context around it. Being from Japan, there’d be no tells in it. The faces were not stereotypically Asian. The setting was the future, so didn’t have. Taylor Yeah. Speaker 4 Hmm. Craig Like shrines and a ramen shop and. It probably was rhyming in there. Yeah, Pokémon as well, right, you know, I mean, for a while, you you didn’t need to get into Japan to understand. Speaker Hmm. Craig That. But when yeah in the mid 90s when this. Came out there was this idea. Of that, you needed to tap into Japan that you needed to watch it subbed, that it was all about this different non Western, non Disney animation style. Taylor But now, of course, Studio Ghibli has just gone really terrible now, and they can’t make anything good, can they? Craig Yeah. Well, I mean, I think I think the the. Taylor The have have you seen earwig and the? Craig Witch. No, I haven’t. I haven’t. Taylor It is some of the worst writing voice acting visuals I’ve ever seen. It is worse than 30 years ago. Speaker 4 Well, you know. Ronan 4.7 out of 10 IV. Craig Really. That bombed? Well, OK. Message in now or for what your favourite enemy was. What got you into enemy. Taylor So, so, so, but at at the moment, I think the the new company that’s sort of like overtaking them now I can’t remember who it is or what the company’s name is, something comix studio, but it’s the one that did your name and weathering with you and. Craig OK. Yeah, yeah. And they’ve got a lot of success. There’s a there’s a. Yeah. Taylor Susan May, which is really good too. Craig Me. So it was me is actually retired, right? So Studio Jubilee went through a moment of its its main artistic centre left with Miyazaki hail. I think he’s been brought back or. Taylor Yeah. Craig There’s little projects. He’s working on, but the thing I love. About me these days is. Now he’s the meme of him saying, you know, enemies ruined. Yeah, you know, what did he say? Like, like he hates AI. There was a documentary that was done with him on AI and how he just. Taylor Yeah, yeah. Craig Is the most depressing person to speak to about how he sees the current and future of anime. He just says it’s it’s all pretty horrible. Ronan Oh my gosh. Speaker 4 OK, we’re going to reply. That’s great. Taylor So someone’s texting you and said my fave is avatar. Craig Avatar The Last airbender? Yeah. Speaker 4 And. Ronan That’s a big controversial with that. Craig What’s the controversy? Your own avatar? Because we’re not talking about the James Cameron. No avatar. We’re talking about the classic anime animation, I mean. Speaker 4 No, right? Craig It’s western produced. Ronan It’s not. Yeah, it’s not people. If you call people, some people get really offended if you call animal. Craig And that’s right. Yeah, yeah. Cause you got this. Purest vibe. And then you’ve got this globalised vibe, right? You got these very at moments. There are these very different 2 communities, but Avatar, hugely popular series based on modelled on, styled after the Japanese manga anime style. But. I guess it didn’t. It wasn’t produced in Japan. It didn’t have an animation. I mean, a lot of Japanese animation is produced in Korea, but the main thing, and I mean there’s still anime. Taylor And and and. US animation is based in Korea as well, SpongeBob. Speaker Hmm. Speaker 4 All right, right. Right. Speaker Ah. Taylor So is uhm, you know The Simpsons Family Guy, American dad, all Korean? Craig The hill. Taylor I don’t know. Craig OK. All right. Well, look, setting us up. For next week’s show, then. I’ll play this clip and this will set up our discussion for next week show, potentially on service stub and yeah maybe some VHS and. Speaker Hear it? Ronan My favourite is avatar. Speaker 6 Complementary vision of the future was unfolding. Anime was no stranger to weaving tales that combined technology, identity, and society in intricate ways. These works weren’t just visually stunning, they introduced to the West the multifaceted approach to futurism, from the philosophical quandaries of AI and serial experiments lane to the dark, gritty. Teams of technologies Japanese pop culture was bursting with fresh takes on the digital age. Taylor Right, that’s that’s great. Craig Yeah, that’s exciting. So we’ll, yeah, we’ll look into some anime I might pull out my old VHS copy of it or the dodgy legend of the Overfiend, which is banned. Yeah. I mean, it’s just absolutely filthy enemy. Wow. Taylor Wow. Craig It’s one of those state. Taylor These. Legal goods that you have imported into Australia. Craig No legal, I mean it was released by Kiseki Entertainment at that time or Manga Entertainment actually released it as well. It was on the Film Festival circuit, right? The only way you’d watch a lot of anime in 95 between 90 and 95 was either what was on TV. So Astro boy, pedal for planets, star blazes or. Taylor Thank you. Speaker OK. Right. Craig It would be on a in a Film Festival like Akira, Ghost in the Shell or Fist of the. North Star wow. So yeah, yeah. I have to do a cheat GPT search to see if it’s. OK, to show my 15 year old. Speaker You know. Taylor Oh, my God. Well, well, the thing to do with what’s his name as well with to do with anime and manga sort of thing is to look at how that has shaped gaming as well. Because if you think about it, visual novels, very popular as well. So things like Doki literature, Literature club. Have you played that ever? Speaker 4 Yes, yes. Craig No. No, no, no. Dokie, dokie. Ah, doggy, doggy. That’s the onomatopoeia for heartbeats. Yeah. Doggy, doggy. Taylor Wow. Literature club. Literature club. And it starts off as this sort of like dating SIM, which soon turns into a horror game. Yeah. Yeah. Well. Craig We’ll get a reading list together for the next show. Speaker 4 Of course. What? Craig What’s interesting about exploring this is how completely misrepresentative. Of this is for. The lift reality in Japan that most of the titles certainly Akira have been. I like niche titles in Japan, right? They’re not at all part of the mainstream enemy consumption experience. Taylor Yeah. Craig I mean Akira. Lesso because it got so big in the West in the early to mid 90s that it became popular. In fact, when I was in Japan leading up to the Olympics before COVID. A lot of the building sites in Tokyo had erected the scaffolds and and printed on all the scaffolds were frames from the Akira Manga Wow and Cause in Akira. They referenced the the Olympics that’s running in that fictional future Japan. Yeah. Anyway, so reading list. Speaker 4 Olympics. Taylor Another thing for the reading list as well, have you ever heard of Ghost stories? Craig OK. Speaker 4 No, no, I’ve. I’ve, I’ve. Taylor This will be. This will be great for the sub versus dub that we’ll have next week. It’s a dubbed version. Of of a of an anime, but it it is. Done as a. Joke by the people who. Were doing. It ghost stories, ghost stories. So it was it was an anime that came out that was so boring that they just said we’re not gonna translate this. It goes through all of the different sort of cliches that go with any sort of ghost story. So we’re just gonna have some fun with it. Speaker Yeah. Craig And is there any reference to the 1980s? West Hobart Deterrent plant. Good story. OK. Well, we’re gonna watch it and I’m going to try and do my own fan fiction in the style of that. All right, well, that’s been media mothership for another week. Taylor No, no. Craig Nick, thank you very much for. Commenters throughout this show. Taylor Yes, thanks commenters who would be Nathan and Ryder. Craig Right. I think the main points and takeaways from today’s. Show you know. Include you. You’re doing some good teaching, yeah. Show notes will be available on the episode description via YouTube or your podcast supplier of choice. Next week, we’ll see if we can get some time to do some self versus dub debate and watch some anime. You can list the previous episodes on YouTube, Twitch, or at edgeradio.org Dot AU or your podcast provider. Choice. You can find Taylor. On something. Are you going to do a? Speaker 4 Show at some point some, OK. Taylor I will at some point, but it will be when I’m. Craig Back. Back. Alright. Yeah. In the future, if you enjoyed the show, please subscribe and leave a review. If you’re listening via. Taylor Leave a review. Really. Speaker 4 No, do you? Craig Can do that. Heart me if you have questions or topic suggestions right in and contact us on Facebook and I’m going to try and get the discord working again. Taylor The Discord’s already working? Yeah, so. Craig That it’s unmoderated. OK, that’s true. And anyone posting my show things up in. Speaker Well. Craig There. But yeah, we have a discord or we have an Instagram. Well, TikTok, maybe I’ll dust that. Taylor Off OK. Speaker 4 Yeah, yeah. Craig All right, coming up now we’ve got some really cool. Music on Edge radio. To to chill to. Taylor Chill to it.

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  • Evil Characters and Karmic Retribution

    Evil Characters and Karmic Retribution

    Join us for a thrilling episode as we dive into the latest news and intriguing events in media and pop culture! This week, we’re continuing our unpacking Film Courage’s Guide to Guide to Writing Evil Characters and exploring the fascinating trope of the Karma Deflector. Discover how villains often dodge consequences while their henchmen take the fall—only to face poetic justice in the third act! Tune in to hear us discuss why karmic retribution delivers such satisfying payoffs and the joy it brings to audiences.

    Listen to our previous discussion of Empathy for the villain, Crafting memorable evil characters, and Empathy for the villain.

    Links

    Concept Borrowed From Video Games Leads To Fusion Energy Breakthrough – GameSpot

    TV Executives Worried ‘Gilligan’s Island’ Might Be Too Highbrow | Cracked.com

    Here’s Why the ‘Danny DeVito Rule’ Is the Best Way to Judge Rom-coms | Cracked.com

    Starbucks South Korea bans use of presidential candidate names for orders – ABC News

    This episode was first aired on 29 May, 2025 at Edge Radio studios Hobart, Tasmania.

    📝 Show Full Transcription
    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode.
    There is nothing wrong with your radio. Do not attempt to adjust the volume. We are controlling the broadcaster for the next hour. We will control all that you hear. You are about to experience the knowledge and insights of the medium mothership. Craig All right, welcome here to Edge Radio 99.3 FM. You’re now tuned in to media mothership, exploring everything in and around the world. Of media, as always, we explore how media can shape our world around us, hopefully giving us some critical tools to unpack that in our own daily viewing and listening experiences, we’re streaming on edgeradio.org dot AU as well as on YouTube and Twitch. Just search for media matters. Chip, you can message us on the chat at YouTube or Twitch or shoot us an SMS. On 0488811707 I’m your host, Craig Norris, and on today’s show we’ll cover some strange news stories around media cultures as well as diving further into our understanding on how to write evil characters. In popular culture and movies and TV, so all that and more coming up on media mothership. Alright, welcome back to a musical. Notes accompanying the transition to a little bit of strange news that I’ve come across searching for bizarre oddities on the Internet with media cultures first article quite intriguing, posted to say the 28th of May. Oh, sorry. Yesterday 28th of May. In GameSpot reporting that a concept borrowed from video games leads to fusion energy, breakthrough, scientists have used collision detection, which has pioneered has been pioneered in video games to achieve. Huge efficiency gains. In nuclear fission. Yes, this article goes to discuss how. Well, the South Korean scientists have made this huge breakthrough in nuclear fission fusion. Sorry by adapting a concept from video game. Play and it’s this collision detection algorithm, so this idea of collision detection is typically used in video games to simulate objects interacting with each other and through applying that video game. Algorithm or algorithms developed in video games around perfecting collision detection. They’ve been able to get a 15 fold increase in computation speeds for predicting particle collisions in fusion reactions, so of course, I guess if we’re talking about nuclear. Fusion. Which at its heart is this idea of particle collisions being able to have an effective algorithm that can predict and detect collisions is pretty critical. So as the article goes on to say, this advancement is crucial because fusion reactors. Require extremely high energy particles, and while collisions between particles are necessary, unintended collisions with reactor walls can destabilise the. Action by improving predictive capabilities, this innovation may lead to safer and more efficient fusion reactors, the article goes on to say that fusion energy, often seen as promising alternative to traditional nuclear fusion, fission faces challenges due to its. High energy requirements and expensive operational costs. However, recent breakthroughs such as this one. Continue to bring commercially viable fusion energy closer to reality. Commercially viable fusion energy. So rather than traditional nuclear fission. Here we’re talking about fusion energy. Just trying to think about what video games have particularly good or have to, you know, kind of really crunched the numbers and the maths to get their collisions effectively. Down up to 11 I. I guess Grand Theft Auto 5, I mean that involves. A lot of guns, a lot of cars that are speeding, motorcycles that are speeding. It’s quite a chaotic game. Grand Theft Auto 5, where you’re, as the name suggests, able to commit all number of larcenies and crimes within which there are many explosions. We think crashing into each other probably. Really. Another great one would be Super Smash brothers. You know, you’ve got a game geared around collisions there, as you’re combatting against another player, probably actually the one I was thinking is the best. Collision. Algorithm creator is is the portal games where you’re. Train not only to kind of use the portal technology to go from one spot to another, but but really that kind of precise physics calculations that are at the heart of that game in terms of how these different objects are going to interact with each other, what the different portals and surfaces will be. In fact, if we let’s let’s let’s set the mood quickly in terms of how that is quite an effective. Example. Here’s here’s the here’s a trailer for for Portal 2, a bit more ominous. Maybe. Let’s hope they don’t take. Necessarily this direction in. Fusion reactions. Those people that have played Portal 2 will know it’s it’s a very dystopic game. Example Text It’s been a long time. How have you been? I think we can put our differences behind us. For science, you monster. Craig Put our differences behind us for science. You monster. So that was Portal 2. Of course, the next article I’d like to go into IS, is is a kind of unusual one in terms of it’s about a classic 1970s TV show, Gilligan’s Island. We’ll put ourselves in the mood in case you’ve never seen the wonders of Gilligan’s Island, I’m sure. No worries, we’ll remember this. Wonderful theme song. Speaker 5 Trip that started from this topic, this tiny ship by passengers set sail that day. Three hour tour, a three hour tour. Craig So what’s great about this intro is that it tells the story. Of this intrepid crew who are on a pleasure trip, and then they. Get. You know, swept off in a storm. Speaker 5 Round on the shore. Craig Onto an island deserted island. About Gilligan, the skipper. The millionaire. And his wife. Speaker 5 The star the professor, Marianne. Craig And the professor and Marianne. So what’s interesting about this was an article reported in Cracked recently, which was going over some of the original show notes and the pitch. For this TV series way back in the 70s. And the initial pitch was a little more serious than the comic goofy oddball sitcom that Gilligan Island’s got fondly remembered as the creator, Sherwood Schwartz. Presented his idea initially to CBS executives. As this social microcosm, which would explore how people from different societal backgrounds interact when stranded together, so a kind of sociological anthropological experiment in this. TV show and you know, I guess if we think about the characters that are in Gilligan’s Island, you know, you’ve got the skipper who’s a kind of working class authority type guy, you know, symbolising this, you know, can do attitude, practical knowledge. The millionaire, you know, Thurston Howell the third? Yeah, this kind of 1 percenter, the wealthy elite of America and that privilege and status. The idea also that this character is kind of a little bit detached. From. The ability to actually survive in this world, right, that his his wealth has has protected him that that is the survival tasks. If they’re not going to involve. And, you know, privilege aren’t really going to make this character very useful. The movie star that’s there, you know, representing that celebrity glamour vibe, particularly that 1960s allure of Hollywood, maybe the superficiality. That the shareowner was thinking that character could represent. 1960s and 70s. Interesting to think of the character of the professor. We’re talking Cold War period here. So the idea of you know again, this this still utopia maybe of of faith around scientific progress. Right. You’re in the middle of the space race during this period. Technological advancements seeming to be endless, so there are that professor character kind of symbolising that that utopic. Cold War era fate and scientific progression. Marianne, you know, forgettable character, but I guess that’s what she is. She’s a kind of every, every, every girl farm American girl, wholesome, hard working person, resilient. And then finally, Gilligan, you know, a bumbling, naive but well meaning. Every man. Often episodes, if you remember, involve a stupid thing he’s done and then people trying to. Fix it but. Yeah, certainly a memorable character. Probably the one that is most fondly remembered. So anyway, that’s those. Yeah, you could see pitch there that he initially gave. As social microcosms, what’s interesting is crack.com has got a hold of some of the initial reactions to that were CBS executives at the time were very worried that this concept would be way too sophisticated for a comedy show. And indeed, what’s interesting, though, is despite the fact that the showrunner, Sherwood Schwartz, pitched it as this maybe more complicated idea of social microcosms, the reactions to it were super harsh. The critical reaction was. Very brutal to towards Gilligan’s Island, so I don’t think the CBS executives had anything to worry about. In fact, most critics at the Times dismissed it as very absurd and poorly written. The actress that played the Hollywood starlet, Ginger Grant, said she was disappointed when she saw the first episodes feeling like it was more of a cartoon than a TV show. But of course, you know, did go on to become a classic. Amusingly, at the end of the article, the showrunner says. You know, after getting ripped apart by the critics as being as having created a a stupid show, you know, fondly remember fondly, you know, very popular, but nevertheless not the hypertension S initially was pitched at the showrunner said next year the intellectual critics will probably take another look at Gilligan’s Island. Then they’re right treaties on a social satire on many levels. So I have not come across in my own research any articles written on Gilligan’s Island Society. At all. Confrontation with Cold War America. It’s a great article in the making, though it’s certainly something to probably circle back to. And yeah, maybe put something together as well. Next piece of news. OK, next piece of news. Yeah, one last article on Cracked funny piece. On these tail, it’s like these tests like you do the batch stool test on a movie, you know which is all out trying to unpack. You know, ideological questions that are baked into a film. So the digital test has limitations. But I like the idea of it where you can assess the full roundedness of female characters by asking certain questions. Do the female characters. Talk about anything except for a male character. Various questions you can ask which start to at least you know well. They’re they’re a bit lacking of nuance. They will, they will still nevertheless get you to ask some interesting questions about film. Latest one is the Danny DeVito rule. Danny DeVito, of course, the 80s, nineties, various films he was in, he was. The. Who’s in the Batman movie as the Penguin most commonly known now for always Sunny in. In Philadelphia, it’s always sunny in Philadelphia. Will you please a really toxic Father character anyway? The the test here is the Danny DeVito rule is the best way to Judge ROM Coms. These are romantic comedy films and this was posted on Reddit. The idea being that. UM. Could you imagine in a romantic comedy? Tony de Vito’s character, that is, you know, is is the romantic comedy actually effective? Right. If if the romcom is truly romantic, it should still work even if you cast. If you replace the male lead with a really toxic. Act or or performance. You know notoriously often delivered by Danny DeVito, or will that turn the film into a horror movie? Or an absurd comedy rather than a real romance. This rule, originally coined by a Reddit user way back in 2017, is part of a broader article highlighting how many romcoms rely more on conventional, attractive leads than genuine emotional connections. So the idea is if if it wasn’t. Richard Gere. Here. Or you know Hugh Jackman in the role. If it was the quirky looking Danny DeVito, would it still work? And if it doesn’t, does that suggest that the romantic comedy only worked because it was an attractive male lead and there weren’t really any genuine emotional connections there? So there were a couple of films that I tested, like when Harry met Sally. Which it claims would pass the test. Other movies wouldn’t like Gigi and. And yeah, it’s an interesting idea. You know, taking an actor or a performance. And saying, you know what, if this was played by a different actor, that is diametrically. Aesthetically different or known for playing different roles, would that still work in this way? I wonder what other films you could have apply that to. One further little interesting piece let’s. Talk now about, I guess a little bit away from media. Interesting article there on ABC News talking about how Starbucks in South Korea has banned the use of presidential candidate names for orders. So this was an unusual article talking about how much like in Starbucks. Everywhere when you order coffee, you can give your name. Many people were using that call. My name service after they make your beverage where they call your name to use the name of various failed presidential candidates or candidates that have since been impeached. So it seems, yeah, bizarre form of of censorship. I wonder what type of culture jamming, cultural resistance, political resistance was going on using these political names as the Starbucks order. And then, of course, it being banned. It’s it’s it’s truly, truly bizarre little piece of of news there. So that’s this week’s news discussion some, some intriguing little pieces of of news there. Let’s now pick up where we were last week. Discussing how to write good villains. I want to look at this concept called the. Moment where in a movie The villain experiences. Comma, right? They’re comeuppance. They’re poetic justice that the villain faces where they get what they deserve, picking up from the guide to writing evil characters. Let’s listen about this concept called the. Harmor deflector. Speaker 5 To you. Speaker 6 It’s said in a lot of the magical, mystical, metaphysical lore that those who work on the dark side, you know the dark magicians as opposed to the white magicians, and think again, Lord of the Rings. You know, Gandalf versus Saruman, right? So you think, well, OK, what about Karma? You do all these horrible things, you wipe out people, you kill whole planets and worlds. Well, where’s the karma there? Where’s the retribution? Because. We want life to be in balance. Seldom is it, but that’s what we like. So it’s said that the dark magicians are able to deflect their karma. It’s like they have a a deflector shield around them and they are protected from the bounce back of what they do, what they can also have. Is a group of devotees, apostles, followers, fans who take the hit for them. And usually the people don’t know that that’s what they’re doing. But you start working for a dark magician. Guess what? Your life starts falling apart. May not be just what you’re doing. You’re you’re getting some of his deflected karma or, you know, she is directly pointing that shield to you. So it it goes off of her and bounces down to the other people. But. Ultimately, there comes a time in the life of a dark magician in their career through the dark side that it just doesn’t work anymore. And then all that they have been holding back, whether it’s ageing, you know someone who’s had the youth spell, whether it’s rotting from the inside out, whether it’s being slain by the tools that you used to slay other people, it eventually comes back. But that karma deflector. Is a really good story tool. Craig So I was trying to think of a good example about that. I reckon one of the best examples is probably The Lion King 1994. You’ve got the character of scar, the villain, the serper of the throne, who’s been able to manipulate his way all the way into now ruling the Kingdom. But at the end of the movie spoilers. But it it’s 94, so I think people have seen it by now. He’s betrayed by his own hyena allies at Meat Sea. Dire fate and again, that’s that idea of the karma justice, that kind of karma deflector where the hyenas, of course, had been used as the the Allies, the henchman, and then that come up. Since that moment of karmic. Speaker 5 That’s. Craig Have a listen. So this is the scene. So we’ll see how it plays out. How heavy handed, the karmic retribution. The poetic justice, particularly with the henchman of the hyenas. Speaker 8 Ohh my friend. Speaker 7 Friends, I thought he said we were the enemy. Yeah, that’s what I heard. Speaker 8 No, no, let, let, let let me explain. No, you don’t understand. No, I didn’t mean no. No. Craig OK, great. Seeing there from The Lion King. Probably any other one again another Disney example would be that great scene where? In Aladdin, so you’ve got the the evil character, Jafar, who’s? You know, being able to finally get the genie, but then of course it backfires when he decides to wish to become the genie. And let’s see, we’ll see how that pans out. We’ll have a quick listen to this scene of of karmic justice. How Jafar, the main villain in Aladdin from 92. His quest for ultimate power through villainy finally backfires in this scene, so he’s trapped Aladdin, you know, he’s become a. Huge snake creature. He’s shipped Aladdin here and Aladdin’s trying to talk his way out of it. So let’s listen to how he uses that karmic. Justice to get some poetic revenge justly deserved on Jafar. Speaker 8 The genie. Speaker 7 The Genie, the Genie has more power than you’ll ever have. What he gave you your power. He could take it away. Speaker What are you doing? Why are you bringing? Craig Me into this. Speaker 7 Face it, Jafar, you’re still just second best. Speaker 8 You’re right, his power does exceed my own. Speaker 1 However. Example Text That’s no long the boy. Speaker Is crazy. Craig There’s a little punch drunk one too many hit for. Speaker 7 The snake I make my sandwich. I wish to be. Speaker All right. Craig Your wish is my command way to go, Al. Speaker 8 You know it. Speaker 7 You. Trust me. Speaker 5 Mind the command. Speaker 7 Not so fast. Aren’t you forgetting something? You wanna be a genie you got. Everything that with it. Speaker No. Speaker 7 The no little cosmic powers. Speaker 80 bitty living space. Speaker 7 Hell, you little genius here. Craig All right. There we go. Great example there of karmic justice hitting the villain in the third Act, Aladdins 1992, where Jafar gets turned into a genie and doesn’t realise that. Ohh, sweet. Poetic justice. It then shackles him into all the rules of being a genie in terms of having to go back. Into the. Lamp. I mean, you know. Storytelling can be a fun way, I guess, of that desire we all have when we face some corporate accountability issue, some political scandal, some environmental neglect that the companies done where we want to see. Some form of justice done against those moments of scandal, some form of consequence from those actions which may, in a way conform to as movies like that portray a comic retribution which could play. Out in real life. Well, that’s the media mothership for another week. We’ll be back next week with some more explorations into the way media shapes, our understanding of the world around us. Next week, if you’ve enjoyed listening to the show, check us out on your podcast provider of choice. You can also see previous episodes on YouTube or Twitch. This has been Craig Norris for another week, signing off. Keep listening now to Edge radio. So as we’ll. Have some really cool tunes right now.

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  • Empathy for the Villain: Crafting Memorable Evil Characters

    Empathy for the Villain: Crafting Memorable Evil Characters

    We continue our discussion of Film Courage’s “A Guide to Writing Evil Characters.” In this segment, we explore the tropes of “Evil Characters We Root For” and “Techniques for Creating Empathy.” We take a closer look at characters such as Conquest from the Invincible series, Agent Smith from The Matrix, and Davros from Doctor Who. And, of course, we cover the latest news in media and popular culture.

    Read part 1 of our chat here.

    Links

    Superman Toy Confirms Identity of a Mysterious Character Fans Have Been Debating For Months

    Here’s Why You Can’t Kill Animals In Assassin’s Creed Shadows

    Ghost of Yotei Director Vows to Deliver ‘A Respectful Representation’ of Japan on Par With Ghost of Tsushima – IGN

    The empire strikes back with F-bombs: AI Darth Vader goes rogue with profanity, slurs – Ars Technica

    MrBeast Youtuber James Donaldson denies wrongdoing over Mayan ruins video – ABC News

    Star Wars’ Darth Jar Jar Now Available in Fortnite, but Fans Can’t Believe You Must Earn 1 million XP Before You Can Buy Him – IGN

    Explore the episodes

    Podcast

    📝 Show Full Transcription
    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode.
    Speaker Do not attempt to adjust the volume. For the next hour, we will control all that you hear. Speaker 1 You are about to experience the knowledge and insights of the medium mothership. Craig Alright, welcome here to media mothership on Edge radio. 99.3 FM. I’m your host Craig Norris, joined by the. Taylor Go to. Craig Then, well, I think I I thought I’d just do. I don’t really know what I’m talking about tonight, so I thought, you know, I’m not really leaning on the doctor part. OK, I’m more of the consumer part in terms of, I don’t know what. I’m talking about tonight. We’re we’re engaging with movie screen writing and character development, and while I’ve never written a film. I have. I have been an extra in a student film. And well, and and an indie film. Yeah, right. The big, big love studio guys. Here in Hobart and I watch a lot of movies and I did study in my undergraduate European cinema at the unit European cinema for a semester needed two cinema study subjects anyway, so I’m Craig Norris. I joined my co-host Taylor Taylor. What’s your world? What’s that world? What’s? Taylor Up. Craig Your background in. Movies. Taylor I don’t know. I’ve never been in one. Oh, yeah, I have. Craig I mean, you’ve acted, at least you’ve done theatre acting. Taylor Been in one. Yeah, yes, the theatre acting and film acting the Nightingale. Speaker Yeah, OK. What was? Craig Your role in the Nightingale, Nightingale, of course. As a Tasmanian movie filmed in Tasmania about the convict period to really. Dark heart wrenching emotional journey. Taylor Yeah, I was in it. I’ve never. Watched it. Really, yeah. Craig What was the in the filming that you did? What was? Taylor Yeah. Craig The role you were playing. Taylor I was playing Ohh. What is it? Launceston townsfolk? Craig Right. So you had. Era appropriate clothing for the. Taylor Ohh yeah, I was ninja. I had sideburns which I grew out for six months. Craig For the sold really great. Really. Yeah. So you played the role of a British soldier? Yes or yeah, one of and. You were an extra, though, so you were. You weren’t. You didn’t have any. Taylor Speaking roles, not not a speaking role. No, but but it was a credited extra. Craig OK. Taylor Which is. That’s why I’m on IMDb, etcetera. Craig No kidding, Taylor. IMDb is that the one role at the moment? Taylor That appears, yeah, yeah. Craig Yeah, we’ll have to add a couple of episodes. Taylor Of course. Craig All right, great. So. In a way, you’ve played a type of villain. Would you say that? Identity was from the point of view of some characters, would be seen. As a villain, no. Really. I mean wouldn’t, wouldn’t, wouldn’t there be some characters in that film that would see? The British. Army as villains though. Taylor Yeah, but yeah, well, I haven’t seen the movie, but I’m just guessing from history. There is like so it’s it’s difficult because there’s the the main villain played by Sam Claflin, the fellow who plays Finnick in The Hunger Games. He’s the main villain and. Speaker 4 OK. Craig Is he British officer? Speaker That’s. Taylor Irish. Craig Right. Is this soldier or? Taylor Well, sort of like Irish sort of thing. And we basically he gets found out to have molested this sort of slave girl, I guess. And we all just look at him and he’s being publicly humiliated through that. So technically against the villain, I guess in a way. Craig That was the scene you’re in, right? So the scene you’re in, you want part of villainous Hanks. OK, OK, well, villain adjacent. Taylor Sort of thing. Yeah, yeah. Villains Jason. Well, actually no, for that role I had to. They gave us a pipe and we had. To smoke a pipe. Craig How did you smoke a pipe? Do you smoke? No. So how did you do the? Taylor Fake smoke. I just like drew it into my cheeks and then puffed it. Out. Craig Well, ruining the magic of movies your own media mothership. Taylor Oh yeah. Craig So indeed, as that little segue to introduce the show has foretold, omnium mothership we look at how the media shapes our world around us and we love these moments of behind the scenes how the sausage is made experiences so not actual smoking, but fake smoking. Taylor OK. Craig For that scene. We’ll be continuing last week’s discussion of villains, so we’ll unpack a little bit more. What makes a good villain? Taylor So just give me a moment I’ve forgotten to pay for parking. Craig And. That’s a villainous act, isn’t it? Yeah. You’re still in character. I notice. And in your acting, I know you played good guys. You were a detective in an Agatha Christie. Taylor It is. Yeah, that was on stage. Craig Yeah, on stage. Have you done any stage performances which are villain bees? Taylor I’m trying to think. Yes, I was murderer too in Macbeth. Craig Great. Alright, so that’s. Taylor I was in. I was in. Craig A sword fight that is so fantastic, drawing upon those experiences or that experience. Yeah, we’re going to explore your thoughts on what makes some good villains in cinema. Probably you’ve not seen most of. The movies, so that’s part of. The fun? Yeah, of course, Harry Potter. Taylor Is this? I’ve seen it. Craig You have right so you can as we’re talking about this topic. Feel free to SMS US on 0488811707. We’re also on YouTube and Twitch. You can post a message on the chat there well in the future in the future, yeah. So all that more. But before we do that, let’s cover. Taylor Patreon. Of beer. Craig Some some news. Oh, that’s not cheat. Taylor It is tuned. You just played it wrong. Craig Alright, really interesting article from Cydia. What’s that comic book were you all? The same thing. Taylor OK. Speaker Yeah. Craig Anyway, Superman Toy confirms identity of a mysterious character. Fans have been debating for months. The reason why I quite like this article was it’s one of these classic movements with the with the paratext. So you’ve got the text, the film, the new Superman movie that’s around the corner, and then you got these spin-off properties, right. So the movie poster, the Happy Meal, McDonald’s meal thing, games. Taylor Game. Is there a thing? Craig All that stuff usually comes out with a big movie. And they’re referred to as paratext. Or maybe a bit of transmedia, right? It goes to a different format like. In this case, the toy line. And it’s one of these wonderful moments where, again, you have the forensic fandom ideas, so fans are out there forensically sorting through content to get the kind of gotcha moment or the reveal moment to get a little bit of cultural capital from their other fans to say, hey, look what I’ve discovered. This one is is a toy line, right? And it’s happened numerous occasions where the toy line has a bit of publicity leading up to the film, and lo and behold, it reveals a character which had been, you know, rumoured or held off on in the. Taylor Trailer. So is it like a character? That’s suited up and then you can take the helmet off. Craig Or something. I know in the past there’s been cases of of that level of reveal in terms of, OK, bringing this character back. Even though the producers had hoped to keep it a secret, so it’s a big surprise when you’re watching the film. I won’t. I won’t spoil it for people by going into what this article proclaims. Taylor Really. Really. Do you think anyone in Hobart is actually going to be buying one of these? Craig The toy line has revealed. Global reach man for Kansas, Kansas listeners in America. OK, but yeah, nevertheless, fun moment where you know, you’re kind of big. See where it gets revealed. From a flyer. Taylor I mean, this is just great radio, you could. You’ve just said that there’s this big secret of something and then you haven’t revealed anything of it. Wow. Craig Kotaku next article from Kotaku. Ubisoft explains. Taylor Is there anything from Gizmondo today? Craig I got IGN and and anyway OK. Sorry, that’s spoiling. Ubisoft explains why you can’t kill animals in assassin Creed Shadows. The game. Taylor I mean, that’s just basic. You should be able. To kill everything in it. Craig The game director decides. OK, so why do you why do you think it is that in the latest Assassin’s Creed, the one that’s set in Japan, the. Game designers made an effort so. Taylor Is it something to do with animal spirits? No, no, OK. They just couldn’t be bothered to animate it. Craig Very practical. The games director cites a lack of predators in Japan and a desire to create a more Zen like open one. Speaker Yeah, that’s a. Taylor Lack of predators in Japan, so you should be able to slice a. Craig Rabbit in half predators. Except for humans, the ultimate predator. Or maybe the predator, right? So again, two things there. Zenlike approached the world. So they took a A. And moral, philosophical stance to this film that they want animal lovers to enjoy. This right? No animals been harmed in the creation of this game kind of vibe that that you can’t. You know, there’s a lot of kittens, right? The screen capture, for instance that they’ve got is a kitten. Taylor Absolute rubbish. Craig The your, your your neck it seems I I agree it seems I mean this game has hasn’t creed. Shadow has been bedevilled. That’s true by issues around. You know, dealing inappropriately with sensitive topics, for instance shrines also are non damageable and this was based on controversy earlier on where you know I think there’s been some incorrect lettering, the strains. You’re incorrect anyway, a whole series of issues have before in this in terms of, you know, kind of political economy, a sense that this is politically insensitive or cultural preparation. Anyway, this is the latest one that the game review was saying. They were surprised to find the player can never attack or kill any animals in the games. Virtual recreation of feudal Japan. And they would have pride. Taylor That’s crazy. I mean, even in the earliest links like Zelda games, you could cut the grass. You could eat a. Craig Chicken well, yeah, they say you can. However pet them and draw pictures of them. Speaker 1 Ohh. Craig Unlike so many other open world games, including previous Ubisoft projects, there aren’t even any aggressive predators, so I guess. Taylor Like bears and. Craig Yeah, like in Red Dead Redemption. It’s not Ubisoft, but other game open world game spaces like Red Dead Redemption. You’ll have, you know, grizzly bears. Wildcats that you know, are predators and will attack you, and so you can battle and kill them. Yeah. This one has taken the view that because the only animals you’re going to encounter are are non predator based, right? So cats and stuff. Taylor Medic through CNN. Craig You’re not going to be in a situation where you’re forced to survive in that scenario like you’re not gonna be encountering. A wolf. Or a bear. I mean, there are wolves and bears in Japan, but nevertheless in the in the locations you’re in, I guess the temples and so forth. So yeah. Yeah. They want to send like a bridge. Speaker 5 Hmm. Craig Yeah, yeah. I don’t know if it’s a selling points, if it’s taking the moral high ground here. If animal lovers are really going to embrace that. Taylor I think it’s just. Another nail in the coffin of that. Craig Game. Well, on that point, keeping the kind of video game set in Japan, IGN has an article about the the follow up series to what is it the consumer? Right, so this is ghosts of yottaa. So this is the. Next follow on game from Ghosts of Tsushima, which is set during the ****** attempted invasion in Japan. This one is the follow up, so ghost of Yokai director Val’s to deliver a respectful representation of Japan on par. Speaker 5 OK. Craig With ghosts of tashina. And again, that’s in conversation with the failure of the Assassin’s Creed shadows game. To effective to I mean it costs so much backlash. Hmm. So there it’s interesting. They’re selling point for this game is that, hey, we are the respect for game designers. We’re going to take a lot of care to this. So again, a lot of nervousness, a lot of egg shells around the representation of Japan, which is interesting. Even I guess the prominence that period of Japan reached with the Shogun series from last year, which was a huge success. One all these awards. So you can see these game studios jumping into this space to represent it. But yeah, because of the bad publicity around. Incorrectly getting some of the details or being seen as insensitive to the handling of it. I wonder if they’re gonna allow you to kill animals in this. Is that a? Are we being kind of? Baby cuddled a bit. You know Nanny state a bit in terms of not seeing the repercussions. I mean, the fact that humans do kill animals and that maybe we should. Taylor See you. Craig Sense the wrongness. Of that little rightness of that times. Taylor I mean in Skyrim for example, I got a mod which allows you to sever the parts of animals if you want. So you can then put the different parts into a pot to cook that particular part. Craig And I guess if you’re trying to immerse yourself into a reality. Taylor Yeah. Craig Well, yeah, I guess I wouldn’t do that. And there is this whole thing of what farm to plate in the real world, right? People have lost the idea of where food comes from, if they’re just going to willies and seeing mints. Taylor Exactly. Craig That that we need to bring back that sense of of what the actual reality of it is, is. Has that helped you in terms of your eating habits? Do you now look at food differently? Taylor Yeah, yeah, I eat more meat than ever. Craig The meat lobby would love. Love you, all right, AIS, Technica. Taylor From pork on your. Craig Technica the Empire Strikes Back with F bombs AI Darth Vader. Taylor Ohh that that’s all I wanted to talk about. There was something I I knew there was something I had. Speaker 1 Yeah. Taylor This week and I wanted to talk about it. Craig Yeah, it’s a big story. We we, Yep. So the subtitle here is Sith happens. This is funny. Brilliant. The Empire strike spec with F bombs AI Darth Vader goes rogue with profanity slurs Fortnite AI voice trained on James Earl Jones spoke curse words and insults before it was patched, so this of course is in a very very popular Fortnite game where you’re. Third person well, not shooter. Third person kind of fighter. Incredibly popular. They’ve dropped in some Star Wars characters, including Darth Vader that you can encounter. We’ll play a clip. Taylor Ohh really brilliant. Great idea. Craig Ohh, hold on, I haven’t. I haven’t hooked it up. Well, eventually will. And what was your? How did you come across? Taylor This story ohh this was this just appeared in my sort of like news feed because that’s what happened. You have a Samsung phone, you just swipe it to the left and it’s got all the news that’s been tailored specifically for you. And so yeah, I’ve watched. I’ve watched a couple of the. The videos, and not only did they did it speak curse words and things like that, but it started saying, oh, what did it say? Something along the lines. They always make it so they talk about Hitler and so it said something around Hitler being right, that sort of thing, I think and. Speaker 5 Right, right, right. Craig OK, well I’ve. Queued it. I’ve kind of cued it up. Taylor OK. Yeah. Speaker What freaking ******* food is that? Darth Vader? Tell me. Ohh my God. Speaker 1 Cool down. Speaker 7 Freaking ******* such vulgarity does not become you, Patty. You inquire about sustenance and yet speak like a common thug. Speaker 1 What you’re not allowed. Speaker 6 Oh my God. Oh my God. Craig So what’s that? Speaker 7 What sustains me? Speaker Oh my God, no. Speaker 7 You. No, no, that is and it’s composition it is. Speaker You made him swear. Craig So what’s happening there is a gamer is making the AI Darth Vader swear because they engage in the conversation by swearing to begin with. Yeah. So she says, you know, freaking ****** eating. Food and then the Darth Vader character incorporates that language. Taylor Yeah. Craig Those words in their response to make it appear as if you’re actually talking to something vaguely realistic. But unfortunately it hadn’t been patched at all. They hadn’t realised that if people swear that swearing gets incorporated into the answer that Darth Vader replies. So Darth Vader said something like. You know, while he recognises it’s inappropriate, like, that’s inappropriate, he had made to say this freaking ****** word. But he says freaking ******. So this was the controversy that it was also using the fact that it’s James L Jones’s voice. Right. So they’re trained, they’ve got the estates permission. Speaker Yeah. Craig To allow them to create a language model based on the archive of genes or juice’s real voice. Put it in the. Team, of course, part of the conditions since. Yeah, there’s I think there’s legal action now being taken against them from the estate that they’re in breach of the terms and conditions for allowing this to happen. That of course it’s brought into some disrespect. James Silver, James’s voice. Speaker Hmm. Taylor That is the tip of the iceberg of the bad things that it said though. I’m pretty sure someone asked it to rank skin. Colour. No, they did and it put white as acceptable. Craig Really. Speaker So. Taylor Brown as unacceptable. Black is even more unacceptable. That’s the the clip that I saw that they had, which I think is a bit more than swearing. Craig Yeah. It’s horrible, isn’t it? In a way. Taylor A bit more harsh when’s weary? Craig Very villainous, right? So so. Taylor Yes, cases in character. Craig Also, well, yes, but also, yeah, the kind of reality there is taking advantage of the system, right. So the. These these people that are wanting to corrupt and exploit by performing offensiveness. Taylor But from that point it it just shows that it was definitely an AI model that had that did not have the restrictions in place that it needed. And like when they’ve had all of these other ones that they’ve brought out, there was the one that. Twitter brought out, I think it was called, I think it was called Taylor. Actually, and that within two hours it had started swearing and going through all of this. Craig Yeah. I think it was Microsoft’s. Taylor Yeah, yeah, something like that, yeah. Craig Tay, I like how you’ve identified with. Taylor It. Yeah, I know, because it was in the news. I was like, oh, God, another reason. Craig Yeah, yeah. And they basically, yeah, I think it was the the early experiment Microsoft did with AI or language learning models, right? It’s not really AI. Speaker 5 Yeah. Craig And then they they put it into the wild, and a lot of people were able similar to this be able to basically groom the AI to become a a foul racist. And the thing was, I guess it was how quickly the corrupting began of that, that AI model. Speaker Hmm. Taylor But again, it’s it’s just a programme, just put in some things in place to stop it ever getting to that point. Craig And it is a sad reflection on humanity in terms of our desire to troll and to corrupt. And. Taylor But at the same time, like as a teacher. If you tell a student not to throw something, then all they wanna do is just throw throw it across. Craig The room. Maybe this is again another case of this is a reasonably safe space for that type of corruption to occur, right? And it’s interesting listening to that clip as well. Part of the fun. Of doing it was, as we heard in the reaction. Oh my God, I don’t believe I got defeated to say that it it is fun. I mean, the the appeal of the taboo, the. Appeal of saying naughty words. Taylor Or the naboo. Craig The Naboo saying the words you’re not meant to do, and there’s an appeal to that, I mean, I mean a. Lot of. It’s there. Well, yeah. I I’m thinking of a lot of humour. Is scatological a lot of humour is based on using to to do. I mean, I’m not talking about the the racist stuff, it’s more the. Kind of like getting into, say, the F. Weird. Taylor But can you really glean that much humour from? Craig Well, in a way, I mean, I guess, OK, an oppositional reading, right? So dominant reading would be ohh, this is really inappropriate and how bad on these people to exploit the system. A good one is it’s also kind of, you know. Mystifying the scariness of a villain character, right, that you can just kind of hack into the system and get this character that’s meant to be kind of like, Oh my God, I believe I’m battling against Darth Vader and instead you’re lampooning him and turning him into a clown, right, that you’re kind of. Taylor I suppose, yeah. Craig Demasculinization your kind of. Removing all of the villainy of this Darth Vader character and instead he’s yeah, you’re revealing that it’s just a bot and the bots dumb and the bot doesn’t know what to do. And so you can just get the bot to do something stupid and out of character. And I think that’s kind of creative. Speaker Hmm. Craig As well, I think had this is these aspects to this that are actually clever, right? I mean, figuring out that I mean and obviously you know within parameters you know clever in the initial thing you have this huge company spending all this money and taking all this care and usually there’s a huge risk averseness. To you know, carefully making sure all of these are calibrated for the market and they’re going to achieve X. Number of dollars. And it’s going to be great. And then when it’s just an epic fail because of some problem, the scrambling to fix it, you know, how bad can it get? Some of that is is is absurdly comical. Taylor Back on OK. Craig All right, so next next article? Yeah, another. Classically absurd things. So this is Mr Beast. Mr beast. So he’s a incredibly toxic, toxic but very famous and wealthy. YouTube, Mr Beast YouTuber James Donaldson denies wrongdoing over the Mayan ruins video. Taylor Oh, that’s right. Craig Yeah. So it’s some YouTube thing is doing and they got access to them. Yeah, that’s right. Yeah. They got access to the main pyramids ads. You know, they’ve denied any wrongdoing. But after that footage became public, this was that. Speaker 5 With that. Taylor Well, he did. He got the steps or something like that. You’re not. Supposed to do that anymore? Yeah. Craig Oh, do you know how to pronounce it? Chichen itza. OK. The Mayan ruins in the Yucatan Peninsula, which is considered one of the seven. Taylor Yeah. Teaching it so. Craig Wonders of the world. Legally, visitors are. Welcome to come to the site, but they’re banned from climbing the pyramids or visiting it after nightfall. They appear to have done both, certainly after nightfall, because you know, part of. Speaker For the. Craig The video is that he says nobody gets to go where we’re going. And then he goes there, which suggests that. Taylor Paid off the government, probably. Craig Yeah, well, this is the I guess this is what this maybe is exposing. So yeah, again it’s it’s an interesting. Again, another one of these epic fails of I guess you know so much money. Just put into this, they would have. They would have to have known this would cause some fallout. I guess they thought either they’d they’d been able to pay off everyone who needs to get. Paid off and have. Taylor Yeah, they thought their star power could carry them. Yeah. Craig Well, maybe they just like the publicity, right? I mean. Taylor Any publicity is good publicity. Craig Yeah, this, this, this, this certainly is brought it to my attention and media motherships, listeners and it was on the ABC News. All right, last story last style story Star Wars Darth Jar Jar. Now available in Fortnite, but fans can’t believe you must earn 1,000,000 XP before you can buy him, so it’s one of these. Kind of, yeah. And the subtitle Empire Strikes bank. And it’s just, I mean, again, it’s moral economy question at the other end of that Darth Vader problem, where the fans get to, you know, kind of rewire Darth Vader to show the absurdity of the AI system underpinning it, or the language learning model and defending it. This one is the greed side of it, where the Darth Jar jar. Is a fan favourite character in terms of its bit of fan fiction with Jar Jar Binks the most ridiculed character in the Star Wars pantheon. Fan theory saying that actually he was the mastermind evil villain behind everything as a Sith Lord, so they they’d buy into this with Fortnite setting up a nice novel little idea that you can play as the dark version of this, but you have to grind for it. And it’s an absurd grind and it’s punishing. And it’s interesting at what point fans playing a free game. Push back against that mechanic and say no more. Taylor Yeah. Craig Really. This is greed. This is exploitative. This is taking something, you know fans want and forcing them to to to buy it at a preposterous price. You know that that price label or that time. Cost linked to it. Value is broken from the fans point of view that you know they’re they know this is something fans who. They’re charging an extraordinary price. You’re getting so upset. Thinking about it. Yeah, that there’s an unfairness to it. Right. But I mean, again, how? How effective their complaints can be. You know, who knows? Taylor Well, that just reminds me of when it comes to unfairness, greed and corporate iness we’ve got the new Switch 2 coming out. In is it 7 days or something like that? It’s on June 5th I think. Speaker 1 And. Taylor Mario Kart world, priced at $130.00 or $120.00 or something like that, and it looks like that’s going to be the new normal for switch games, and probably PS2, PS, PS2, PS 5 and Xbox Games. Craig Yeah. Yes, there was another game where the game developers. That I think it’s the latest. Yeah, it’s the latest Borderlands game, Borderlands 4. The CEO has said. Because people are baulking at the price of it saying I feel they’re listed at 4, but the CEO in response to the $80 being charged for this game is is response was. If you’re a real fan, you’ll find a way right. Which again, is this moral economy moment, right? What do you do when you get that, let them eat cake moment. From the privileged power holder, right French Revolution. Style that that moral outrage of saying, you know, you just don’t get what it’s like in the cost of living today, that this $80 charge isn’t isn’t what this rich person’s imagining is, right. If you’re a real fan, you’ll find a way. Taylor No game should be above $100 is what I think. Craig Well, I guess this is within that $80.00, but yeah, it’s it’s it’s the response is, yeah, well yes, yes. Taylor $80 American. Speaker 8 Yeah. Craig Yeah. So that, that’s yeah that that’s been considered quite tone deaf, alright. Speaker Hmm. Craig You’re. Taylor Talking about tone deaf. Craig You’re listening to its radio 9.3 FM. Stay clear of the platform. Let’s move to the main topic of today, villains, villains. Yep. So as I mentioned last week. Taylor Medusa. Craig Medusa. Yeah. Yeah. Ursula, you can you can flip those interesting female villains. I mean, I think female villains are alright anyway. Well, they. Taylor Jaffa. Craig Let’s pick it up from where we were last listening, just Disney. So what I want to go into now was a actually it was a Reddit post I came across. There’s an interesting Reddit post a few days ago which has its tidal. The question there’s moments in a movie where the the Pure Evil 1 dimensional villain gives a speech that recontextualizes them in the most terrifying way imaginable. OK, so it’s a speech. Well, I’ll play a couple of clips. Taylor I can’t think of any. The top of my head. Now phanos. Craig Yeah, tennis is a great example. Any particular scene from Thanos in particular you think? Taylor Yeah. Ohh, where he’s talking about bringing balance back, that’s what. That’s what I’m. Thinking of yes. Speaker Yeah. Craig Yeah, it’s great. See, I’ll play clip. OK. Play. Play clip right. Here we go for the perfect balance. So we’ll try it. 13 seconds. OK. Speaker 9 Look. Pretty isn’t it? Perfectly balanced, as all things should be. Craig All right. So that’s the same way he meets Kimo. Taylor Ohh that’s we’ve got the the yeah, the knife. Craig Yeah, and and he is. I mean, it’s not. I mean it’s not necessarily it is recontextualizing them because in that scene we see a certain humanising quality to the villain. And an idea of their ideology. Speaker Oh. Taylor I’m talking about the one where he talks about after he’s done his famous snap. Yeah. And then he has the what’s it called then? He’ll look out upon a perfect world or something like that. Perfect human voice. Craig Maybe it’s this one. Speaker 9 OK, brilliant. You could not live with your own failure. Yeah. Where did that bring you? Back to me. You could not live. Where did that bring you? Taylor Just playing random bits from Infinity War now. Speaker 9 To me. Craig How? How about Thanos’s most powerful scene, OK. Speaker 9 Congratulations, you’re a prophet. On the survivor. Speaker 1 Who wants to murder trillions? Speaker 9 With all 6 stones, I could simply snap my fingers. They would all cease to exist. I call that. Mercy. Speaker And then what? Speaker 9 Finally, rest and watch the sunrise in the Grateful Universe. The hardest choices require the strongest one. Taylor That’s. Speaker Did you do it? Speaker 9 Make it cost. Who wishes? Craig It is a. Great scene and that that scene where. He says, you know where. His kind of surrogate daughter up until that point, asks him, you know, what does it cost everything. Yeah, it is. It is a terrifying explanation of what the character is. So yeah, we want to go a little bit into that. The the Reddit post. Yeah. There’s a couple of really interesting examples it gives. Speaker Hmm. Craig But let’s first set the scene and have a look at maybe. I don’t. Lure of the dark side. Evil characters we root for techniques for creating empathy. Techniques for creating empathy. I think that’s the the the one we’re looking at here. So jumping into this is the film courage clip techniques for creating empathy for your villainous character. OK. OK, here we go. Speaker 8 What is the definition of an antihero? An anti hero is someone who becomes evil for sympathetic reasons. This is why we like him. This is Michael Corleone in the Godfather. This is Harvey Dent in in in Dark Knight. We have to have sympathetic reasons to like an antihero. Speaker 4 There’s a whole bunch of techniques and you can see what they. Do. Craig Alright, so sympathetic reasons to like a. Antihero. So some of the clips. I came across this one is from the new. UM, invincible. Cartoon series superhero series and then the last season in the last few episodes, they bring this new character. In called conquest. And conquest is this super powerful villain character. It’s it’s, you know, we’re talking about kind of evil Superman level and there’s this fantastic monologue that Conquest gives, which is similar to this question of at the moment where a character is pure evil, he’s demonstrated various evil acts. Of killing innocent people in very gory grizzly way. Is this villain? Who, up until this point with this monologue that we’re about to hear, seems to just be pure evil? But then he delivers this monologue, which changes our view of them somewhat, right? Maybe a little more empathy towards that character. So as we heard in that clip, we sometimes want. To create that. Empathy. So let’s listen to this one minute clip of Conquests’s best monologue from the Invincible anime series. This is season 3. Speaker 1 I am so lonely. All the other philtre minds are scared of me. No one talks to me. No one wants to be my friend. They think I am unstable. They send me from planet to planet, committing atrocities in their name. And as I get better at it. They fear me more and more. I am a victim of my own success conquest. I don’t even get a real name. Only on purpose. I am capable of so much more, and no one sees it. Some days I feel so alone. I could cry, but I don’t. I never do, because what would be the point? Speaker 8 I’m going. Craig To so that’s. Dramatic scene of conquest, delivering this really unexpected monologue about his loneliness. He’s so lonely. No one likes me. I have no friends, right? Everyone hates me so much that they’ve given me the name conquest. Which is just a purpose. Right. And it’s such a dramatic scene. The It’s interesting reading the. The quotes some of the the comments underneath it, talking about how dramatic that scene is, if we jump back to the film writing guide just to see how that empathetic moment can work. Speaker 4 To know what the techniques are. For me, it’s like there’s three, three things that you do that I that you do is is make us make us feel sorry for that character. So there’s little moments where you can you can create a moment in the story where a character is unjustly abused or unjustly mistreated or insulted. Or. Betrayed or neglected. And so it it could be any character. And if that moment is there, you’re gonna feel sorry for that character at that moment. Takes an instant. So that’s one. If you show that they’re like us, if you show their humanity, for example, you show that they care about something other than themselves. That’s another technique. Craig So I felt. That that’s kind of the technique there. They’re not. They kind of like conquest. This, this viltrumite alien. Kind of villain character. He’s like a he’s he feels lonely. Right. He doesn’t have any friends, like he’s writing a diary entry. The a diary. I feel so lonely today. I have no friends anyway. It’s just really, profoundly banal, everyday depressing existential model. Speaker 10 Ohh my God. Speaker 4 So there’s a moment in the movie A Leon the professional, which is about a a, a hit man, right? And it opens with him doing a hit and he kills people you don’t know if he’s good or bad, but he goes home and he takes care of a plant. Right. And that right away, you say, oh, well, he cares about the plant, so he’s he’s OK. The other part is admiration. So this is like any. Any kind of you know, if you’re dating somebody or you’re trying to find somebody who was a good match for you, there’s that list of list of things that you like in a person that’s admirable trait. So somebody was funny. Who’s responsible, who’s courageous. That’s a whole list of things you can add to a character to make us say, oh, well, you know, I admire this. Usually they’re like, the best at what they do. They like the best. You know the best ad executive or the best agent or the best cop, or. The best driver? They’re courageous. There’s a whole bunch of them. I have hope. The list. The list is all in. Craig So there’s three characteristics there. One of the ones that was mentioned in the Reddit list of Moments in where a villainous character delivers a monologue which makes you see them a bit differently, is the scene from the matrix with Agent Smith, right? So this is the scene where. Morpheus has been captured. Agent Smith has been interrogating him. And then in this. Moment he takes off his earpiece so he’s no longer connected to the other kind of androids. And delivers this manogue monologue about his. Taylor Feelings manogue. Is that what a man? Craig Man alot. Gives. Well, here’s what a manity gives. So let’s. The. Speaker 5 Going to be honest. With you. I. Hate this place? This. Zoo. Prison. This reality, whatever you want to call it, I can’t stand it any longer. It’s the smell. If there are such things. I feel saturated by it. They can taste your stink. You’re time I do. I fear that I have somehow been infected by it. It’s propulsive, isn’t it? I must get out of here. I must get free. And in this mind is the key my key. Speaker 1 I was happy. Craig Such a such an interesting scene there that then again, that. Idea of humanising the villain. Taylor Yeah. Craig Up until this point, we’ve seen him as a kind of robot, kind of mechanical, villainous character, and then this, I must get free. I hate it here. I hate the smell. Very relatable. Taylor Mr. Anderson. Do you know who my favourite anti villain is? Yes, I don’t. Have a guess. Craig Well, some of the the I guess some of the classic anti villains, you got dirty Harry. Taylor No. It’ll be 1 you don’t expect. Craig Maybe the first act of Star Wars where it’s handsome. Taylor Because because they’re they’re not an anti villain. Sorry, anti hero. Craig Anti hero. Yeah anti villain would be. I hear it. Yeah. You, you, you finally got around to watching the Godfather. Taylor No, no, no. Corleone. It’s it’s an anti hero who is the main character. Craig Right, Harry Potter. Taylor Michael Douglas in falling down. Craig OK. Yeah. OK. Yeah, that’s a yeah. So falling down, there’s a note is the story of a kind of salary man in America. He loses his job, but then so embarrassed. Yeah. So embarrassed about the loss of his job that he can’t tell his wife. And he’s still going. Taylor Guys on the ranch. Craig I mean. You know, dressing up in his suit as if he still got his job and then he has one. Of these. Worst days possible. Taylor Yeah, he gets stuck in traffic. Craig Right and. It gets stuck in traffic, it gets bad service at a fast food restaurants, gets accosted by some some thugs, and he he just he just flips out and and does this weird wishful. So he’s he’s kind of villainous in terms of, you know, his. He he can’t face up to the truth. He. He’s lying. He then does extreme overreactions. Yeah, in these moments, but kind of like, you know, human overreactions, but ones which know, like, he gets a gun at some point, and he’s shooting people. He gets a baseball bat at some point, and he’s finally. Taylor Yeah. Speaker 5 Yeah. Craig Bashing people, you know, it’s just it’s just disproportionate. Yeah. And also a sense of entitlement that that really these are not big problems. Yeah, that he’s facing. But he’s blowing them up. Yeah, it’s a great role. What? What? Was it about that? You, you. You. Taylor Enjoyed. Ohh. It’s it’s really like the movie and I’d I’d like that disproportionate response to it. And I was so sad when he got shot to death at the end. But. Craig Look, it is cause look tip. I mean, you could do a different version of. That movie where? He is redeemed right where it is that kind. Taylor Yeah. Craig Of which which? Is why I think the movie is so good that they don’t concede that trope of, you know, because basically. You know, it’s that kind of, you know what we’re seeing today with Trump saying that, you know, Oh my God, the worst person. And the people in the world are these oppressed, alleged, you know, white genocide sufferers in South South Africa, right. It’s this kind of, you know, the idea that that a, an identity which has been considered. The the patriarchal privileged norm white male in particular is somehow struggling and so not living a life. Which is meant to be the same, similar in falling down. It takes that hypocrisy or that sense of lack of of any sense of a realistic base of what real suffering might look like. Yeah. Yeah. No, that’s. Yeah, that’s a great choice. It’s an underprivileged. Watched movie. I feel it is. Taylor Yes. Craig All right. So let’s jump in. Where are we? What’s the time? 2 minutes left. Alright. So we’ll hear a little bit more about the guide. To writing evil characters. Speaker 4 Book there’s all these lists of things you can do, but if you do these three things, and so when I show clips of the of the moment you meet the character and it’s usually like a 3 minute scene. You can see all these things being applied in like 3 minutes. There’s like, you know, the the opening of WALL-E after he’s done with the garbage and he comes to his to his little house. It’s a 3 minute scene and it’s about 20 of these techniques done. This is how you connect with that character in one scene emotionally. Also show a clip of a of A of an ad, a commercial. It’s a one minute. Thing about a lamb. Craig So the next one I mean, is this really interesting scene from well, in a way. Yeah. Some people in the chat mentioned this scene in Star Wars as being one which which. Agendas. Humanising of the of the character. Speaker 7 So you have accepted the truth. Speaker 4 I’ve accepted the truth. Speaker 11 That you will, once Anakin Skywalker my father. Speaker 7 That name no longer has any meaning for me. Speaker 4 It is the name of your true self. You’ve only. Speaker 1 Forgotten? No, there is good. Speaker 5 The Emperor hasn’t driven it from you. Speaker 9 For me to come. Speaker 7 Hobby one, once thought as you do. Speaker 5 I’m sorry, Eric. For all. Speaker 7 Of it, you don’t know the power of the dark side. I must obey. I must. Speaker 5 I will not turn. Speaker And you’ll be forced. Speaker 7 To kill if that is with destiny. Speaker 8 You can’t do this. Speaker 11 I feel the conflict within you. Let go of. Your hate. Speaker 7 We lose too late. Speaker 1 My father is truly. Craig Different. Alright, so that’s the same return of the Jedi defender Luke Skywalker. And again, those moments where Darkseid is delivering those lanes of, you know you don’t know the power of the dark side. Not in terms of where you should join me in the dark side, but a true sense of the oppressiveness of that ideology is is under. And that final scene, you know. It’s too late for me, son. Is quite alright. Well that. Last clip one, I think that you’ll be. Able to respond. To sure. Again, here we have a classic scene. I want to tell you. Taylor Voldemort. Craig It’s not that. One, it’s the it’s, it’s Gollum. It’s something I know you’ve got a background in. It’s a scene where one of the big villains in this series is delivering a kind of justification for their actions. Taylor Let’s call. Craig Them right and. It’s it’s not necessarily humanising or admiring them, but it is providing us with an insight into, OK, well, they’re not just. Taylor MHM. Craig Doing villainy because yeah, they want to. It’s for some other reason. Speaker 10 Now future errors will be eradicated, defeats will become victories. You will have changed the future of the. Craig Universe. So of course this is Doctor Who facing off against. Ross. Yeah, in the classic Tom Baker series. So this is this great kind of face off between the two characters. I’m just waiting until it gets to the scene that I want to. Speaker 6 It’s not the machines, it’s the. Craig Unpack. Taylor This is genesis. Craig Of the dogs genesis. That’s right. Yeah. Genesis Daleks consider one of probably the best episodes in Doctor Who’s history. So there’s a bit of intellectual sparring between what these Daleks represents. Speaker 10 With the darlings of the supreme rulers of the universe there. You will have peace. Wars will end. They are the power, not of evil. But of God. Speaker 6 Davros. If you had created a virus in your laboratory, something contagious and infectious that killed on contact a virus that would destroy all other forms of life. Would you allow its? Speaker 10 Use. It is an interesting conjecture, only living thing. Speaker 6 Would you do? Speaker 4 It. Speaker 10 The microscopic Organism. Speaker 9 Reigning supreme. Speaker 10 Fascinating idea. Speaker 6 But would you do it? Speaker 10 Yes. Speaker 1 Yes. Speaker 10 To hold in my hand a capsule that contained such power. To know that life and death on such a scale was my choice. To know that the tiny pressure on my son enough to break the glass would end. Everything. Speaker 1 Yeah. Speaker 10 I would do it. Speaker 11 That power would sit me up above the gods and through the darlings. I shall have that power. Craig Well, great scene, great scenes. So again, you know, in terms of Dan Ross’s villainy, you know, the Doctor asks that question. Of. You know Dave Ross, if in one of your experiments you created the virus accidentally that you discovered that virus could kill every living being, you know, would you decide to destroy that virus or not? And I guess it’s a test there of because what’s happening in this episode is the doctor is struggling with this. Decision of does he kill the Daleks or not? Like he said, the genesis of the Daleks highly suggest is is the inception point at which the Ducks begin. Doctor is afforded this opportunity to. Taylor Yes. Craig Wipe him out. To eradicate them at the moment of their. And so this question is kind of testing, is Davros really a bad game, right? Is there any remaining empathy or sense of, you know, if Davros answered, for instance, Gee, you know, yeah. Obviously, if I found that I’d accidentally made this virus that kills everyone. Yeah, that’s pretty horrible. I don’t want to kill everyone. I just want to. Taylor I think that’s also a turning point of where the Doctor realises that Davros would destroy if he could. And so therefore the right thing to do would be to not. Craig Destroy that, Davros ultimately is irredeemable in terms of even a hypothetical question. That’s not about creating a master race. Garlic species that are going to bring peace to the world, right? So again, that was just before then, but, you know. Actually, the dogs aren’t an instrument for evil. They like Thanos going to bring a sense of of balance and peace around us. We’re going to wipe out every other, you know, kind of aggressive species. Taylor Yeah. Craig And be left with peace. And yes, the dialects will just happen to be at the top of that space, so again he shifts it by saying OK, we’re not talking about dialects anymore, we’re talking about a virus, a virus that would even kill every other person here. And even with that, we were revealed the idea that DeVos is wants power. He wants at least to be recognised. Eyes. Like a God at being able to decide who lives and dies. So a very Thanos type God complex in terms of you know that it it’s nevertheless an attempt by the script writers to humanise that villain action. Right. Yeah. Why? Would someone want to do this? Why would someone want to create super soldiers? Taylor Daleks slash Nazis, which is what it was based on, yeah. Craig Yeah, yeah, yeah. And it’s such a fantastic unpacking of that, that, that idea. And I guess, yeah. So Davos doesn’t shift into being an anti villain. And to hear. The same thing. Anti hero? Yeah, because it’s potentially a lot a a kind of sequence of thoughts that could change the character. Yeah, right. Where he goes. Yes, I see now, doctor, the error of my ways right. Clearly there should be cheques and balances. I don’t just want to kill everyone, but there’s like. Taylor No, no. Why yes, now I would use that power. Craig One few to decide who lives and dies to be a God. Yeah. So it’s it’s. It’s a nice scene. And again the the the rising of the voice. And of course, yeah. Then the doctor decides. You know, he’s got to get Davros to kill the Daleks, right? You know, to wipe out Davros and the Daleks. Yeah. Think about that in terms of, if you’re finding yourself facing off against a villain, yeah, you know, raising a villain. Is there a moment to humanise them, and does that? Help create a more engaging story if you haven’t seen it, do watch falling down. Yeah worth watching and and yeah, that’s me meeting mothership for another week. We’ll dive into some more unpacking of media around us next week and. Before we sign off, any promotions for the new show, you’re setting up Taylor, no? Taylor Not yet. Craig They’re still Facebook, though. DM for Epley. Taylor There’s still a Facebook at DM for Airplay, but it’s not going to be for the next two weeks because I have exams next. Craig Week so. Ohh yeah. Wow. We, we you could do an exam themed music show. What music to listen to for exams? Taylor Songs to scratch out your eyes too. Craig Yeah, alright. Well, that’s the media mothership for another week. Keep listening now to some really cool tunes on Edge radio. If you want to find out more about the email, so feel free to jump on the Facebook page for us or the Instagram page. Back episodes are also on YouTube. Taylor And you can buy cracker coffee. Craig If you want coffee, it’s not a not a cheap option these days, or you can go podcast you can you can search for us on on the podcast provider or. Taylor Www.podcast.com.
  • Evil Characters: When Humanity Breaks

    Evil Characters: When Humanity Breaks

    How to Write Villainous Characters.

    Drawing on Film Courage’s guide to creating evil characters, we explore the concept of “The Conflict in Every Human Heart” and the idea that “every person has a breaking point.” We will discuss this theme through key movies and TV characters, including Colonel Kurtz from Apocalypse Now, Michael Corleone from The Godfather, Harvey Dent from Batman, Walter White from Breaking Bad, and various characters from the Harry Potter universe.

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    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode.
    Craig Yes, you’re listening to media mothership now. We’re back. Yeah, I’ve kind of got everything almost set up here in the studio. This is media mothership. As always, we explore how media can shape our understanding of the world around us. We’re streaming on edgeradio.org dot AU as well as YouTube and Twitch. You can find us on YouTube and Twitch. Just search for media mothership. See us in the flesh. On the video. And during the show, if you have any thoughts of your own, feel free to send us a message on the chat. YouTube or Twitch chat or you can SMS us directly in the studio on 0488811707 so. So as I mentioned, we’re going to be exploring the idea of writing villains, writing evil villainous characters, seeing how those villainous characters from movies and television can be crafted so well, I’ve been enjoying the final episodes. Of the Star Wars series and or, and really relishing the juxtaposition that TV series has between the. The. Evil characters from the empire and the kind of morally ambiguous, I guess at times good characters, and there’s quite a lot of kind of comparison between the two characters or the various characters in the in the. In the show that has got me thinking about villains, how best to portray and set up villains. So we’re going to start with a discussion from film Courage, the film Courage YouTube site. It’s an interesting YouTube site, goes over various. Speaker 5 Then the sirens get louder. Craig This tips and advice for film writing and creating films as well as if you’re enjoying films. Some of the analysis of, in this case a guide to writing evil characters. We’ll we’ll listen to the first set up for it, and then we’ll deep dive into some characters I think. Presents similar motifs of effective evil characters and and not so we’ll we’ll hear the intro. The entry sets up this really interesting character, which we may or may not consider at the point at which we’re meeting them is evil. The the character of war. The white from Breaking Bad. So let’s first hear this introduction to I think this is the first episode of Breaking Bad where Walter White’s character is again at the precipice of. Becoming an evil character. Speaker 5 Walter takes a gun from his underwear, steps up to the road, points the pistol right at the at the road, and stands there while the siren gets loud and if cold open. That’s a great cliffhanger and it’s a ticking clock and it doesn’t get resolved. And we go to the credits. Speaker 6 There’s a wonderful speech in Apocalypse now, which is based on heart of darkness, Joseph Conrad’s novel. And when Martin Sheen is getting his mission to go kill Marlon Brando, Colonel Kurtz, the general who’s giving him the mission, says the theme of the story, which is. There is a conflict in every human heart between the light and the dark, between good and evil, and the light does not always win. Sometimes the darkness overcomes what Lincoln called the better angels of our nature. Every man has got a breaking point. Craig So that was the script writer Pamela J Smith talking about a scene from the Francis Ford Coppola War movie Apocalypse now, set during the Vietnam War and the really fascinating character of. Portraying Kurt. So this is in act one of Apocalypse now as our protagonist, Captain Willard, played by Martin Sheen, is being sat down by his kind of CIA mind. And his character describing to him this descent of a previously considered heroic character played by Marlon Brando, who seems to have. Become ill. Let’s actually listen to that scene from the movie to set in this idea of again how to write a a villain character, an evil character. And the idea here that that Pamela J Smith is presenting is that you you want to be able to have. A breaking point. Where this character or one way of developing the villain character is the breaking point moment where the character. Has is, is. Is broken and becomes evil literally in the scene we just heard there described was Walter White from Breaking Bad. Literally the breaking point for a character to break bad. So here we’ll hear from Apocalypse now. That Breaking Bad moment. Speaker 7 I’m good. And you? Does not always triumph sometimes. The dark side overcomes what Lincoln called the better angels of our nature. Speaker 8 These fools found. Speaker 7 Every man has got a breaking point. You and I have. Speaker 9 Ohh Lord. Craig Interestingly, this idea of breaking points if you search on YouTube for movies with breaking Point moments, a movie that comes up quite. A bit is the. Shawshank Redemption, and again a character refers to breaking points within. Shawshank redemption. So the symbol we’ll hear from now is. Kind of in the third act of the film, where a characters using this phrase, every man has his breaking point. So in the short Shank redemption the we’re going to see here is. Is this moment where an individual, even the strongest individual, will reach this moment of of, of despair or hopelessness? Right. So in in, in Apocalypse now for Colonel Kurtz’s character. The idea they’re trying to grasp get their heads around is is clearly this character has arrived at this breaking point moment. And despair. Hopelessness has driven them over the edge. In this case, in Shawshank Redemption, it’s interesting what that sets up. You know, it’s not setting up a villain turn a heel turn if we’re to use the wrestling parlance, it’s not a a movement that’s breaking the character of Andy. But nevertheless, we’ll hear how this scene gets conveyed with the breaking point moment. Speaker 9 Ohh Lord. Speaker 8 What? Speaker 9 Andy, come down to loading dock today. He asked me for a length of rope bro 6 feet long. You gave it. Speaker 6 Oh God. Speaker 7 Remember Brooks hatlen? No. Speaker 8 And you’d never do that. Speaker 10 Every man has his breaking point. Speaker 11 Man missing on Tier 2 cell 245 New Friday. Get your *** out here, boy. You hold up the show. Don’t make me come down there. I’ll thump your skull for you. Damn it, dude friend, you’re putting me behind. I gotta schedule the cake. You better be sick or dead in there. I sick you not, you hear me? Ohh my holy God. Speaker 2 Michael corleones. Craig So it’s an interesting moment there as we can hear from that scene in the third act, wear red and the other inmates. Are. Are beginning to fear that Andy may. Have lost hope. And that moment that Morgan Freeman’s character reads, referring to the breaking point. Moment is that. Speaker 1 You know. Craig Has has Andy lost hope instead actually here that breaking point dialogue is a misdirection to the audience, whereas rather than a moment of of kind of turning to hopelessness and despair, it’s it’s actually overcoming. That’s the resilience of the character after that scene. As we just heard a little bit of a teaser there. If we think about that idea, though, and jumping back to the writing guide of Breaking Point Moments. It’s interesting to consider those moments where a character. Does have the the character arc is about exploring a breaking point, so one of the best examples of this would be the Godfather and the character of Michael Corleone. Who begins the film initially as a hero? Literally. World War 2 Soldier considered heroic in that first act. He’s on a pathway to to marry. He’s not part of his family business, which turns out to be part of the Mafia, and he doesn’t want anything to do with that. Criminal empire and during the course of the movie, it’s fascinating to see as he reaches a breaking point as he turn, he breaks. Bad he becomes an evil character, or at least a morally compromised character by the end, and this transformation, I guess from from a a heroic character into a ruthless mafia boss represents. For many people, a a fantastic Breaking Bad exploration, let’s listen to a couple of clips. What I’ve created here are some really interesting clips. From a series of YouTube shorts. Where various YouTube movie analysis channels have created short little 1020 second clips of character exploration. The reason why I’m doing these YouTube shorts. And they’re very AI based in terms of, you know, you can hear that distinctly AI voice that’s coming in is that I think it’s really setting up, you know, the dominant way of reading these characters if. We understand audience meaning making through Stuart Hall’s reception theory. You can see it having 3 aspects, 1 the kind of dominant reading which is the reading the mainstream reading, the reading that you know the the director intended you to get. Is the reading that the audience is kind of matching up to, so a lot of these YouTube shorts are pretty much going to be the dominant reading a lot of AI searches you do will give you more often than not a dominant reading in terms of they’ll be looking for something, particularly if the search is not asking for. Or a resistant or a positional reading. It will just give you what it’s been able to dredge through from mainstream sources, often trying to avoid a kind of overt controversial position. You know it will take a neutral tone often the AI. Certs so these little AI clips I’ll play from various YouTube channels. Exploring character identification are fascinating because of the way to set up a dominant reading. Of the Breaking Bad idea for a character development. There is, of course, as Stuart Hall argues, always negotiated and oppositional readings that audiences can play around with. So it’ll be interesting to see whether or not those Breaking Bad ideas that some of these channels suggest are at the core of those characters are not there at all. Or maybe there’s a negotiated reading partially in that. Camp but also saying this character also is sympathetic in. Of. You know the Michael Quarry Leone character is a great one in terms of, yes, well, you could say he breaks bad to become an evil mafia kingpin. You could also say, you know, there’s a lot of family loyalty and and survival, the ability to survive there, which is a kind of negotiated reading of that character, is not completely morally. Bankrupt and evil, he has good aspects. You know, a survival instinct, a a strong loyalty to family. Or an oppositional reading. But. Let’s read. Let’s listen to. This Michael Corleone transformation, Part 1 YouTube short from the Channel character chronicles. Speaker 2 Reluctance to join the family business reveals his inner conflict. See the moment he questions his path. Speaker 12 When when Johnny was first starting out, he was signed to this personal service contract. Now Johnny is my father’s. And my father went to see this band and he offered him $10,000 to let Johnny go. But the band leader said no. The next day, my father went to see him, only this time with Luca Brizzy. And within an hour he signed a release or a certified check of $1000. Speaker 6 Why do you do that? Speaker 12 Luca Brazzi held a gun to his head and my father assured him that either his brains or his signature would be. On the contract. That’s my family cake. It’s not me. Speaker 13 1. Craig See, that’s my family key. Not me. Again, act one. Heroic character of Michael Polyone. Played by Al Pacino, the idea that he’s actually a a heroic character, not Breaking Bad. That’s his family, his family’s mafia, right. They’ll they’ll send a heavy in to threaten the death of of of this poor guy so that they get what they want. So instead here we have this moment of the character transitioning into something else. So let’s have a look another YouTube short from the cinema craft here again, unpacking those pivotal scenes which made Michael Corleone. Great. Bad. Speaker 10 These moments showcase Michael’s transformation from reluctant outsider to ruthless Mafia leader shaping the film’s tragic arc. Michael introduces Kate to his family but insists he’s different. Speaker 12 That’s my family, Kate. It’s not me. Speaker 10 Distancing himself from the mob life. When his father is nearly killed, Michael realises the family’s vulnerability, starting his pull into the business. Speaker 12 I’m with you now. Speaker 10 Michael kills Sollozzo and McCluskey making his first violent move and committing to the family’s way in hiding Michael Mary’s Appolonia. Speaker 11 No, no. Speaker 10 Her murder hardens him and pushes him further into the criminal world. Vito’s passing cements Michael is the head of the Corleone family, stepping into his father’s shoes. Michael orders the elimination of all rivals during his godson’s baptism, sealing his fate as the ruthless godfather. Speaker 12 Make him an offer you can’t refuse. Speaker 1 Here’s a TV. Craig So there’s a number of steps there that that example of the pivotal scenes that made Michael Corleone evil or the Mafia king around that idea of of a breaking point and the first one, the one. The the death of his his father. And his sense of being brought into the family through killing the corrupt police officer is that that, you know, first kind of breaking point idea of. His, his, his gradually getting pulled into the Mafia so that as we heard in those other clips his he’s making offers that the other character cannot refuse. Let’s get back to film Courage now and hear some other tips on how to write. An evil character. Speaker 5 Then the sirens get louder. Walter takes a. Speaker 6 It’s novel, stubborn. Speaker 14 This came from Cliff Osman. Was my acting coach and he said. He said he had never seen a decent portrayal of Hitler. Because. The the person so vilified by society that no actor had ever played him from a true place. He was always a villain and he said, you know, who didn’t think Hitler was a. Hitler. Hitler didn’t think he was. A villain at all. Hitler thought he was doing amazing things for this race of people, and he said because of that, you don’t get a real, honest portrayal, he said. You cannot. Judge. Your character. In fact, you have to think of yourself as. Your character’s attorney. Ohh wow, you have to plead your case. Or the case of the character to the audience. You can’t do that if you’re judging the character. And I took that with acting. And I also took that into my writing as well. You know, everybody is coming from a place where they think they’re doing the right thing. Speaker 6 Why? Speaker 14 You know, so. That’s. I think that’s really important actually when you’re developing. Characters. There’s a minute you judge character. You’ve got a 2 dimensional. Character. You know you’ve got a flat. You know, it’s like, OK, I know this guy’s story. He’s the bad guy or he’s the good guy. Speaker 6 Whatever it is, even good characters do bad things and I think. Speaker 14 Right. And that’s the thing, it’s that the complexity of life, you know, no one’s. Speaker 3 They’re justified for you. Speaker 14 All bad or all good. Speaker 10 In order to create a. Craig All right. So we’ll pick up some ideas there by the actor and script writer Marcus Redmond, particularly his point of when you’re writing a villain. Think of yourself as a character’s attorney, which is a, you know, a really fascinating way to avoid that mistake. Of just doing A2 dimensional cardboard, cut out villain and instead. Recognise as Marcus Redman says. There’s no good versions of Hitler because everyone sees him as A2 dimensional character rather than not let’s have a look at the idea of Walter White and the change. He goes through. Speaker 1 So here’s a TV character moment that I think was just brilliant writing. When Walter White gets diagnosed with cancer, he worries over financing his treatment and supporting his family. But when a wealthy friend, having heard the news, offers him a good job, seemingly so. On a plate to save he so desperately needs, Walt just stares back at him, insulted by the very idea that he needs someone’s help. So Walt dives into a life of crime, becoming a multimillionaire on a foundation of sin to prove that he is capable until years later, his enemies catch him, beat him, rob him, and leave him for nothing. So defeated Walt calls to turn himself in until he turns on the TV. And sees that same friend giving an interview talking about how little he regards Walter White. And suddenly despite a lifetime having passed, the grizzled Walt is pulled back to. The moment seething at the idea of being looked down on so he gets up, evades the troopers and sets out to correct him. And with just that moment, the show makes overwhelmingly clear that after five seasons of triumphs and losses, that could have helped anyone grow, Walter White remains now, as he has been from the beginning and impressively intelligent man with the fragile ego of a child. Speaker 3 The explosion kills Rachel, which? Craig That was that was the example of of Walter White. There again, a great character in terms of breaking in, breaking a breaking point character where his breaking point as that argument from the reliable narrator channel. Argues. That actually, Walter White’s character is breaks bad because. His ego is. So fragile that he he cannot allow his, you know, ego not to be seen as brilliant, which means throughout. And it’s an interesting Breaking Bad. Have you seen Breaking Bad? Taylor I I haven’t seen anything to do with breaking. Craig Bad. Well, there’s a great moment in this series, right? Characters, very sympathetic at the start. Of course, the character Walter White diagnosed with cancer, decides that he is. Taylor Yeah. Craig All of his earnings are not sufficient to take care of his family, but then through a a school student he’d taught realises there’s a lot of money to be made in drugs, so it’s it kind of is going to pursue that pathway. But then a a rich friend of his. Taylor Yeah. Craig Who finds out that he’s got cancer, says well, why don’t you come and work with me? You know, you you won’t be asked to do too much, but I can provide for you and make sure your. We set up and his sense of crushed ego just being getting a handout was so significant that that he, that’s one breaking point. He reaches right where he decides. No, screw you. I’m don’t need your hand out. I’m better than you. Taylor I wanna make a. Legal drug I’m gonna make. Craig And then throughout, as this channel saying, he increasingly he makes the it’s not a a kind of 1 breaking point and then becomes evil. It’s a series of breaking points through which he makes morally ambiguous, bad bad behaviours. My co-host Taylor’s joined. Hey. Hey. So now one of the other things. And while you’re here, actually, we may as well jump into one of the other parts, which is. Good characters sometimes make bad decisions, right? So there’s a number of points with it. Marcus Redmond, the script writer there is talking about moments when. Where you know you want to write complicated characters, you want to advocate for your character and be their attorney. And there are moments also where good characters do bad things, right? It’s not black and white. You don’t want to do just a black and white character. I I got a YouTube short here from the Harry Potter central because I know these are. Films you have seen the characters you do. Taylor I know this. Yeah. OK. Craig OK, so this is 1/5 of the worst things done by good characters. Taylor In Harry Potter. Craig In Harry. Taylor OK, we’ll do. Craig Is we’ll listen to some of these and we’ll discuss whether indeed, these these are kind of breaking point moments, right? These are these are these are moments where. Yeah. Taylor Dumbledore. Stumbled or should be #1. You raised Harry Potter like a pig for slaughter. Speaker 16 Five of the worst things done by good characters #1 Jenny ended up opening up the Chamber of Secrets by complete accident, and Tom used her for her whole first. Craig Year at Hogwarts, Jenny opened up. Taylor The Chamber of Secrets. Craig Chamber of Secrets. What was her motivation for doing? Taylor That she was being possessed. That’s not. Speaker Oh. Taylor Really a motivation? Craig So her character her. Taylor Kaden did something bad, but she was. Craig A bad thing? Did a. Taylor In control. Craig Of it right, it’s that that’s pretty excusable. Taylor Apart, apart from, apart from the fact of that she was talking to Tom Riddle in a book. And shouldn’t have been. Craig Doing that and there were weaknesses in her character, right? So there were flaws. There was like loneliness or craving. Male attention. Yeah, that that then caused her to make a bad decision. Yeah. It wasn’t a Breaking Bad point, right? She didn’t become an evil character after. Taylor Yeah, yeah. Craig That was she. Taylor I really do like. I really do like the sort of like the undertones of ginnies talking to the the book though, it’s it’s. Craig Because Tom Riddle. Taylor It’s. Because it’s talking in, in, in terms of, like, it’s an obvious connection. Between spilling your secrets onto the Internet. That’s what rights. Craig Yep, a strong, strong metaphor of that. Yeah, yeah. Alright. Well, it’s just number two of the, you know, worst things a good character does from Harry. Speaker Yeah. Speaker 16 Potter #2 double doors love for Grindelwald wasn’t the bad decision, but that doesn’t change the fact that Grindelwald ended up being who he was. #3 I want. Craig Alright, hold on. Taylor Well, I I couldn’t get my brain around that was. Speaker 17 So. Craig Great. What’s the character? What’s the connection between Grindelwald and Dumbledore? This is fantastic piece, right? Taylor I I will be honest, I haven’t. Really paid attention to Fantastic Beasts and I haven’t even seen the last one of fantastic beasts I didn’t like. Craig All right, let’s. Yeah, that’s fine, that’s. Fine. All right. Taylor The thirsty so much. Speaker 16 #3 he was #3 all dobbies attempts at saving Harry Potter and Chamber of Secrets were all actually pretty bad decisions, including jinxing them. Number. All right, all right. Taylor Who’s Dobby, who’s dobby? Craig Dobby, obviously the one and only they’re my favourite character from the whole series. Taylor Really. Craig He’s such a he’s. Like JoJo binks? Right. He’s like, you know, and that’s and JoJo. Binks is an interesting Breaking Bad character. Because JoJo Big’s character was so irredeemable in terms of. You know, a kind of childish character that. Kind of devalued the entirety of the Phantom Menace series that fans then said this card would be much more interesting if in. Fact he was a dog was a tough. Speaker 16 He. Craig Yeah, a sith. A Sith character, right said that. Taylor Yeah. Craig Yeah, he, he. Broke bad. So many fans say that that, yeah, John, John Banks was. The ultimate puppet Master Sith character that was Breaking Bad through. Dobby does does Dobby make bad decisions? Taylor Oh, absolutely. Craig And are those breaking point decisions right? Those are those are bad decisions which which cause. Taylor Them to go to the dark side. Yeah, no. Craig No. OK, well, but what his his decisions do have ramifications. He does die. Thank goodness. Spoiler alert. Taylor Something you never managed to do. Craig But again, yeah, good characters can do bad things, but in this case dobbies bad things were all you know, how would you characterise the bad things? Taylor It was still under like, because he had to hide it from the Malfoy family, who owned him, right? Yeah. And so he had to do it in these sort of surreptitious sort of dangerous ways instead of actually actually coming out and going. Fixed, sorry, fixed fixed. Craig Haggard. Alright. Haggard’s you know. Let’s see what the. Speaker 16 Grid having Harry and Ron find Aragog might have helped clear his name with them, but they almost ended up getting eaten in. Craig The process. So what’s the story with Aragog again? Taylor Yeah. Follow the spiders. Follow the spiders. No, that’s Fang. Craig Said the big dog. Speaker 18 OK, right. Taylor Which followed the spiders into the the Forbidden Forest, not the Black Forest that’s in Germany, into the Forbidden Forest. And at the end there’s a massive spider who tries to feed him, feed them to. Craig So. Taylor The family. That’s why the family. Craig Good characters do bad things. In this case. Hagrid, who is you know, kind of a mentor, a kind of custodian to the boys, right? He’s. Taylor Yeah, yeah. Craig The the 1st. Wizarding character the Harry needs really and he’s he’s he. He very much means well. What was he screw up here? Now is the bad thing. Taylor Well, cause he was just about to go to Azkaban right? And and so he needed people to basically know that it wasn’t him who had the the creature that was killing everyone, IE the basilisk. Speaker Right. Taylor And so he sent Harry and Ron into the forest. To me, almost certain peril. Young kind. Speaker Cheap. Craig Of you know. Taylor 15 year old. Craig 50 year old school student. Taylor Oh no 12 year olds. Craig Yeah, into into a known dangerous place. Yeah, yeah. Taylor Yeah. Craig There are no repercussions. Did he lose his joy or he lost? Taylor His not really. Craig OK. Last one number. Speaker 16 #5 Harry almost ended up killing Draco Malfoy with Sectumsempra, and luckily Snape was there to. Speaker OK. Speaker 16 Reverse the effects. Craig All right, so. So. Harry’s bad decisions. Yeah, right. Taylor He’s reading the half blood Princess potion book and scribbled into the side pages is an unknown spell and it is and it says 4 enemies and so he just decides to use it on Draco Malfoy, his in enemy and always kills. Craig Him. Yeah, yeah, yeah. And that the only reason, Malfoy. Lived was because Snape was there. Taylor To yeah. To reverse the facts because he invented that. Craig Spell. Really. Mind blown. So again, potentially yes, that could have been a breaking point for Harry, right? Actually killing so many people point out that’s a that’s a moment where a hero often does turn to a more morally complicated or compromised character where the. Taylor I mean that’s that’s that’s that’s another thing with the half blood Prince. Like if you watch the movie you have snake there going and he goes I am the half blood Prince and it’s like yeah sure. What So what how how are you the half blood Prince and gets rid of all of this entire back story with the back. He is. He’s a half blood and his muggle mother, her last name was Prince. And so therefore he was 1/2 blood. Craig Alright. Prince, I mean, I mean, snitch character is interesting in terms of a a villain, right? I mean, he very much comes across as the villain. A what? What was the breaking point? Sneep right. It was his left triangle, wasn’t it? Between Harry’s parents? Taylor But that’s the point. Snape was never banned. Craig And sneads it. Wow. So the reveal comes, but nevertheless, the reason why he’s not. Taylor But snipe, snipe snipe started off as a bad character. Mm-hmm. And the breaking point to him turning good was the love triangle with his mother, with, not with his mother without his mother. Craig Yeah. OK. Yeah, that’s interesting, right. So. With his mother. Yeah. Yeah. So in ways, yes. Snape broke good because he’s from. Slytherin family and everything, right? His his character is meant to be. Yeah. Evil. Yeah. Right. So yeah. OK, so that’s a really interesting counterpoint that that he breaks. Good. All right, next one. We’re going to listen to. So going back to that initial idea of moments in where movie character breaks, it reaches a breaking point. Let’s listen now to Harvey Dent, Dark Knight, DC comic books, the villain character. Taylor Ohh 2 faced isn’t it? Craig Face 2 face. There we go. So in Dark Knight. Take movie by. Christopher Nolan is going to say Christopher Columbus Christopher Nolan introduces Harvey. Dan very much sets him up as as the white knight, right. He’s an idealistic District Attorney, but then he’s broken right here. So what breaks this idealistic. Attorney District Attorney, let’s listen to WIOR channel for Harvey dense transformation. Speaker 13 Did you know? In the dark night, Harvey dense transformation into two face after being severely burned on one side of his face mirrors real life cases of individuals undergoing significant physical and psychological changes due to traumatic events. This powerful scene demonstrates how trauma can profoundly alter a person’s identity and moral compass. Making it one of the most compelling and realistic portrayals of character transformation in cinema. Speaker 1 You either die. Craig Well, let’s see it. Emotional trauma. The emotional trauma, though, is this one. Speaker 3 The explosion kills Rachel, which leaves Batman devastated since he intended to save her. However, he manages to rescue Harvey before he too is killed in the explosion, but Harvey is left severely disfigured and mentally destroyed by the tragedy. Speaker How? Speaker 13 Did you know in? Craig The dark, so that’s end of Act 2. What happens is the Joker challenges Batman and. Commissioner Gordon to save Rachel, who’s the love interest of Batman and Harvey Dent, right. They’re in two different locations. They’ve both got bombs that are about to explode and. Taylor What’s this in the movie? Craig Yeah, isn’t there? And they’ve gotta split up to rescue them. It’s it’s a set. Up for the? Taylor Oh, yeah, yeah, yeah, I do remember. Craig 3rd app, right? So Batman goes to save Rachel and Attorney Commissioner Gordon goes to. Dave. Harvey Dent, but. The Joker has sprung a surprise and Batman was actually going to a Harvey dentist, right? Batman successful, says Harvey Dan, but thought it was Rachel. Commissioner Gordon wasn’t successful. Rachel dies anyway, so it’s that trauma where where Harvey Dent thinks that, right. It’s interesting. Taylor Rubbish. Coming to school. Craig Again, the idea of Rutrum A is almost click on it. Speaker 1 You either die a hero. Or you live long enough to see yourself. Speaker 2 Become the villain. Speaker 18 Store. Speaker Face Gotham’s bright future. Speaker 11 It’s about what’s. Craig Right. Yep. So that’s again one of these. Other cliches of. Become the villain. You either die the hero or live long enough to become the villain. Interestingly, I saw that as a meme today where someone posted these frozen meals. That were Gordon Ramsay granted Gordon Ramsay’s frozen pasta, Gordon Ramsay’s frozen sausages. That yeah, you just put in the microwave to eat. It’s like that’s that concept. You either, you know, die early as the hero or you live long and become the the villain. So again, the idea there being if Harvey Dent had died in that second act explosion, he would have died. Speaker 11 OK. Taylor Yeah. Craig Hero, right? Everyone would still have remembered him as the heroic. District Attorney. But then he justifies his sense of of revenge by, you know, he’s he’s he hasn’t died, but he’s now become the villain. Interesting one here is Jack Torrance’s character in the shining. Speaker Hmm. Craig Not seeing it? Great horror film. Alright, it tells the story of the character Jack Torrance. It’s a Stephen King novel based on Stephen King novel. This is a clip from the movie by Stanley Kubrick. Taylor I’ve seen it. Craig Great. Well, there’s there’s one horror film we’re not talking about. The Jack Torrance played by Jack Nicholson and it’s interesting, this, this, this, the art of narrative YouTube channel is is here presenting his theory on the breaking point for Jack Torrance’s character. Why do we go from this character that is. Not crazy to by act too crazy. Crazy. Speaker 18 Drove Jack Torrance crazy. I think the answer isn’t as clear as you might believe. Any fan of the film could recite a combination of factors that contributed to Jack’s Madness. The isolation of the Overlook Hotel, located in a remote area that is cut off from the outside world in the bleak white winter, the hotel’s dark history of violence, or the ghosts of the former guests and employees who haunt Jack and torment him, bringing out his worst demons. And finally, Jack’s own alcoholism and mental instability. All of these factors combined created the perfect storm that drove Jack to madness, but these all missed one important clue. Jack’s complete inability to write in the absence of all other distractions, Jack is forced to confront. Speaker How’s it going? Speaker 18 The horrifying truth, his utter lack of talent. And that is. Craig Lack of talent, right? So the position that the our narrative is presenting is that it’s because Jack. Torrance’s cart has been deceiving himself. He’s actually not a good rider. The whole thing is that he’s gone to do the winter caretaker for this hotel, so he has time to write his great novel. As we see in the film, though, you know he doesn’t. He’s not actually able to write, and he becomes increasingly frustrated by his wife and his child. He turns to alcohol, but the core breaking points concept that this are narratives presenting is that it’s it’s his own self delusion and self deceit. And craving for success, which has which is which has broken him, that he he cannot, he does not understand himself and he does not understand himself that ultimately he’s just not a good writer. He’s not capable of it. Let’s let’s have a look at Anakin Skywalker. Speaker 18 Star Wars? Yep. Taylor OK. Speaker 17 When did Anakin Skywalker fully embrace the dark side? Some believed it happened when he defied the Jedi Order to save Chancellor Palpatine from Mace Windu. Others think it was his rampage on Mustafar where he betrayed the wife he once held dear. The logical time was when he slaughtered younglings in the Jedi Temple. Yet we learn in the rise and fall of Darth Vader. That Anakin still thought of himself as Anakin when Emperor Palpatine crossed the lava shores of Mustafar to his apprentices burned body. It wasn’t until he was sealed inside his life support suit and the emperor asked Lord Vader if he could hear him that Darth Vader realised Anakin was God. It was upon learning that his wife and child were dead at his own hands, that Vader lost all hope. His wife was gone forever, leaving him devoid of love. And in that moment he fully surrendered to the dark side. Craig Yeah. So I mean there’s a number. Of moments in. The film, where the character of Anakin does a number of bad things. Right, killing the younglings. Most people would say, is a moment. Where he he’s broke. Right. He’s a breaking point. Taylor No, that was valid. Craig Yeah, well, this is what? This this is what Star Wars apprentice is saying. That’s not actually the breaking point, because he still sees himself as Anakin, right? Still redeemable. I guess his argument is it’s the moon, which not only is he encased in the life. Support system of the Darth Vader uniform, but he’s told by Palpatine that you know his wife is dead as well. In fact, let’s listen to that scene. Speaker Just help me save at least like. Speaker 7 I can’t live without. Speaker 8 Where is she and your anger? Speaker 11 No. Speaker 7 I couldn’t. She was alive. I felt it. Craig Ohh alright yeah. So the idea being that yeah, it’s it’s that moment in which. He he thinks he’s killed his wife. Well, she does die, actually, after his church forced hold on her. Yeah, so. I I can’t, you know, so there there’s some interesting thoughts there around writing evil characters. My takeaway actually is the point that. That you’ve got to think of yourself as a character’s attorney, right? You can’t just reduce the character to being. I need a bad guy, so he’s just irredeemably bad. Make yourself the characters attorney, understand that every character sees themselves as heroic or the centre of the movie. Or not kind of, you know, kind of non functional evil, right? They they see themselves as justified. Yeah. For the actions they’re taking. So that’s media mothership for this week. Do we have? Another show after. Taylor This no, but I we’re. I’m going to run some tests to make sure that what I’ve got will work so. Craig Great. Fascinating. Alright. Well, keep listening then to Edge radio. We’ve got some some great tunes coming in. Think about those ideas of breaking point moments and characters right? What movies have you seen, where there’s been a breaking point moment? Events that’s caused the character to turn evil. If you’ve enjoyed this episode of Media mothership, check out previous episodes on your podcast provider of choice. We have a Facebook page, Instagram as well, so feel free to jump on those two. This has been your host, Craig, joined by co-host. For another. Taylor Week bye same. Craig Bye.

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  • WrestleMania 41: Fallout and What’s Next

    WrestleMania 41: Fallout and What’s Next

    WrestleMania 41 shook the WWE universe—but has The Rock gone too far?

    Craig, Taylor, and special guest Marcus dive into the fallout of John Cena’s heel turn, unravel the deep storytelling driving the feud with Cody and The Rock, and debate whether this shift is good for WWE.

    WrestleMania Video Shorts Mentioned

    Podcast

    📝 Show Full Transcription
    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode.
    Craig Alright, alright. Just an echo goes from the machine. I don’t know what that was. This is media mothership though on Edge Radio 99.3 FM and I’m your host, Craig, joined by co-host Taylor. Hello. Special guest Marcus. Marcus Howdy. How are? Craig We going, we are all locked in now. And I feel I. Marcus Feel good, Chad, are we? Craig Locked in and we’ve got all systems green on on streaming, so we are indeed streaming on YouTube and Twitch as well as on the Internet WW. Edgeradio.org dot AU do people still say WWW in front of URL these days? Is that dropped? Taylor I didn’t say it. Yeah, I think. Craig I. It’s dropped. Alright, well, edgeradio.org dot AU also has a streaming. On media mothership, we explore how media shapes the reality around us and as we deep dove into a few weeks back with understanding. The Donald Trump Zelinski fall out through the John Cena Hilton, we’re updating that now with our exploration of the latest WrestleMania event. 2041 so all that and more coming up. On medium mothership. Marcus That was brilliant. I I think it was the little grin that sold for me. Craig I’m getting better. I’m getting better. So, WrestleMania 41, let’s set it up with a little bit of an explanation. Right. So we’re submitting 41 in my notes, notes that I’ve put together via ChatGPT, I confess, which is why it’s so great you’re here, Marcus. Just to Fact Check all of this information. So it was. It was in. OK, well, I think this is. Already wrong is in. It was in. Las Vegas because it’s saying here is in. Paradise, Nevada. No, it was in. Marcus Yes. Craig That’s not a. Taylor Good start. Well, remember Chet, GPT is like 2 years out. Craig Ah. So this is actually copilot. Now he’s copilot. Taylor You should have used grok. Craig OK, OK. So it says here next it was a two nights spectacle featuring WWE’s biggest stars from Raw and Smackdown. Is that true? That’s that’s good. Taylor OK, that makes. Sense. Craig What’s the difference between raw and smack down? Marcus The two the 2A shows of WWE Raw airs on Monday nights Smackdown airs on Friday nights, and they both have their own individual roster of wrestlers because they’re the the roster is that loaded, they need 2-3 hour shows to get everyone on. Speaker France. Marcus There. And they also have different titles that are defended. On them at this point in time, RAW has got the World Heavyweight Championship, the. Women’s World Championship and the Intercontinental Championship men’s Yep, plus the women’s tag team belts and one of the men’s tag team belts. There are two men’s tag team belts, but it’s just like the world belts and the WWE belts. Like how what’s the difference and on on smack down they have got the undisputed championship, which is seen as the premiership. On women. Speaker What is? Marcus The main title, which is more important than the world heavyweight, even though some of them are heavyweights, it’s got the women. Championship not to be confused with the Women’s World Championship. They’re two different titles. They also have the US men’s, the US women’s and one of the men’s Tag team championships. Craig One of just hearing that list of belts and championships it did come across a YouTube short conspiracy theory about what sceners possible plan might be, which is to basically it sounds a bit like when the DC or Marvel Universe kills off all their superheroes and reboots with a year. One kind of fresh slate. Someone was saying that that scene is basically going to destroy the belts, right? These belts are going to be retired or something, and they’re going to reboot. Some some championship narrative, does that make sense? Does that have you heard rumours? Is that is that an exciting thing that I’ve said on? Marcus A look, it’s it that has absolutely happened in wrestling promotions before CW in the dying days back in 1999, literally did a a company wide reboot reboot where all ongoing feuds. Stopped and all titles were vacated. And they didn’t make things any better for themselves. They still went out of business. About 18 months later. Craig Because is there a barrier for entry in wrestling in terms of understanding the the storyline like there is in comics? Marcus And entering wrestling is extremely difficult because it is an ongoing narrative that goes back decades. It’s very hard to find a point to slot into probably the best time to start watching. Even then, you’re still gonna, you know, be missing a lot of context. Because. Needs to be a very high turnover for wrestlers because they used to be on the road performing 300 days a year. Yeah, massive injury, massive burnout, a lot of problems with substance abuse. So generally speaking, the rest would only be at the top of the card for three or four years, and then they’d be gone these days because you know, they actually get time off and actually get to look after themselves. A lot of wrestlers. On the on the show right now, I’ve been on there for 10-15 years, so there’s less turnover, which means the storylines are, you know, they’re they’re longer and there are more implications. If there’s any one time of the year, but also it’s it’s odd because even though there’s this convoluted back story to every rest and promotion, it’s only people only watch for a couple of years. Jim Jim Cornett, who was a Booker for many years, has coined what he calls the seven year rule. Basically, every seven years, there will be enough of a turnover in wrestling fandom. Speaker Where’s? Marcus And enough people will have stopped watching because they will have grown out of it that you can start telling the same story again. No one. Notice. Craig Where are we at that cycle? Do you? Marcus Think it’s a very ongoing thing. I think with with the other thing is that he coined that prior to the Internet, so it used to be a show it there once, like a weekly show it there once like very rarely get repeated unless you know there was a marathon or something along those lines or a highlight reel. Craig Yeah. Speaker Right. Marcus And if you wanted to watch a paper, you had to hunt. Craig Down the videotape of it. But now, with the Internet, as we’ll be dipping into tonight, that information is quite easy to hand. You can see replays. It is because it is. I mean, one of the things that is different at the moment is, is the distribution through Netflix has broadened its engagement. So now can you watch raw if you have Netflix accounts at the moment, right? Marcus If you have, if you have Netflix, you can watch raw and smack down. I’m pretty sure you can watch NXT, which is the developmental B show. Craig Live like pretty close. To where it’s being added in the US. Marcus Yeah, they they broadcast it live here. Craig As well. Wow. Right. Yep. So you can. We are at a I think when I was chatting with you about WrestleMania, it’s it’s a Golden Age. Would you say in terms of? It’s engagement at the moment, it’s popularity. It’s profile. Marcus It’s it’s definitely in its third major boom period of sort of the last 40 years because there was the initial rise of hulkamania and then, you know, after after the steroid trial in the early 90s, wrestling in general took a massive downturn from the early. The mid 90s started coming back up with WCW, which was then WWE’s rival with the New World Order Angle in 1996 and WWF responded with the Attitude era, which sort of late 97 early 2001 where the rock and stone cold were at the top of the ladder and then the business took a massive nosedive after WCW went out of business and the. The there was some questionable booking decisions following the end of the attitude era and now this is the third major boom period 24 years later. Craig So yeah, clearly Netflix has also seen this as. As a a good thing to bankroll and WrestleMania. So this was WrestleMania 41 which was which is the first WrestleMania to air on Netflix. We’re just here that it’s the highest grossing and most viewed WrestleMania in WWE history. Have you come across any data? Suggesting that it’s the sense that this WrestleMania. Was shattering. Records of attendance or merchandise. Marcus It it didn’t shatter records of attendance, it would have shattered records of the gate that they made because they keep jacking up the price on. The. Tickets, so it absolutely will. I I absolutely believe that it’s the highest grossing mania just because of how overpriced the. Tickets have become. Speaker 5 Uh. Marcus I mean, really wanted to 1997 WrestleMania 13, which has one of the greatest matches ever, and you know they was they were giving tickets away because no one wanted to see it and also had the lowest buy rate ever. But the the thing about me 41 is that yeah, I I believe that, but also it it demonstrably doesn’t have. It doesn’t have the highest attendance because there are. Speaker Hello. Marcus The the arena they’ve they’ve wrestled in bigger in stadiums. Rather they’ve wrestled in bigger stadiums. They’re they’re they’ve they’ve been I think 3. Craig Right. Speaker Yeah. Marcus Wrestlemanias that have had over 100,000 people in the building at. Craig The same time I do like imagining what the views like from those Nosebleed seats right at the. Marcus Back there are YouTube or Facebook shorts where you see people actually they pull out their phones and they zoom in to the TV screen above the ring. By it’s utterly woeful. At that point. You’re not there to see a match. You are there to experience. The crowd. Craig The atmosphere. Yeah, we should. Still be good. All right, so major storylines that went down. So it says here the event featured John Cena’s final WrestleMania match where he defeated Cody Rhodes to win the undisputed WWE Championship, marking his record 17th world title is. Marcus That yes, that was one of the major stories going in. Just to just to answer a question from Paul, when you asked the best time to start watching the best time. Craig That happened. Yeah, yeah. Marcus To watch wrestling, it’s probably to start. It is the beginning of January. Craig Ohh really. So there’s an entry point there. At the start of. Marcus The year? Yep. Because at the start of January, they’re building to the first major premium live event of the year, the Royal Rumble, which happens in late January, early February. And whoever wins the Royal Rumble gets a title shot at one of the major belts at Wrestle Mania, so that way that that crowns the number one contender for the biggest show of the year. So the story that they’ve told going in with Sina is that he announced last year it was going to be his last ever year. He’s doing his retirement run. It was going to be his last Royal Rumble. It was going to be his last. Domination chamber, so Royal Rumble determines who challenges for one belt elimination chamber happens after it determines who’s going to challenge for the other belt. I remember thinking. All right, cool. Well, he’s not winning the rumble then because he’s not going to. Be the elimination chamber. If he wins the rumble. So. Came second at the Rumble and then won the Elimination chamber under dodgy circumstances, and there was that famous heel tone where they’d been teasing that Cody was gonna turn evil, but actually it was Sina who aligned himself with the rock. Craig Really. So there was some teasing there, Cody. Marcus Oh yeah. He’ll turn. So Cody Rhodes was previously the undisputed champion and the and the top baby face of the company. Like the main guy of the company. And there was this bit with rock, the rock trying, who’s sort of the main villain. Like he’s like Doctor Claw from Inspector Gadget trying to corrupt. Cody and take his soul and in the end, Cody told him to go and F himself and. But then it turned out the action. People thought that there was going to be a twist with Cody turning heel, but the. Actual twist was. Craig That scene I turned heel. So cultural impact with appearances from celebrities like Travis Scott and. Speaker Alright. Craig And the return of Becky Lynch, WrestleMania 41 reinforced WWE’s influence in Mentor Entertainment. Travis Scott, Peggy Lynch. What’s? What’s that? Marcus We’ll start with Becky Lynch first, because that’s much easier. Becky Lynch is she’s been one of WWE’s top wrestlers for about 7 or 8 years, not just one of the women wrestlers. One of the top wrestlers, full stop. She just took eleven months off after her last contract ran out to spend time. With her daughter. And there was absolutely no announcement that she was going to be back. She joined in. With layer of Alqueria whose tag team partner had been injured. And so when Becky comes back at the at the at the at WrestleMania with absolutely no warning when her theme music hits, everyone went nuts. Craig Right, right. And again, it’s that theme music and the audience picks up and and the sense of. You know, cultural impact that this. Speaker Yeah. Craig Figure. Marcus So that was Becky Lynch. Being there was a big one for wrestling fans. Travis Scott being there is this very bizarre thing that Triple H has been doing where so for anyone who’s unaware, Triple H is the Booker that had the head head of content where he went to a random Travis Scott concert last year and gave Travis Scott the ******** belt which he revived. And they’ve done this. Craig A music concert. Marcus Yeah, went to an actual cause. Travis Scott’s, you know, Grammy Award winner, sells out really big venues and yeah, Triple H went and gave him the ******** belt at a concert, and they’ve done this what they’ve done with it is really strange because they’ve essentially turned Travis Scott into. I guess the Silver Surfer surfer to the rocks, Galactus or like he’s the like the mouth of Sauron where he he just randomly appears but he doesn’t actually say anything. He really do anything he used appears and will occasionally like try to hit someone in the ring and that’s all he does. Like he’s contributed nothing other than a couple of cheap shots to Cody. Rhodes. Craig Right. Marcus And yeah, it was just. So. This is one of those moments where everyone knows that wrestling is predetermined. It’s scripted. It’s not a real conflict, and people get frustrated with Ohh man Travis Scott at WrestleMania 41 really stunk up the joint and people say, you know, it’s not a real fight. You know that it’s not real. Yeah, but it’s still bad storytelling because. Speaker 5 Was. Marcus The match that Cena had with Cody was not very good because. Craig At WrestleMania, it was. Marcus Atrocious. And the reason it’s atrocious is because the storyline they’re going for is that people have been asking for Cena to turn heel and become a bad guy for 22 years because they got sick of him a very long time ago and there. But he’s been part time for the last 10 years. And it’s weird because he was a babyface for so long. Everyone booed him when he was a full timer because they hated him and they were sick of him. And then when he became a part timer, all of a sudden they loved him. They couldn’t get enough of him and they wanted him to come back. And so the problem is that his his heel turn and it’s like he could have just coasted by and just played the hits and give people what they want. Over the last year. But he’s actually, you know, trying something new with the heel turn. But it’s just not really working because he’s acting indignant towards the audience for the the negative reactions that they gave him. Craig All right. Marcus 10 years ago. Whereas the last 10 years they’ve loved him and it’s just there’s a really big disconnect between his reason for turning heel. But the way the fans are actually treating him in. Craig Right. Real life. Yeah. So I guess the script that he’s. Working with and on is that he? Yeah. Has given so much to the fans. The fans are keep taking from him. It’s too much and that kind of. Antagonism towards the fans that that, yeah, maybe it has an old. History to it, but. Marcus It’s just and the the, the core tenet of a heel. The the main principle of a heel is that you don’t cheer the heels you Boo for them. And so a lot of wrestlers, when they turn heel, will deliberately stop doing the flashy moves that everyone loves because they don’t want people to cheer for them. So Seina has completely stripped back his style, and this is the first match he’s wrestled. The heel. He hasn’t wrestled once in the lead up between the the elimination Chamber and Mania seven weeks. Cody didn’t defend the belt once since the rumble, so it’s over two months. So going in this very strange lack of heat, I suppose, and seeing as just deliberately, he kept on stepping outside of the ring so that he couldn’t get pinned. He, like the match, couldn’t legally end, and it was an obvious he’ll take to get the audience to vote for him. But the audience kept on cheering. Actually, it’s a bit of an odd one because. Like people comparing it to rock versus Hogan at Mania 18. Oh yes, where the rock was the the baby face. And Hogan was the irritable villain. But they they cheered for Hogan and they booed for the rock. But this, they just sort of the audience sort of booed for everyone they booed, seen it when they were supposed to. They booed code. Craig Yeah. Marcus He because I guess they’ve gotten sick of him. But it’s also because, like, and it goes back to one of the strangest things about WWE, the last sort of 1520 years is the disconnect between the people who are in the stadiums and arenas watching these major events and the people watching at home. Because the people who are watching it in the stadiums and and the arenas. They are the people with the disposable income who are super nostalgic for what they watched when they were kids. So that was one of the reasons why. When Rock went up against seeing it about 10 or 12 years ago, they were they. Everyone was booing, seeing out of the building cause they hated him, hated him. But they grown up watching the rock during the attitude era, so they were cheering to see him back, whereas the kids at home will be cheering. Seen it because he’s their favourite wrestler and now we’ve got the people who are in the stadium to see senior versus Cody. Craig Hmm. Marcus Grew up watching senior at home. They were the kids cheering for senior at home. While the stadiums are booing him. And so now they’re cheering. For him, and it’s just very strange, and it was just not an entertaining match and it just ends with Travis Scott coming out. He’s, yeah, seen hits. And everyone’s like, oh, he’s here. The rock’s gonna be here. And the rock’s not there. It’s just Travis Scott awkwardly walks to the ring holding the ******** title and takes him a solid 4 minutes to walk to the ring. Like the entrances in WWE have been ridiculously long. Last couple of years, but 4 minutes it takes. Craig Was he walking slowly? High fiving. Marcus He was walking slowly. He’s working heel. So he wasn’t high fiving. He was just awkwardly staring at Cody and seeing it the entire. Way to the ring. It was terrible. It was awful, and then when he gets the, Cody distracts him and it’s just he tries to distract Cody and Cody hits him, he gets revenge for the beat down that Cody got from him and seen her and rocket elimination chamber. It’s just strange. Why is this happening and? More to the point, the thing that always breaks my suspension of disbelief because nothing requires more suspension of disbelief. The professional wrestling, if you can get into it, it’s great, but if you stop to think about it, it makes no sense. And so why is it that Travis Scott is coming out here to help Selena? But none of Cody’s allies are coming out to save him? Why, they just letting this happen? Speaker Hmm. Craig Yeah, interesting. I mean, as videos watching at moments where wrestling has broken the 4th wall and they try and. Talk about that. Manufactured moment, but just before we get past WrestleMania so it says historic matches. Seth Rollins won a dramatic triple threat match against CM Punk and Roman Reigns, with Paul Heyman’s shocking betrayal adding to the drummer. So that was what it’s defined as a historic match. How was that as a counterpoint to the? You know, seen a match? The the triple threat. Speaker Ohh. Marcus Match just just to get some context. So WrestleMania for the 1st 35 years was a one night event and then after a 7 hour mania they went. This is ridiculous and they started making it a two night. Craig Event and so when was it a one night? It was a. Marcus One night, up until a few years, for 36 years, WrestleMania. Speaker Feel. Marcus 911 night event or one day event cause like the last few went for. Craig 7 hours. That’s a long. Marcus Event the like for Mania 35 the main event. I think the main event started at midnight. And the main event is usually one of, if not the longest matches on the card and then after it finished you know 80,100 thousand people then have to get in their cars and go home. So the traffic is ungodly. Craig Alright, really. Alright, so then over 2 nights. So the triple threat match was the first night. Marcus Yes, sorry. So the point that I that, that, that that I was getting to with that is that there’s a lot of discussion over whether or not cause the main event is the last event of a show. But there’s some discussion as to whether or not night 1 of WrestleMania Constitu. Roots our main event, or if it is the midpoint of the whole weekend. Craig Right. And I guess by that also the bragging rights, yes. To to be that in that event. Marcus And the storyline going in, which is very much a real life storyline, is that so there were three guys CM Punk rename Phil Brooks, Seth Rollins, real name Colby Lopez and Roman Reigns, real name Joanna I. So in cafe these three wrestlers all hated each other and they’ve been they’ve been building this story for about 18 months in real life. The real story going on was that Phil Brooks, who plays CM Punk. Had been at the top of the card in the early 20 tens, but and he’s a long time wrestling fan but had never gotten to main event WrestleMania, even when he was the champion. They would put Cena versus rock on at the end of the night rather than him and he was supposed to main event night one last year. The planner seemed to win the elimination chamber and challenge for the World Heavyweight belt. Craig Really. Marcus But he got his tie, his tricep torn in the Royal Rumble. And so he. Had to sit out the. Craig Tricep tour was was an accident, one of. Marcus Those unfortunate it was an accident. He was very injury prone for a couple of years. He seems to be better now. I think he’s learned how to work safer. But it the the benefit is that it ended up leading into the best feud of the year where they went. So this guy, Drew McIntyre, has accidentally injured him. Right. OK, cool. Let’s write that into the story. And these two can have a really great food out of it. Yeah. But base of the story was Punk wanted his main event and they gave him the main event night one against Rollins and Rains. Craig Yeah, right. Marcus And people are saying, well, is it a real main event? If it’s not the final match of the weekend? But basically the three of them put on an incredible triple threat match SO1V1V1 notice qualification. Whoever gets the first pinfall is the winner and the storyline going in is that Paul Heyman, who in real life is a wrestling Booker, a wrestling promoter, has been for 40 years, generally a manager of heels or heels, stables. Had been working with Roman Reigns throughout four or five years because reigns for the longest time couldn’t cut a promo to save his life. Paul Heyman and Sam Punk in real life, very good friends going back to ECW and Ring of Honour. And so the the storyline going in was that Hayman had to leave, had to leave Roman Reigns and be in CM Punk’s corner. And then at the climax of the match, he’d betrayed them both and allies himself with Seth Rollins and the. Even though in isolation it was a great match and there’s a really beautiful moment where it’s only been done on fan cams, well, you know, phones after the match ended. But off to the end of the match, everyone everyone else leaves and it’s just Sam punk in the ring by himself and he’s just overcome with emotion. He kisses the the ring and he’s in tears and they start playing his music as. He. Leaves. Yeah. So they were like, yeah, this is your main event. You’ve earned this. Congratulations. We we really appreciate you. And now they’ve just on on raw 2 nights later on the Monday night, they’ve gone straight into. Alright cool so. Rolands and Paul Heyman have now started a heel faction, and that’s going to be our so Rowlands has been a baby face for a few years now. Everyone loves him. They sing his theme song and everything, and they’re like, this is gonna be our new storyline moving forward. This is this heel faction with Rolands and with Hayman and CM, Punk is going to be 1 of. The main opponents and the. Craig I mean, it was such a delightful. You know, almost like silent movie performance that was done during that night of betrayal, as the Paul Heyman character, like he’s dressed. In a suit. Right. And he comes out and you know, he’s it’s like watching a silent film in terms of his emoting so strongly with his face. And his mannerisms? Yeah. Ohh. I’m in a real dilemma. What am I going to do? And and I’ve seen a couple of fan videos of of this this performance because it’s one thing I guess seeing it with the choreography. It’s another thing when you get the immediacy of it. It’s. Speaker Hmm. Craig You know, it’s it’s so delightfully hand fisted and and clearly his, I guess chewing the scenery with that. And then he goes up like the nature of his betrayal was, what was it like was nut shots for breaking up. Marcus Not shots if you if. Craig You. Hitting them. Marcus In the nuts, if you want someone to turn, he’ll get them to punch another man. In the zones. Yeah. Yeah, yeah, yeah. Craig Yeah, because there’s been a lot of. I mean, that’s what the the, the scene that he’ll turn with Cody Rhodes was kicking him in the nuts. The Bohemian betrayal of CM Punk, and who was it? Was it rains, the. Marcus Other way? Yeah. Betrayed rains and punk insider. Craig Was. Yeah, cooling behind them. And then and then nodding them from behind them. Marcus Rawlins. Craig Through their legs. It was. Marcus And it’s been a thing. For one of the most. Infamous heel turns in all of wrestling. Not no, not all of wrestling in the modern era. Rather, is or one of the most infamous in terms of the most badly hand. Old Ones 2018, I believe they had Shinsky Nakamura, who’s known as the King of strong style. One of the biggest new. Japan wrestlers. Ever. Came to WWE after an extremely storied and successful career in Japan, won the Royal Rumble, got a title and everyone went nuts. I was singing his theme song that was so happy for him. He got into a World Heavyweight Championship match against AJ Styles, who he previously had really great matches with in Japan. The match they had was very mediocre, Shinske lost and then turned heel by punching AJ Styles in the nuts and literally that was that was the nature of their feud. From then on it was that Shinsky had an obsession with trying to get AJ styles and the cajones. It’s just is this. Craig And when was. Your ohh right right? Marcus 2018-2019 Vince McMahon basically just going oh, he’s Japanese and he can’t speak great English. He’ll never make it on the mic so. I can’t. Have him as a top guy and. He’s just never shinsky Nakamura never recovered from. That it’s just. Craig That, that he’ll turn and yeah, and. Marcus It’s sad, but on the other, on the other hand, you get paid 6 figures a year to hang out. Craig In Florida and serve something feel too bad for him. So wrestle Mania 41 was more than just wrestling events. It was a global spectacle blending sports, entertainment and storytelling at an unprecedented scale. Speaker 1 OK. Craig I’ve got some YouTube shorts. We’ll play them. I’ve I’ve just grabbed some media that’s been circulating recently, so this this is from 2 weeks ago. The title is the rock ruined WWE WrestleMania 41. So here this is a fan theory. It goes for 17 seconds. Marcus Go for. Craig So we’ll we’ll play it and we’ll get your feedback. Sorry. Speaker 5 Is back at elimination chamber and and gets the big moment and he shows up at bad blood and gets the big moment with the bloodline thing. You know, he shows up at these random events, these random moments, and he basically comes whenever he feels like it and then he’s not actually committed to the schedule and he’s not able to do this full time. Speaker 6 Now. Craig All right, so so he’s complaining about rock. What was what? What was the nature of rock crew in WWE WrestleMania 41 that? This fans complaining about. Marcus He ruined it because he had set up over several appearances that date back to bad blood of last year, which is, I think, around sort of September, October, he’d been slowly building up this idea of like him and seeing it being this new dangerous alliance. He’s the main villain. He tried to corrupt Cody Rhodes. He’s got history. The whole bunch of people in the roster, everyone was expecting and and last year he was in the main event of Night 1 and he interfered in the main event of Night 2. Everyone’s expecting because he’s the main villain of WWE. Essentially, that would be this, some kind of involvement to progress the story. And he just wasn’t there. He he’s just this non entity as far as the story is concerned. Even though he he was and one of the reasons why seeing as he’ll turn initially was so well received, he says oh, there’s the intrigue of he’s working with rock. What’s what’s gonna happen in the story and then it just degrades into the scene is saying I hate I’m here now because the audience is. Craig Mean to me. And as you were saying, Trevor Scott appeared rather than the. Rock. Yeah, at the end. Marcus And what’s he doing there? No one knows. He doesn’t say anything. He just appears, tries to hurt, hit Cody and gets whacked in return. Craig And that’s it. So do you think the rock ruins WWE WrestleMania 41? Marcus I think if he was going to insert himself into the build, he should have been at WrestleMania. If he wasn’t gonna be at WrestleMania, he should not have been part of the build. It’s basically you’re giving us the first two acts of a story and not delivering the third. Craig Next clip is who should dethrone John Cena for the undisputed WWE Championship. This was from. 8 days ago. Speaker 6 That John Cena is a 17 time world champion. It kick starts a whole new exciting phase of his final WWE run. We know that he isn’t going to retire with the WWE title intact, but there’s a good chance he holds on to it for at least half of the remaining 8 months he. That’s so who should be the one to dethrone him? It depends on whether he’s still a heel or not. By the end of the year. If he continues in this direction, the logical choice is to have Cody Rhodes regain the title as it gives them a full circle moment and something to chase again. If Cena turns baby face, then the best call might be to either have Gunther dethrone him in a dream match. Or Seth freaking Rollins to get one over on his old rival one last time. Craig All right, so a classic kind of speculation of, could Sina turn baby face? Speaker The one paper. Craig Could there be another match between Cody Rhodes? Well, how did you feel about that unpacking of? Who should dethrone John Cena for the undisputed? Marcus In theory, it makes sense for senior and Cody to have a rematch, and for Cody to get his win back and get the belt back and be the top guy again. But I feel that’s really risky because. The audience were all there for Cena and they weren’t there for Cody. Craig So right, they’re just saying they were booing Cody right where they should be cheering him. Marcus Yeah, he’s a good. Speaker Guy. Marcus When a year previously, they’ve all been clamouring for him to finish his story, there’s that whole story about how. Dwayne Johnson, the rock in Real Life, had tried to oust Cody from the main event of WrestleMania 40 because he wanted it for himself and everyone took to Twitter to get hashtag. We want Cody trending, and there was this huge real life story about getting Cody back in the main event to follow the creator of the Triple H Him planning and everyone was behind him then, and then they turned on him at Wrestle Mania and the smack down before Wrestle Mania. So I’m thinking I don’t think putting Cody and Cena in a rematch is. Fairly safe if anything. They also said Gunther. Right. Gunther. Yeah. Gunther would be interesting because to have Gunther challenging for the undisputed belt would be a lot of fun. He’s based this really old school. He’s very old school in terms of his move set. So power bombs, knife edge chops, sleeper holds. That’s pretty much it. Very basic, very 19. I mean, he’s also he’s totally not Hitler. Craig Because it’s very German, right? He’s very German. Right? Austrian. So, Schwarzenegger. Marcus Australian. He’s all switch back to there. During general Ohh the ring general yeah. Craig Is that his name? The the ring. The ring, general. Yeah. Like they’re going a whole kind of wartime Prussian military. Speaker Freak. Marcus Comes on in a military great coat with opera playing. Speaker Sure. Craig It’s that problematic. Does anyone say? Yeah, this is a bit problematic. Marcus Here’s the what here is the thing. Craig It looks. Marcus Wrestling is frequently very problematic. It’s always had a very, very sketchy relationship with race. I think this is just my interpretation. I could be wrong. The guy who plays Gunther, I don’t know what his real name is. Sorry, but he is. He’s charisma is, quite frankly, off the charts and he makes it work. I mean, the dude gets by with maybe four or five moves. And everyone loves him and thinks he’s one of the best heels working today. So I think he pulls it off. I could be wrong, but I mean, they’ve had other instances of racially insensitive gimmicks like Mohammed Hassan, whose gimmick was that he was a man of Arabic descent who felt that Middle Eastern people. Were being treated unfairly following 911. And he was a heel. Craig Ohh. Marcus Yeah, that lasted about six months and I’m pretty sure he was played by an Italian American. Gosh, Ouch. There’s a pretty sketchy history of race and and wrestling, but I think I think good that makes. Speaker Wow. Craig It work. Yeah, it’s it’s tricky, isn’t it, when the wrestlers also need to again do that 4th wall moment. And say hey. You know, I went there like I was watching something was like some good old boy, like wrestlers that were performing good old boys, anti immigration kind of narratives against a Mexican wrestler. That was the storytelling was around that kind of first Trump era, you know, trying to like clamp down on illegals. Kind of narrative and thinking that this, this wrestler is an illegal immigrant and taking our jobs kind of narrative and then there, yeah, there’s a new saying. Well. This is a role. This is not my thoughts on that, though I did enjoy in the last wrestle like Pre WrestleMania we were talking about the match up. That didn’t happen on the night, right, which was against the El Grande. Marcus Guy El Grande americano. Craig Which and. That’s really political, right? This is a performance like you’ve got the Gulf of America, Gulf of Mexico being renamed Gulf of America. So how have they wrapped that up as a narrative? Because you’ve got some really exciting Mexican wrestlers in WWE. So what was that match meant to be on paper? Marcus It it ended up getting so it was meant to be El Grande Americano who? Craig Is sounds like a burger from. Marcus It really does. Or a burrito. Who is the rest of the Chad Gable wearing a luchador mask and pretending that he’s? Craig Someone else, and no one knows that, right? It’s like a secret identity. Like, who is he? I’m a real Mexican. Speaker 1 Aye. Marcus Wrestler the The, the, the the joke is that it’s so obvious that it’s Chad Gable, but people act as though it’s not. He was meant to have a match against Rey Mysterio. Who is? Not even Mexican. He’s of Mexican descent, but he’s from San Diego. He’s lived in California all of his life, but he’s considered one of the very greatest. I don’t think he he’s even a necessarily practitioner of Lucha Libre. He’s a luchador that he wears the mask. Yeah, but considered one of the absolute greatest sort of lightweight wrestlers. He was supposed to be. Speaker 5 Right. Craig Ever, right. Marcus Those two, because he’s been his Mysterio, has been on the roster for. He’s been a wrestler for about 35 years. And still moves like an absolute demon, so it was meant to be those two against each other. But Mysterio ended himself and he got replaced with another luchador and it was a good match. But the story is still. Ongoing, I mean. Craig OK, watch it. Marcus There was there because the blow off didn’t happen. I mean, Chad Gable still playing El Grande Americano. He’s still feuding with the other luchadors on the roster. Craig Moving to the next little clip, Cena, after winning WWE title. Cody’s reaction. Speaker 7 Cody didn’t said a word and walked out after losing his title, seen it in the press conference, said that he’s just here so he won’t get fined. He labelled all questions asked to him, including the Rock’s involvement as clickbait questions, and said that it’s lazy reporting, he said to tune in to raw tomorrow to see how he ruins wrestling. Becky Lynch tweeted that she’s back and she brought her daughter rude to the press conference too. Fans are criticising the night 2 main event of Mania 41 because it was nowhere close to that of wrestle Mania 40. But Cena winning the title was the best decision, fans pointed out when last year the Rock said that he will be at Wrestle Mania 41, but the reality is different now. In the post Wrestle Mania, press conference, Triple H said that China will get a solo induction when the. And is right. Dominic was receiving a. You deserve it. Chant in the post show he may turn Babyface again after 2 1/2. Years. I think he gets another title. Craig All right. Well, that was very that human YouTube short there by the human voice, very AI based. So there’s a lot to unpack there. So Cena did a post match press conference in character as a heel. Yes. Did that salvage some of the less than successful match that had that had happened or or was the the post match press conferencing is a fizzle itself. Marcus Or the scene heel turn is so strange because a lot of people are enjoying the character work that he’s doing. There’s just a disconnect. Between the initial. The altered and the his concurrent motivation and the timing of his motivation. The match I think was just bad by design because Cena in character is trying to make wrestling lame and he wants to retire and take the belt with him. He wants to take his ball and go home. It’s an it’s an unwritten rule that wrestlers should always lose their last match and they should never retire with the title. There are very few circumstances where that happens. People are loving. Your work, though, like he’s so entertaining as a bad guy, it doesn’t mean that the match wasn’t. I didn’t see any, though, Dominic Mysterio, who got the intercontinental belt, he’s Rey Mysterio, son, and he’s an example of where he was. Someone was hated. His baby face turned heel, hated as a heel. All the right reasons. And now he’s turning baby faces. Everyone loves to hate him so much they they aren’t. Ironically, love him. Craig Anything else from that? That, that little clip. What was it? It was. Marcus Ohh yeah, about how Cody didn’t say anything. Speaker 7 Cody didn’t say. Craig Yeah. Cody said it. Yeah. Speaker 7 Had a word and walked out after losing his title. Cena in. Craig The OK, so yeah. How do people unpack the post, Cody? Marcus Loss the out of the out of universe reason is that Cody Rhodes wants time off because his wife’s having a. Craig Second kid. Ohh. OK, that’s nice. Marcus So. The that’s. Craig Yeah. Marcus So he dropped the belt and Cena also wanted to beat Ric Flair’s record and have the most recognised title runs in WWE history, right, even though Ric Flair has something like 25 title runs, not all them acknowledged by WWE. I don’t know why and I feel like I don’t know. I feel like Cody. They have done some damage to his brand just the way that he’s being portrayed the this year. Because one of his complaints against Roman Reigns last year and challenging for the belt was that Roman Reigns never defended it, he defends it once every two months, whereas Cody, while chasing that was also having feuds with the Judgement Day and Shins, gained like more on TV every single week. Right? And Cody’s basically. But like in terms of the way. That he’s being booked. Obviously you know Cody Runnels, who plays Cody Rhodes, doesn’t write the story himself, but the way that he’s being portrayed is not helping any potential fan backlash and. Speaker 5 I don’t know I. Marcus Don’t know it’s going when he comes back. Hopefully he comes back to heroes. Welcome but. It’s it’s. It’s an interesting the the the ultimate problem with wrestling is that heroes and villains, you know, baby faces and heels are not defined by what they do. They’re defined by how the crowd responds. Craig To them. Yeah. Yeah. That the idea of heat, right? Generating audience excitement or. Speaker Yeah. Craig We’re kind of back and forth. Marcus Yeah, if people cheer for you and you’re a heel, well, turn babyface because they like you. Doesn’t matter if you never do anything nice as long as you say that you’re a baby face, they’ll like. And if you’re a face and you get booed, just turn heel and become evil and they’ll be for the right reasons. Craig So the last point that this clip was making, what is it, Dominic? They’re saying that. Marcus Daddy, Dom. Speaker 7 Dominic was receiving a you deserve it. Chant in the post show he may turn Babyface again after 2 1/2 years. Marcus I think he gets another title. Craig What’s it? What’s it? You deserve it. First chat. Speaker Run. Marcus Ohh basically, if a wrestler who hasn’t had a title for a while gets a title and it’s well earned. Like if they’ve been. One of the things that’s really praised by wrestling fans is restless, who wrestle every week, who show up, and they put on good matches on a consistent basis. That’s what people like. That’s why Cody was so popular last year, cause that’s what he was doing and Dominic Mysterio. Craig Who’s a heel? And it looks like a complete. Marcus Who is this you? Craig And like weaselly little character, he’s a great performance of kind of like. Marcus Yes. Yeah. Craig You know, I I’d see this guy at. Coles or Woollies without shoes. Yeah, drinking the milk straight from the. Marcus Yeah. Carton absolutely, always chewing gum. He’s like a core tenet of his character is his obsession with chicken tendies. I don’t know why either. Craig It’s like deep fried or something or crumbed chicken things. Marcus Crumbed chicken, usually frozen and put either in the deep fryer or in the oven. He hasn’t. He literally. I saw one into you with him where he just like they were just two solid minutes just talking about chicken tendies. It’s just an inherent part of his character. I don’t know why. Yeah, but because he puts on good matches because he’s so funny, everyone is able to see past the character he’s playing to the fact that the performer is very talented and the performer is very entertaining. And The thing is that. Obviously, wrestling is scripted, but the belts ideally shouldn’t go arbitrarily to whoever created thinks should have them. The belt should go to the people who are doing the best work, getting the best responses, and because once you’ve got a belt, all our eyes are on you and you are going to be perceived as the person who’s drawing. Craig Right. Marcus The money. So even though even though it’s the belts are not competitive in athletic sense, they are competitive in, I suppose like a marketing and merchandising and a prestige sense. So they were chanting, you deserve it and because he’s done such great work and he’s barely wrestled on premium live event, I think he’s been in a couple of tag matches and he was in a shark cage. For women’s world title defence last year, but I don’t remember him having a single singles match in the 18 months that I’ve been watching. So for him to come out and have this like incredible. On on premium Live event, he’s definitely had singles matches on RAW that always be very entertaining. So for him to come out and, you know, win this variant, attaining fatal Four way match the and the audience like this guy is a really performer. He’s put on a good show. We are consider US sports entertained and that’s why I’m going. You deserve it. You deserve it. Craig I often hear that charm, as I mentioned in the studio here. Yeah. OK. So. Any other main points from Russell Mania, we’ve. Missed. Marcus Ohh we we haven’t mentioned Randy Orton’s mystery opponent. Craig Yeah. What happened there that. Marcus OK, so they’d spent 18 months building up a rivalry between not 18 months more like 6 months, building up a rivalry between Kevin Owens and Randy Orton 2. Of the very. Two of the most popular performers for very different reasons, Kevin Owens is seen as one of the most safe workers. One of the most talented workers, and like everyone loves to build him as a heel. But he puts on the best matches, had a he had a a, a ladder match with Cody earlier in the year that was ridiculously good and I like you look at it, you think how these guys not paralyse. Last and Randy Orton’s on the roster for well over 20 years, one of the top baby faces, everyone loves him. They’re they’ve been building up because Randy, Randy needs some time off, so they wrote him out with inverted commas with Kevin Owens doing a pile package pile driver on him and quote unquote, breaking his neck at Crown Jewel last year. Translation. They just want. He just wanted some time off. But a couple of weeks before WrestleMania, Kevin Owens and this is actually really sad. Kevin Owens announced on Smackdown that he needed neck surgery and he was not going to be resting for the foreseeable future. But because you know it’s wrestling, it’s the art of deception. Yeah, people. Weren’t sure if it was real or if it was part of the storyline, so he got a mixture of cheers and booze as he was leaving. Craig Ohh no. Marcus And then he went on. Chris Van Vleet’s YouTube channel and said, Oh yeah, this is real. I actually have to have neck surgery. Ohh. But man, like, just for such a for such a respected worker for him to like get that response because people weren’t sure if it was. Speaker Oh man. The thing is. Marcus Drill or not, so that threw out the planning for Wharton’s match at Mania because that because that’s a blow off. That was a very long time in the making, but what they did was there’s a wrestler for total nonstop action, Joe Hendry, whose basic gimmick is what if Freddie Mercury, but you revision. Craig Really. Yeah. Wow. Yep. Marcus And essentially he got really popular. Last year he’s wrestling for 10 or 15 years. He’s got a he’s got a masters in business and marketing, and he’s also an ex professional musician. So he wrote his own theme song into the music video to it. And he has all these little bits he has where he will, like, turn around and smile at the camera. And it’s just so ridiculously cheesy that you can. Not help but enjoy it. And so they go. Who’s the? Who’s the mystery opponent going to be? And Horton’s in the middle of the ring. He’s looking at the entranceway and you see the 2 doors open and it’s all pitch black. And then you hear the first night lines, the things are going see his name and he appears and everyone absolutely lost it. And does turn and smile and the lights come up. And Joe Henry’s there. Oh, my gosh, cause TNA. For many years, we’ve seen as a very solid alternative to WWE. They never got anywhere close to their numbers. But basically, if you didn’t like the product that WD was putting on, just TuneIn and watch TNA instead. So in the mid to late 2000s they were on this absolute roll and then some bad stuff happened and then they sort of recovered from it a little bit. Basically, Joe Hendry has been the shining point. He’s the current. Main champion and he’s been the main attraction over the last year. He was at the Royal Rumble earlier this year because WWE and TNA doing a lot of collaborations, right. And so everyone just lost it. Randy Orton is doing all these hilarious like not bad, like smiling. Nodding, and then you’re hoping for a really good match. It’s just a 3 minute squash match where Joe Hendry gets all of his bits in but and gets his crowd responses, but he’s just there to get squashed by Randy Orton. Oh gosh. And but it climaxes with Orton trying Joe Hendricks poses for the audience into the camera. And it’s it’s a very good comedy bit, but as an actual and it’s a very good mania moment because of that shock factor as an actual match though, like if they’ve been given 10 minutes to. Work with it would have, but, but ultimately Triple H doesn’t want to make the champion of another. Company look good. Right. Although people, I actually watched an interview with Henry not long after and the guy and the interview was like, do you feel like you were wasted at Mania and Joe Andrew said, look, I got to wrestle Randy Orton in his 20th WrestleMania at Wrestle Mania, so you know, no, I have no complaints. I can only go up from here. I’ve I’ve got a I’ve got a trading card that a Topps trading card that’s out. That’s already sold out. That’s gonna be worth a lot. Very. Soon, you know. Craig Trading cards, that’s. So what do you think, Taylor? You hyped, is this hyping you into wrestling? Taylor Yeah. Craig Where’s your? What’s your wrestling status at the? Taylor Moment I I haven’t. I haven’t watched the WrestleMania from last year or this year actually. Craig You you turn your bucket list of what was discussed is anything you’re particularly excited to hear to see to. Taylor Yeah. OK. Craig Watch the nutjobs, the smashing, the testicles. Marcus All about the nut shots. Taylor I still actually do want to watch the ones from last year and this year it’s just cause they’re not free on YouTube. That I haven’t watched, yes. What is the status? Marcus On and they do upload individual matches to YouTube and they they and. This thing where they uploaded the 50, quote unquote greatest Romanian matches. So a lot of them have been uploaded on YouTube before because there was blood in them, but they’ve all been up like 50 of them have been uploaded. Some of them might be uploaded, they will never upload it. Chris Benoit match because he murdered his wife and child and then committed suicide. Taylor Yeah, yeah. Speaker Ohh. Oh. Marcus So even though he had an incredible career, no. 1. ‘S No one’s a big pardon me. Gonna wanna talk about him in WWE ever again. Yeah, most of the matches for and they even they uploaded individual rumbles as well, a whole bunch of royal rumbles are up there, whole bunch of elimination share matches are up there. So the only the only I guess they don’t show you the height packages, but I think the hype packages their own videos anyway. So you can certainly watch most of a WrestleMania card on YouTube. If you’re willing to tolerate the ads. Craig Yeah. Well, we’re pretty much at time wrapping this up. What’s what’s around the corner? What’s next on your excited wrestling calendar? Is there anything locally as well in in Australia that like? Marcus Oh, there are a bunch of smaller wrestling promotions in Australia, this Hazy Championship wrestling in Launceston. Does Adelaide Championship wrestling in I I don’t know what, what, what city that’s in, but there are a whole bunch of different wrestling promotions around Australia it’s like. Craig Cause Australia does have some global representation in wrestling. Marcus Yes. I mean, we’ve got. Grayson Waller and Maria Ripley, who I’ve made just us. But yeah, no, they’re I and they they often have a ring set up. I’ve been to a bunch of pop culture conventions and anime conventions that have had wrestling matches on. They’re always good fun to. Craig Right. Watch live. Yeah. Yeah. Yeah. So often if you go to a even. Just a popular culture convention that might have. You know Stormtroopers and anime cosplay often. You might also see a wrestling ring setup with people in the costumes wrestling. Marcus And there’s there’s always a macho man cosplayer. There is always a macho man cosplayer. Craig That’s and and and that’s that’s that 80s macho man. Costume. Marcus With the with the, the the cowboy hat, his sunglasses with the plastic strips over them, the Teslas, the beard, the. Craig Performance right? Pink and yellow. How about hats? Speaker 6 Ohh yeah, digger. Craig Just before we, I mean if if you could cosplay as any cosplayer, if you could cosplay as any rest. Well, from history do you have? Would you, would you think, geez, if I could, if I could pull that off, I would cosplay that wrestler in the. Marcus Heartbeat me personally, I would probably go as I’d go as crow sting. Craig Is that like the comic? Marcus Book crew. Yeah, so. Craig Right. That kind of Gothic makeup. Marcus Yes, Sting started out in the 1980s as a surfer who wore bright colours and had face pain and a blonde flat top. And then in 1996, Scott Hall, who was a huge movie I’ve. That, you know, reasons getting darker, you’re going to be the main hero of this really dark. Storyline you should. You should become the crow. And so he literally had the crow make up for the last 25 years of 25 years of his. Craig Career. Wow. Yeah. Taylor, do you have any, you know, chunk out dog? Taylor No. Craig Actually, he’s definitely not the because that’s African American. Marcus Wrestler I can see Taylor doing Owen Hart. Taylor OK, OK. Yeah. Craig I reckon I could pull off. Someone. Yeah, maybe maybe the the. What’s his name? The manager of CM Punk. Marcus Ohh, Paul Heyman, Paul Heyman. You do that or you could do a Gomez Adams looking. Do Paul Barrow. Who was the undertakers manager? Craig I can see Paul Heyman. Be deep cup. Yeah, I get fans. All right. Well, we’re at. Time. Thanks for listening to me, Mother ship this week.

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  • Star Wars Villains and British Accents: A Cultural & Narrative Analysis

    Star Wars Villains and British Accents: A Cultural & Narrative Analysis

    Why do many Star Wars villains have British accents?

    In this episode, we break down the significance of this choice using cultural theory and storytelling frameworks. Drawing from John Fiske’s Textual Poaching, we explore how audiences interpret and reframe these portrayals. Stuart Hall’s theories on representation, identity, and ideology help explain how accent and villainy intersect in mainstream media. Plus, Blake Snyder’s Save the Cat framework sheds light on how storytelling conventions reinforce this trope.

    The Empire speaks with the voice of authority—Grand Moff Tarkin, played by Peter Cushing, embodies the aristocratic menace of Star Wars villains with his British accent.

    Links

    George Lucas Explains Yoda’s Unique Speech | HuffPost Latest News

    Why are ‘Star Wars’ villains BRITISH?! – ‘Andor’ stars Denise Gough and Ben Mendelsohn know why!

    ‘Star Wars’: Why do The Empire speak in posh British accents?

    Explore the episodes

    Podcast

    Transcription

    📝 Show Full Transcription (7,500 words)
    This is an AI-generated audio transcript, and it may contain errors. We may update or correct this transcript in the future. Please get in touch with us if you have any questions about the information in this transcript. The audio is the official record of this episode. Craig Alright, welcome here to Edge Radio 99.3 FM. This indeed is media mothership. For another exciting jam packed episode. We’re broadcasting out of Edge Radio studios here in Nepal, Luna, Hobart TAS, and I’m your host, Craig Norris. On this show, we explore how media can shape our understanding of the world around us, and we’re streaming on edgeradio.org dot AU as well as. Live streaming on YouTube as well as twit. Speaker Which? Craig You can find us just by searching media mothership message us directly into the studio, either via our SNS on 0488811707 or send us a message on the YouTube or Twitch chat. This episode’s gonna be quite interesting. We’ve got some media news, media culture to go over, as well as some discussion of accents in movies and their significance. So keep listening. And today we’ve got our live musical. Or kind of accompaniment with the beautiful sounds of the kalimba. There we go live in studio. So let’s have a look at some interesting media news pieces that have come up over the last week or two so. Over in Japan, a Japanese actors dramatic Pokémon save data loss has gone viral during traumatic memories and sympathy from fellow gainers. This is an article from IGN yesterday. The subtitle is even if save data disappears, the memories remain. Let’s listen to a bit of the drama from the Japanese live streamer. So this. Actor Shinya Okada has been doing a video game, YouTube channel, and. He’d. He’d logged in to his what is it in his latest Let’s Play video posted April 29th. Widest cheerful enthusiasm as the article says, to continue his Pokémon Red Adventure gradually morphs into disbelief as the game asks him if he wants to start. From the beginning of Whitey’s startled reaction of weigh. What as he realises that all the hours he has put into capturing and training Pokémon have vanished. Our Pebble. Let’s listen to that drama. Speaker 3 Doing doing. Speaker 4 Chuck. Speaker Sorry. Speaker 4 Come on, not get up. Speaker Yeah. Speaker 5 Argument. You should still go to generation. Speaker All good. Speaker 4 Story torio. Speaker Hi. Close. And. Craig Alright. Yeah, thanks for listening to. That was a bit longer than I’d expected, playing that great clip, but just to bring people up to speed, I don’t know if your headphones working. Yeah. OK. I’m. I’m here now with co-host Taylor. Yeah. Hey. Hey. So what we’re looking at at the moment. Is a Japanese actors dramatic Pokémon save data loss that has gone viral yesterday during traumatic memories. So we were just listening to his YouTube clip collection there. This is from do you ever play the Pokémon? Games. Come on mate. I’ve had it. I know. Totally thank goodness for that. Yeah. Taylor Of course I have. But my first one was Ruby. I never played anything before that and then I went back. Craig OK. Taylor And played the originals. Craig Right, because this is the game he was playing was. Taylor Red blue. Speaker 7 Or grim. Craig Pokémon red. Yeah. Where does that? Where’s Pokémon red? Taylor That’s the well the first. That’s the first one. Craig Right, right, right. So. Taylor Red and blue in America slash the world red and green in Japan. Speaker Oh, really? Yeah. Craig Then why would they do? Taylor That I don’t know, but that’s why it was. That’s why they redid it for the. Game Boy, when they redid it, it was fire red and leaf green and people like, well, why isn’t it fire red and water blue? It’s like well, because in Japan it was green. It was never blue. Craig Mind blown. I mean, I wonder how many comments we’re gonna get. From that reaction because he. His his comment that he lost his save game quickly amassed 4.4 million views on the comments, so I’m hoping SMS and now anyway so the because he posted that my Pokémon Red Game Boy cartridge, so he I guess he was playing on an actual Game Boy. Control system rather than an email. Later, just vanished when he booted it up after X number of millions of hours playing it, and so he goes on seeing my remaining lifetime. I will not find another adventure to embark on. So rather dramatic. Yeah. So, yeah, he’s he’s unfortunate to have loss experience, attracted many sympathetic comments. People reminiscing about the sadness they’ve felt when they’ve lost valuable saves their children. Did you ever lose any saves? Particularly, I guess cartridge based systems like a Game Boy and 64 PS1 PS. Taylor I don’t. I don’t think I’ve ever had a loss like that. A corruption or anything like. Craig 2 memory card. Speaker 4 Correct. Taylor That I I take care of my thing. Craig I recently had that problem. Where. Taylor You save Scott. Craig Now what happened was, yeah, well, this was the game I’ve been save Scumming forever on. And that’s right. Yeah. I was using OneDrive to cloud save where the save files were going from Paradox. Taylor OK. All right, yeah. Craig For the game provider for Crusader Kings 3. And and I for some reason like I’ve been using 2 OneDrive accounts and and anyway the the account that had all those saves linked to them wasn’t syncing properly. Yeah, and by the time I sorted it. Out it it. Had lost those saves. So yeah, right back to like. Taylor And. Craig You know, two years ago, when I. Bought a game. So yeah, yeah, it does happen. It does. Taylor Happen. Well, actually, when we’re talking about old tech, that reminds me of, I think it was around two or three months ago. Nintendo said that they have officially run out of Nintendo 3D. Speaker Alright. Taylor Yes, like repair kits, right? If you have a 3DS and you break anything on it up until now, up until about three months ago, you could have at least sent it back and they might have fixed it. Or you might have sent it to some sort of store, and that store might have got the parts and fixed it. But now they have. They’re not making anymore. Speaker 6. Taylor It’s all gone. All of the reserves. Speaker See. Craig Are gone, you know, right to repair, right, right to repair. Speaker 5 Yes. Craig All right. So the the next story. It’s. Taylor Really a kalimba? Craig They’re great. They’re thumb piano. Yeah. Do you know how to play the kalimba? Taylor No, but I could probably pick it up in 5. Craig Then. Minutes alright. Well, you can be in charge. Of playing the. Tunes. Well, we’re going from story to story. So OK, next story. Speaker 7 OK, cool. Craig This is from Engadget Star Wars tales. The Star Wars tales of the Underworld will premiere on Fortnite beginning May 2nd, which blows my mind. So this. Speaker 7 Shouldn’t. Taylor You may the 4th. Craig Well, yeah, actually that that’s a great point where the 4th is actually the holiday. Well, the the fake Star Wars holiday, may the fourth be with you. It’s a bit of Star Wars news. So this is the new animated Star Wars series. And strangely, the first it’s at least Episode 1 is premiering on the game platform. Or Fortnite? Right. So could you imagine going playing for and logging into Fortnite, then taking your character because it says that viewing will take place in the in game location called Star Wars Watch Party Island? You’ve gotta go to this island, and then you’ll you’ll see a screen right on the island like a movie screen. What is? You’ve got your character. Taylor OK. OK. Yeah. But it’s not in game. Well, it is you. No. No, but it’s not in a like a. Craig Oh, the fighting is switched off. Taylor Game, not the fighting switched off because I saw a as a singer. I don’t particularly like. Craig Hey, please do it. You’re in this. K pop. Taylor No tones and eye. Craig Tones an eye. Taylor Yeah. Who did the dance? It’s one ohh, right? Yeah. She had a concert in Fortnite. Ohh, and you just basically load up into this screen and sort of like. There are all these visuals. There’s like the video of it, and then suddenly you’ll be, like transported down some sort of tunnel. And it’s like, all with the musics going. And it’s like a visualiser sort of effect sort of thing. So it’s it’s still sort of like a a playable experience rather than just watching something. Craig And. Wow. And living in the future. Kind of vibe like, OK, so yeah, it’d be interesting SMS. And now if you’re planning to do it, OK, NEXT story. Taylor Yeah. Craig Musical interlude. That’s quite good. Fallout creator says he was ordered to destroy source code that the studio has since lost. I had the I had had that in digital form and was ordered to destroy it. So this is a case. This is the file that created Tim Kaine and he was in an interview and he, he said. Yeah, this horrible thing happened and it’s happened in, well, in terms of its standard practise, he said. In his experience working with a company where after you finished the job, they’ll ask you to destroy all copies of the source code, right? And that they will then be the custodians and librarian guardian, guardian of the source code. Right. So it will be held. In the company, right, rather than the creator creator’s hands. So he said this happened a couple of times where he’s going to have destroyed everything as required, and then the company has lost it. Right. And he said he found this out because he. It was so this was like, years after he destroyed it. He goes. Where is it? You know? So then he says a few years later, after I had left the company, they contacted me and said, oops, we’ve lost it. And I thought at first they were trapping me into into confessing that he’d made a a legal error by keeping them. But he said no, no. I destroyed them like he told. Speaker 7 Yeah. Craig And it turned out that they’ve really lost them and they were hoping and they were hoping he hadn’t done what he was legally required to do anyway. So he’s saying, yeah, this is a problem because there are so many games out there in the 70s from the Seventies, 80s and 90s, that that source code is just gone because of mismanagement and. Taylor And we’re panicking. Yeah. I wish well. Reminds me of Doctor Who. How? Craig Like white doctor episodes ago on the BBC, taped over. Taylor Fair enough. Yeah, fair enough. But also in terms of. How we’re talking about how DS game, how DS has been. The DS NO3DS3DS is the one that has. They’ve got no more parts for it. So don’t they then have some sort of obligation to let it be emulated or is it just gonna go into the ether? Speaker 4 What? Craig Yes, for prosperity. Speaker 5 Great point. Craig Yeah. Yep. Yep. Well, emulate this SMS in now. Send us a message on the chat if you have, you know, the revolution starts here. Next story. Yep, you’re doing well. It’s beautiful. George Lucas here in the next story posted on Goose Mondo as well as a couple of other spaces. Anyway, article from. Taylor Gizmodo, saying you know The funny thing about that first of all is I’ve always looked at that and it says very clearly. Gizmodo, Gizmodo. Craig It does too. I know Mondo Mondo is much better modo. Sorry go, Gaius Moto. Their headline is reveals why Yoda talks like that George Lucas does. Nice. Nice to see what they’ve done there. The Star Wars creator recently settled a long standing question about the Jedi Master, so let’s play the clip that this is part of. So here’s George Lucas recently talking at. I think it’s like a. Taylor Comic Con sort. Craig Of thing. It was, yeah, something like that, yeah. Speaker Why does Yoda speak backwards? Speaker 5 Well, I will tell you, thank you. Yoda had a very distinctive way of talking because and it it was done purposely. Speaker 4 Yeah, it’s. Speaker 5 Because if you were speaking regular English or being was he? People don’t listen that much. But if he has an accent or it’s really hard to understand what he’s saying, they focus on what he’s saying. Speaker 4 Jedi Master Yoda, you seek Yoda. Speaker You know him? Speaker 4 To him, alien. Speaker 5 And what he was, he was basically the philosopher of the movie. So he was talking about all of the things, you know, in long talking scenes and stuff where I had to figure out a way to get people to actually listen, especially 12 year olds. Craig All right, so George Lucas’s answer there in terms of why Yoda speaks kind of inverted is, so it will. Force people to listen to what you’re saying because it’s like what? So it’s that kind of slow down and listen effect which what do you what do you think? Speaker 7 Yeah. Taylor But should, but as as a as a movie maker, shouldn’t everyone be listening to what your characters are saying all the time? You just make everyone speak like that. Craig Well, I mean we. That’s great. I like that theory. If this is true. Well, I did. I did ask some leading theory. Speaker 7 Yeah. Craig You know, so let’s start with John first. John Fisk is one of my favourite cultural studies theorists. OK, he came up with the concept of cultural economy and textual poaching. So I asked techy PPT to say what John Fisk said about your distinctive speech patterns. Taylor Would have. Craig OK. So in terms of cultural economy theory, so this is a theory about how media creates hierarchies of meaning and value. Yoda’s speech marked by inverted syntax. Immediately sets them apart from other characters, cause I guess no one else speaks in inverted syntax in styles. Taylor And 2D2. Craig Does who knows what syntax that is right beeps boops the so it immediately sets apart. I guess within the sassing. It’s. I guess it could signal wisdom, mysticism, unconventional worldview, right. Because you’re you’re you’re like. Of inverted syntax so unconventional, his speech pattern functions as a form of cultural capital. Possibly right, because it distinguishes him as ancient, enlightened figure whose wisdom transcends conventional language structures. Speaker Yeah. Craig Right. I mean that or crazy person. Taylor Yeah, exactly. Craig Right. It goes on to say in the broader cultural economy of Star Wars, Yoda’s speech reinforces his outsider status. Which I guess. He is an outsider. He’s certainly the only do. Yeah. Taylor Little green, pointy eared. Goblin dude. Craig There aren’t many others, no. He’s not part of the dominant linguistic order of the Galaxy, much like how much? Yeah, that’s right. Well, I’m going to get around to that. Much like, how marginalised groups often develop unique linguistic styles to set them apart. Yeah, like, have you ever encountered any? Taylor American English is. Craig Unique linguistic styles in your experiences of subcultures bumping into groups of young hooligans. You know, with their own. Taylor Yeah. Well, I I guess, I guess what I disagree with there is that usually this sort of in culture, slang etcetera is used with other members of that species, whereas Yoda doesn’t speak to anybody else that speaks like. Craig That, well, maybe his native tongue is back to France. Speaker 5 Hmm. Speaker Hmm. Craig And then when he translates to speak English, he keeps that up. Taylor Yeah. Craig In terms of Fisks idea of textual poaching, so that’s where, you know you’ll parity or you’ll you’ll adopt bits of a franchise to call you put stickers of Fortnite on your laptop hasn’t happened yet. Sexual poaching, right. It’s a reinterpreted. Taylor Hasn’t. Craig Each pen has been widely parodied, quoted, and adapted. By. Yeah. So I mean certainly in terms of if you want to do a voice like kind of gravely. Hmm. Taylor Brilliant. Craig That’s pretty good. That was pretty good. Speaker 7 Yes. Craig Voice as well as then talking in inverted syntax. Taylor You’ve been practising that, haven’t you? Craig Yeah, yeah, yeah. So yeah, a lot of lot of pop culture significance there. Well, I mean Halley’s theory. Me. Yeah, I can keep beating on about this, he says pretty much the same thing. Well, actually, I did another search which was applying Blake Snyder’s save the CAP framework to explain what your speech pattern means. And that was interesting because it did pick up moments of. Taylor Ohh yeah yeah yeah. Craig Where Yoda’s mannerisms could be linked to a plot point so. Speaker M. Craig You know, the first one is the kind of the setup and theme, right? It’s the argument there is that you’re just speech immediately signals that he is different. So I guess if you’re setting up the theme that in Empire Strikes Back, Luke Skywalker escapes from health, he goes to debate a train with the Jedi master doesn’t know what Yoda looks like, but. Encounters this green pointy goblin, and because it’s talking in inverted syntax, I guess it’s setting it’s a setup and theme establishment that it’s. Different you’re encountering difference as to whether or not that’s ancient and wise difference. Looks like it doesn’t think that’s the case with the first encounter. It then goes on to talk about the the second. Storytelling beat that can happen is the catalyst and debate beat. So in this way, it’s so the catalyst is events that propel a hero into action. So when Luke Skywalker meets Yoda, he initially doubts that the small, strange creature is in fact wise, because he’s talking in back, inverted syntax. So it’s a catalyst, this moment aligns. With the debate. To Luke Skywalker is debating, you know, surely you’re not Yoda. Do I trust Yoda or this green pointy goblin dude? And when the green pointy goblin says he is Yoda? Yeah. Do I trust him because his speech pattern does not seem to be wise. Bad guys close in, right and there to beat 3. This is interesting to me. Snyder’s framework emphasises that obstacles should intensify the story as the story progresses. So as the story goes on, you get to act two and three. There should be more and more obstacles and they should be more intense. Yoda speech becomes more cryptic and challenging. It says as Luke struggles with his training, his unconventional syntax forces Luke and the audience to slow down and reflect. And this is what I guess George Lucas is saying about that decision. He wanted the audience to slow down and reflect. It’s interesting that this is saying that. In terms of storytelling in universe, maybe what’s happening here is Yoda is also getting looped to slow down and reflect by delivering his wisdom in inverted syntax. You reckon if you’re a teacher you should invert syntax to help students slow down and reflect on the points you’re making. Speaker 7 This. Speaker No. Taylor Who’s your favourite Star Wars character? Craig Ohh denga, he’s the one that has toilet paper wrapped around him. He’s one of the burning hunters in Empire Strikes Back. He was meant to be a key villain figure with Boba Fett in return to Jedi, but then they dropped that storyline in terms of it then. Taylor All right. Craig Team. Closing the yard vac with Darth Vader. But yeah, it’s, I mean I choose that because it’s such a weird, stupid decision. Say Dengar, but I always thought his action figure looked really cool and I was disappointed with how he was used in the movies because he basically is there. In one scene he doesn’t say. Anything I don’t think he does. Anything. Yeah, you can read my fan fiction. He’s your favourite sales. Taylor Character. I probably don’t have one now, but when? I. Was a kid, Mace Windu. Craig Do. Really. Yeah. You’re doing the prequels? Yeah. You know, these windows? Cool. You know, Samuel Jackson can’t know that. His. Yeah, I mean, he features heavily in a lot of the memes that come out of the Star Wars universe particularly. Speaker 7 Yeah. But I I I liked him. Taylor His pre meme when I was a kid, I liked it because he had a purple lightsaber and. Craig Well. Taylor That was my favourite colour. Craig Was from what I remember, that was deliberately Jackson’s choice. He asked for the purple lightsaber as a teacher. I mean, I mean, cause he’s a teacher, right? He’s he’s training other padawans. Does he train? He certainly. Taylor Yeah. Craig Busts anakins balls, right. He’s the one that says you can’t become a paddle. You can’t become a. Taylor I wouldn’t put it like that, but yeah. Craig Master. Yeah, right. Yeah. You know, maybe that tough love that he’s doing. Yeah. All right. Well, let’s, let’s. To answer new story, new story. Taylor Thing. Craig Oh, that’s beautiful. Oh, OK yeah, yeah. No, that that was very helpful. Get them ready, screened to work. OK, so I want to go into Andor now. There’s an article on Polygon talking how Andors creator isn’t shy, but is inspiration for the Empire in Season 2 and basically it’s linking it back to kind of it’s Nazi symbology and the idea of a kind of right wing dictatorship. Nazi rise with a kind of nascent rebellion. Now, I don’t want to talk about that. I want to talk about. An interesting interview with the three actors that play the the leading Imperial bad guys. So it’s Ben Mendelson who plays, you know, one of the big Imperial. Honchos, I think is like the the the second in charge after Darth Vader for. Taylor I can’t. I can’t think of what it looks like. Craig You’ve got Dennis Gove, who plays that kind of wimpy. Guy and and then the the, the. They’re asked in this interview why are Star Wars villains British? Taylor OK. Speaker Pay attention. Speaker 8 Now, is there anything you’d care to tell me before I waste more of my time figuring out what it is you are up to? Speaker 4 Near security violation will be brought to the Emperor’s personal. Speaker Which? Speaker 3 Of course, you’re perfectly placed to answer this because you’re respectively American, Australian and Irish, of course. So why is it so extraordinarily fitting that in this Star Wars universe that the really evil people are fitted with British accents? Speaker 8 The Empire, darling, it just everything sounds a bit more evil when you do it in a very, very strong. English accent. Craig Just put it there. What do you think in terms of British accents and everything sounds more evil when you deliver it in an English accent. Taylor I like I can, I’ve I’ve seen that that they’ve pretty much done that in a lot of the modern movies, but I kind of disagree. I think there’s one more accent that does it a lot better. Craig Yeah, that’s that. Ohh yeah. Yeah, yeah. Taylor South African. They’re going back to Indiana Jones, going back to. Craig I mean. Yeah. OK. It’s interesting that I was recently watching Gladiator too. Yeah, and that maps out like that. All the bad guys are British accents in terms of what Tatcha PTC’s John Fisks interpretation of this being and cultural appearance. So again, cultural economy examines how media and cultural products shape or reflect social hierarchies. In Star Wars, the Galactic Empire is portrayed as an authoritarian regime like Nazis. And British accents often signal, well, not Nazis. But they’re not against Nazis, but they signal power, control and the leaders. And I guess historically from them as a colonial power, you know, we’re talking to the Dutch East India Company, the history of imperial colonialism in the. 17th, 18th and 19th century. So signals power control and elitism. Historically, Hollywood has used British accents to represent sophistication and intelligence, which aligns with the empire’s structured, hierarchical nature. This plays into audience expectations. British accents evoke a sense of calculated. Any making the antagonist more imposing. So yes, if you want to short cut or shorthand, you know this is a bad guy. Bruce section well, Ben Mendelson, the Australian actor, offers a really, really I think different approach to this question a little later, but we’ll listen to some further answers from the. Taylor OK. Craig Interview with the actors. Speaker 8 Turn out the lights. Because I tried to do it in Irish initially when I got the scripts and I rang Tony and I was like this just is not gonna work. They’re not gonna have an Irish woman in the empire. I’m sorry. We just don’t sound evil enough. And then we tried American and it didn’t work. So we all fall back on. Speaker 4 The British and there’s a historical reason for it too. Yeah, we’re talking about American films and, you know, the villain would be played by the heavyweight actors, and they tended to be. Rich and whatnot. So you had an English, you know, a you had your Vincent prices etcetera, etcetera. The lakes. Speaker 1 Poems became black stack. Speaker The land withered is before a. Speaker 4 Plague, you know, pushing, etcetera. Speaker Etcetera, we will. Speaker 5 Deal with your rebel friends. Speaker 4 Yeah. Ian McDiarmid? Yes, the mighty. Speaker 8 Yeah, the mighty end. Craig So put it there. And an actor. What do you think so far? You know that you know, when early in Hollywood, I mean, not that. You are acting in the 19. Taylor Ellen. Hollywood. Yeah. Craig 30s but I thought it was a really interesting point in terms of saying that they’re often cast. You know, the villain royal needs a lot of heavy gravitas and hitter, so they’ll, they’ll cast someone, maybe with theatrical. Training right. Someone that comes from theatre, maybe an old school actor, which is inevitably going to be British. That kind of Shakespearean theatrical training. Yeah. Peter Cushing. I mean, Vincent Price isn’t British, but nevertheless, he does affect the British accent and some of the horror. Taylor Yeah. Globe theatre. Yeah. Craig Films in McDermott anyway. The guy that plays the emperor. Because that theatrical Shakespearean training, do you reckon the villain role does require someone that that has better acting chops? Taylor I’m not sure like if. Craig You’ve got a bad actor doing a villain role. It’s more likely to fall apart as a movie or an act theatre act than if the hero is a bad actor. Speaker Hmm. Craig Like does the the villain have to do all the heavy lifting in terms of makes the? You know the feeling can make the good guy look better, but it’s hard for the if there’s a bad actor as the villain. It’s hard for the hero to make that bad actor look better as a villain. I know. I mean, I think like, well, I think like the Robin Hood, Prince of Thieves with that had. Taylor That’s interesting, isn’t it? Craig Robin Hood, Prince of Thieves that star it. Was. Taylor I mean, I mean all I can think of in terms of like having a big heavyweight as like the villain, the size of the lamb. Craig Yeah. Yeah, that’s right. With. Oh, yeah, so OK. Taylor I can’t remember his name. Craig 1st. Taylor OK. Yeah. Prince of thieves. Let’s go with that. Craig Vincent, because you had Kevin Costner. Hmm. And in fact, we’re talking about accents. I was listening recently to a podcast that was saying how, when Kevin Costner first was on stage and performed his English accent because he’s playing Robin Hood. Speaker Yes. Craig The director was so unimpressed with his English accent. Then he said you’re just playing it as American. Just you’re just playing the role with an American accent. But that was really stolen by Alan Rickman, who played the Sheriff of Nottingham, who really was seen to steal the movie as the villain again. Speaker 5 Hmm. Craig Wonderful British accents. And that that seems to conform to that idea of, you know. You want your Bruce Willis playing off Halloween Rickman in die hard? I don’t know. I mean, Alan Rickman’s accent and die hard is kind of German English. Taylor Sort of thing. Yeah. Yeah. Well, when? When when I was most recently on stage. I didn’t play the villain, but I played the comedy. Aspect. Craig Of it was Agatha. Yep. Taylor Agatha Christie played the comedy aspect of it. What sort of accent did I have? Welsh. Welsh. Craig How does it? Where does the Welsh accent go? Taylor Seasonal mists and mellow fruitfulness. Close bosom friend of the maturing sun. Craig That’s perfect. We should do more voices. OK. So Ben Mendelson saying one of the things that made it more likely to have British accents was. Taylor Having a a seasoned actor, yeah. Craig Heavy headed. Yep. Let’s hear how it goes. Speaker In time you will call me master. Speaker 1 At last, we will reveal ourselves to the Jedi. At last we will have. Speaker 4 Revenge. The Rebel alliance is too well equipped. Speaker Yes, my Lord, intensify the forward batteries. I don’t want anything. Speaker 4 To get through, where’s my airway? Speaker 8 It was easy last season to talk about the empires being Oh yeah, we want to be in the empire. It was kind of. There was a little bit of Campari to it anyway. Yeah, this. Season, that’s all. Gone. It’s really gone. It’s not. Speaker 1 Yeah, yeah. Speaker Company work? And then those are finished. Speaker 8 I think Fiona doing her own accent as Cassian’s mother was so inspired. It was so beautiful to have an Irish woman being the leader of that, like the start of his rebellion. Speaker 7 People are standing up. Speaker 8 It was. I felt very, very proud, but I’m really enjoying, you know, mincing about as a terribly posh English person. What are you doing, Mr. Khan? Speaker 5 Cassian and or as a murderer and a threat to the empire, I have been trying to. Speaker 8 Find him and then Genevieve, obviously, is also Irish. Speaker 9 The public. Although resentencing directive. Is the next step on an all too predictable March toward complete, unchallenged authority? Craig I’m just reading ahead through some of the TPT props I did. Yeah, it’s again going via Blake Snyder’s save the cat, which is a kind of writing Bible that people some people use to write scripts for movies, breaking it apart in terms of the. Choice of accents in terms of why villains often have British. Since. He defines some of the reasons in terms of plot narrative, how I was just reading the the catalyst in debate moment. The catalyst is again the event that propels the hero into action in Star Wars. This is often the empires oppressive action again delivered in British accents, the British accented. Speaker M. Craig Villains create a clear ideological contrast between the empire and the rebellion. Rebellion particularly. I guess if the rebellion are speaking other accents. Like there we. That the fact that the some of the rebellion figures are Irish have have very strong Irish accents that the native Irish tongue or American accents. Snyder says that or that could be mirroring historical conflicts like the American Revolution, where British rule was resisted. So historically, yeah, there’ll be moments in American history. Where they fought the British. Mm-hmm. American Revolution. So the British were the bad guys. That. In that struggle of of of independence. Taylor I mean that that does make sense like in terms of like historical things like that, but the people like for it to be so ingrained within our culture has to be something different. Craig Well, yeah. And I think I think part of it is that that the, the history of British cultural well British economic and cultural imperialism in the 17th, 18th, 19th centuries, you know, the the horrible, horrible history of American. Sorry, American. British imperialism into India or Australia that invasion. You know, it’s part of that then also I do like the idea that part of it could also be them hiring, heavy hitting actors, actors that have that gravitas, Shakespearean, theatrically trained actors. So you’ve got Alec Guinness, a good guy though, right? But very British accents. So actually it’s a counter point to that, but maybe it’s the the exception that proves the rule. Did you? Do you have any other feelings around accents in Star Wars the the use of British accents? Taylor Not really. Craig Yoda accents. No, you can’t really. I mean, most Windows accent. Now that’s an accent. That’s American independence. That’s. And particularly because he fights off against the emperor. That’s Ian McDermott. I think the actors name is. Who’s British and performing in Shakespearean British. Yeah. Yeah. So it’s it’s, it is striking. You know, everything from certainly, you know, the Romans in, in any movie I watched Ben Hur over Easter, Lord of the Romans are theatrical British performance. Right. And they’re all, like, chewing up the scenery with. Taylor Ohh my ohh. Craig The Shakespearean background. Taylor Yeah, same with Life of Brian. Craig Yes. Yeah. Are there any? Do they do any? Of them not speak. British they Polish English in that. Taylor I remember when I was a kid, right. And as a treat the teacher put on Ben Hur to. Craig Watch. OK Charlton Heston classic. Taylor The full Ben Hur across the whole day. Craig Is that 3 hours 3 plus hours? Taylor Three plus hours, plus the intermission it. Craig It’s fantastic. Taylor The worst thing I’ve ever sat. Craig Really. I mean. Ohh yeah yeah. I mean, if you’re doing for school, anything’s gonna suck. Yeah. I mean, unless there’s some sexy scenes in it or something. Taylor But it was like a trait sort of thing and it just it went on for. Craig Well, yeah. But I mean I I quote it recently again introduced my daughter to it. She hadn’t seen it, loved it. But I do. Speaker 7 So long. Craig Think. Taylor You know that’s a. Lie. Well, we. Craig Split it over 2 nights, right? So we, I mean, it really does have two bite sized films in it in terms of the first film, you forget. Taylor OK. Yeah. And then the chariot race, which goes on. Speaker Well, yeah, yeah. Craig Because I mean, the first film has the Climatic Third act of the the galley battle with the was it the Persian? I think first Roman galleys. Taylor For. Craig And and and that’s pretty much where that ends. And then the second film, yeah, then has the huge chariot race, which I yeah, I think really holds up. I mean, sure, singing at school. I mean that’s going to that’s going to knock a lot of points off of its. Taylor Entertainment value. Actually. That reminds me. Do you remember back in? So it was in. I think it was 9 no 2002 between 2002 and 2006. Every DVD had that. You wouldn’t steal a handbag, you wouldn’t steal a car. Yeah. Speaker Oh. Craig Ohh yes yes, the anti piracy warning. Taylor Anti piracy warning interesting thing came out about that over the week. The this last week the font they used was pirated. Craig Alright, yes, it was the font. Let’s try and remember it was the music. The font was pirated. Yeah, they didn’t get permission. They didn’t pay. And it’s just this blatant hypocrisy, isn’t it? I mean, you know what type of? I mean, I wonder if people that got well, you wouldn’t get busted because of that ad, but nevertheless, it it does show you the hypocrisy behind and also the difficulty of navigating. Speaker 7 Yeah. Craig That proprietary environment sometimes, yeah. And a media mothership. That’s why we have the wonderful sounds of our kalimba kalimba. Kalimba action here on mother emoji. Yep. So we’ll be releasing a CD. Probably by one. Yeah, I’m thinking we’re getting some great tunes coming in SMS. And now if you have any climber requests. Yeah, I’ll do it. Mothership. So. I guess the other thing that I found interesting about that clip we just heard was when the actress the actress saying how proud she felt of hearing her native language, the native dialect, sorry, the the Irish dialect. Speaker Right. Craig Our accent being spoken in in stalls hand or have you ever felt an overwhelming sense of pride when you’ve heard the Australian accents when you burst through in a movie? Speaker 7 Christ. No. No, it’s. Craig TV show. Taylor Like, it’s really jarring every time it happens, isn’t it? I mean, yeah. Craig Recently encountered A jarring experience. Taylor No, because I generally tend to stay away from it. Craig It is interesting when the Australian accent is nestled in a whole other, you know, smorgasbord of accents. Speaker 7 Alright mate, really touches through. Craig I often find it plain. Yeah. And and often is quite quite a poor. Poor. Yeah, it doesn’t. I mean, in terms of soft power, I guess what we’re talking about here is the kind of attraction positiveness someone feels towards an ephemeral thing, like an accent. You know, the British accent has a lot of soft power as we’re literally unpacking it here with Star Wars. We’re saying, you know, why is British accent used for all these kind of reasons around villainry and power and menace that could convey authoritarian control. Right. That’s a huge amount of soft power. It’s not them physically being aggressive or sounding. You know, angry or powerful, but it’s it’s just the power of the accent. The Australian accents. Yeah. Yeah. When, like, you got crocodile Dundee, crocodile hunter. So you might see that accent comes up as well. Yeah, a parody of that kind of Aussie, you know, outdoor. Taylor All Aussie adventures. Craig Rural, you know Bush kite, right? But that we’ve been stuck with that since. Forever, right? It really is not at all part of the cultural imagining today. And you’ve got various Australian actors, you know, Russell Crowe, thinking of Gladiator Ben Mendelson himself. We just heard from them, but they rarely, it seems, give a Hollywood movie performance in their. Stray and. Tonne. Taylor Oh yeah. I mean, that was his name, Thor. Fellow. Craig Chris Hemsworth. Yeah, yeah. Didn’t perform Thor via Australian accent. Performed it via British accent, you know. Yeah. Taylor No British. Yeah, well. Craig Are there any superheroes that have us? Taylor Back onto Irish accents. Craig Yeah. Taylor Do you have like can you name an Irish movie? Craig I well, there’s a really abominable well, not abominable, one of Sean Connery’s first films is I feel it was cool, but it was it was it, he, he. He played an Irishman in, you know, 1920s island. Taylor OK. Yeah. Craig Yeah, well, an Irish film, yeah. Taylor I’ve got one that you might like. OK, with your extensive experience in horror, genre comedy, sort of space grabbers. Craig Oh, let’s do it. OK, grabbers. I’ve not heard. Taylor Of it, it’s an Irish made film, Irish starred film and it’s all about. These. Creatures that. Are coming up from the sea and like birthing eggs on the beach and these eggs hatch and they start killing everybody, and then they figure out that the only way to. Craig Oh wow. Taylor Sort of be saved is to get blackout drunk and then when the creature tries to eat them, it gets poisoned by the. Craig Alcohol. Ohh. Really? Yeah. So this is the trailer. Very spooky sound effects. This came out in 20. 12. So he’s been grabbed then? Speaker There’s always a quiet places where the mad **** happens. For their pilot whales. They died at sea. Can’t be self a sea monster. Speaker 4 This is something totally different, something something alien. Taylor You don’t believe me? Speaker None of this. Yes. Speaker 7 Christ, it’s a nice. Speaker Evil incidences. Speaker 8 Alrighty. Speaker 4 You are so lucky, she. Speaker 1 Didn’t kill you. You were drunk. Speaker 4 If we taint our blood with booze with poisonous sweets. Speaker 5 It’s extraordinary. Speaker 4 Stay out of the rain and we drink. Speaker You’re throwing a party. It’s a welcome party for. Me. You’re leaving in a fortnight. Speaker 8 Just a goodbye party. Whatever. Speaker She’s right at. The door. There’s none. Have you got some tags? On you not on me, no. Craig It does remind me a bit of, you know, the real world phenomena of where you find something you think is actually bad for you is good for you. So, right. So like, you know, bit of red wine actually some of that each week is good for you. Coffee, you know, doesn’t that have wow and this week? Taylor Yeah. Craig Be good for you. So it does. I think it does play into that as well as what a delightful idea. Grandmas came out in 2012. How did you? Taylor Come across that so the way that I came across that is so the police officer, the female police officer that you see in. There. Craig Yeah, and wonderful Irish accents. Taylor Yes. Ohh, I forgot what her name is, but she’s in the Doctor Who audios where she plays Molly O’Sullivan and so. Craig Ah. Is that a companion or? Taylor For one particular audio adventure. Craig Right. Taylor Which doctor? What is it 9? No 8th Doctor Who? The movie. Craig Ohh really Paul Mcgahan, the forgotten doctor? Yeah, right. Oh, fascinating. Taylor Yeah. But not in the audio. World he is the style of. Craig Ohh totally yeah yeah. Audio, precisely. Such a fascinating little. Taylor World. Craig You know, transmedia movement of fandom there that the audio adventures is where his. Can cause he performs it sure right. I mean it’s. Wow, I’m sure we’re going to be asked. Speaker To. Craig To do that. Wonderful. Alright well. So anyway, so that’s how you came across it. You then did a search of the. Taylor Yeah, because because I I was like trying to figure out who this woman was. And oh, she’s in a movie. So it was the first movie I bought on. ITunes actually was that. Craig Movie. Oh, really? Wow. Wow. I’m glad you didn’t, you know, just steal a handbag. Yeah. All right. Well, orphant orphant, thanks for listening. This has been Craig and Taylor here from media mothership on each radio. We’ll post some show notes and clips up on YouTube and Twitch as well as I’ll produce this up as a podcast next week. I’m not sure, not sure about what we’re doing. We’ll be doing something you can listen to previous episodes on YouTube, Twitch, and at edgeradio.org dot AU or your podcast. Taylor About what? OK. Yeah, yeah, yeah. Craig Provider of choice. Yeah, right. I’m not touching. Taylor And Patreon. Craig To like get at least 500 fans. Find out more about media mothership on Facebook and Instagram. Keep listening now to. It’s radio. Do we have any announcements of your show? Starting up soon. Taylor It’s not still still still going towards it, yeah. Craig Dawn nascent. You want to plug your YouTube YouTube. Your Facebook page. Speaker 7 What? Craig For it, if people are interested in. Taylor Ohh yeah yeah yeah. Youtube.com facebook.com/D M for aeroplane. Send your tracks in. Craig DM for aeroplane. Yeah. So if you want, if you got some great kalimba tunes. Taylor Yeah. Craig Send them in to DM for Airplay and they might be played on. Taylor Yeah. Craig Taylor’s new show.

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  • Unlocking ‘Nothing Behind the Door’

    Unlocking ‘Nothing Behind the Door’

    Episode 102 – With host Craig Norris and Taylor Lidstone
    First Broadcast on Edge Radio, 11 April 2025.

    Join us as we delve into the latest trends in media culture and spotlight a classic gem from the golden age of radio—’Nothing Behind the Door‘ (1947) from the Quiet, Please series. We analyze its storytelling beats using Blake Snyder’s Save the Cat theory, uncovering what makes this episode a timeless piece of eerie radio drama. Inspired by the release of Black Mirror Season 7, we explore the roots of surreal, grim, and haunting narratives found in classic radio shows.

    grayscale photo of wooden door
    Some doors should stay closed, but what happens when you open it?

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